felipe luciano

Over at Khalil Al-Puerto Rikani's blog I found this recording of Felipe Luciano (former Last Poet and Young Lords memmber) introducing Eddie Palmieri with a a powerful spoken word piece called "Puerto Rican Rhythms":


You can also check out an older Felipe Luciano performing "Jibaro / My Pretty Nigger" on Def Poetry Jam:



Luciano prefaces his poem with some topical comments (especially considering that today is the first day of Kwanzaa, which represents umoja or unity). Afterwards there is also a performance by muMs da Schemer.

the last poets
young lords
niggers are scared of revolution
"...being the last one around"

millie pulled a pistol on santa / kwanzaa

Yeah, I know it is in the dark side... but the other day I was in my car listening to some old De La Soul was thinking how "Millie Pulled a Pistol on Santa" was sort of timely due to the upcoming holiday. Also, more generally, I'm dealing with a lot of young people these days and I am often amazed at the kind of challenges they have to deal with in their lives.

"Millie Pulled a Pistol on Santa" (lyrics from OHHLA)
"Millie Pulled a Pistol on Santa" (song on YouTube)

Speaking of upcoming holidays, I hope that any Black bloggers reading this would consider doing some Kwanzaa blogging and maybe even set up Kwanzaa blogring. To be honest, I wouldn't go around calling myself Afrocentric. And I don't plan on having any rituals with fruit and candles and such this year. But I feel really good about the idea of Black folks taking a solid week out of the year to engage in some sustained thought, reflection and discussion around the seven principles of Nguzo Saba; a process which could be powerfully supported through the use of the internet.

Kwanzaa and Grenada's Past

eid mubarak y'all

Peace and blessings to you and yours.

catching up

I've had the seeds of a lot of different posts rattling around in my head but I'm short on time so I think I'm "forced" to just do a link dump instead of a more thoughtful consideration

Over at Umar Lee's blog, “Ugly Black Women”, Perfect Arab Wives, and Matters of Race starts to discuss some of the less idealized aspects of race relations in the Arab world. This piece was originally inspired by Not Sure What To Make of this “Discussion” over at Soliloquies of a Stranger (The life of an African American, Muslim, Muhaajirah (Expat), from the hood, in an Inter-Racial Marriage. It Doesn’t get any stranger than that!).

Abdur Rahman Muhammad finally concluded his series with Why Blackamerican Muslims Don’t Stand For Justice Pt. 5

Ever since my post i and i and thou I've been meaning to find and share information about Baye Fall, an African-based, dreadlock-wearing Sufi order who are sometimes called "Muslim Rastas". Recently I saw a pretty 'Grenada-esque' entry over at Pa' Africa Muchacho tu ta loco?, written by Dominican blogger Francisco Perez who is currently travelling in Senegal. He has a brief entry on Cheikh Lo an African musician who is a member of the Baye Fall. I wish I had a more detailed understanding of the group, but I suspect that they could be a very strong example in my favor with respect to the ongoing discussions with Sondjata (see islam and afrocentrism, afrocentricity and islam ii) on whether Islam is consistent with being African.

Francisco also has another entry on the upcoming Eid al-Adha entitled What Would Jesus Buy? I'm not sure what else to say about the holiday. This year I feel like the holiday has surprised me. I'm not totally certain which city I'll be in for Eid. I have a couple of old posts about Eid al-Adha but I don't have any genuinely new comments for now.

good for the scalp, good for the soul

I found this article over at Tariq Nelson's blog, but I learned about this barbershop years ago hanging out with some Muslim friends in Chicago. This kind of story is definitely a nice change of pace.

why blackamerican muslims don't stand up for justice

The title of this series by Abdul-Rahman M threw me off at first and made me disinclined to even read what he had to say. But after examining the articles I have to say that it is actually a very thought-provoking historically-grounded series examining (firstly) the different factors which encouraged African-American Muslims to drop-out of the Black American protest tradition during the 60's and 70's and (secondly) the challenges, distractions and obstacles which have made it difficult for orthodox Blackamerican Muslims to participate in that protest tradition in a stronger way.

Why Blackamerican Muslims Don't Stand Up for Justice, Part One
Why Blackamerican Muslims Don't Stand Up for Justice, Part Two
Why Blackamerican Muslims Don't Stand Up for Justice, Part Three
Why Blackamerican Muslims Don't Stand Up for Justice, Part Four

(the final piece, part five is still pending)

the year of living biblically

A few weeks ago I finished A.J. Jacobs' The Year of Living Biblically. Judging from the jacket, the premise was interesting enough for me to want to buy the book, but after I read it I was a bit disappointed by the execution. The basic subject of the book is the author's attempt to spend an entire year following every rule in the Bible literally. Unfortunately, I don't think that he spent much of the year taking the Bible seriously. Admittedly, he grew a beard, wore white, avoided mixed fibers, refrained from eating pork, and went through some effort to follow certain obscure rules. But at times his rule-observance comes off as merely a gimick to legitimize his religious views. Jacobs is a secular agnostic Jew (as he puts it, he is Jewish in the same way that the Olive Garden is Italian) and he actually wanted to underscore the defects of literalism through this project. So he didn't try very hard to be a thoughtful or sympathetic representative of Biblical literalism.

In fact, the most enjoyable sections of the book describe how he went out to spend time with other "literalist" communities; the Amish, Hassidic Jews, Samaritans, Snake-handlers, Creationists, "red-letter" Christians, along with a "cult" in Israel led by Jacobs' weird ex-uncle Gil. A much more interesting project would have been produced if Jacobs could have cut out the gimicky beard and robe and simply had gone to the various communities for an extended period of time and had allowed them to speak for themselves (a la Jesus Camp.)

Bible and Grenada
encyclopedia of biblical errancy
interview with a christmas card
"i've seen ethiopians knocking out rome" (part two)
"i've seen ethiopians knocking out rome"
"god gave noah the rainbow sign..." (part one)
the number of the beast
the reason for the season
the wise men

is spain realy racist?

Last month, fellow Latino Muslim Blogger, Khalil Al-Puerto Rikani put up a post called: Is Spain really racist? I think the article is thought-provoking, even though it paints a rosier picture of Spain than I would have based on my own visit to Spain many years ago. I was really struck by the anti-immigrant articles I would read in the newspaper and the racial caricatures which seemed commonplace (e.g. Conguitos, a brand of chocolate covered peanuts which used a sambo-like figure as a mascot). That visit to Spain was also the first time I ever felt like a police officer looked at me as a suspect. (Apparently, the cop was wondering if I was a terrorist... and I wasn't even Muslim then... but that's a whole other story). So I definitely felt racism was more blatant in Spain than other places I've been to, but perhaps I would have a different experience if I went back and could spend time in some of the locations mentioned on Khalil's blog.

"they plan and allah plans..."

I recently came across the article: American plan to prevent the return of the Caliphate from another Muslim blog. The entry summarizes a report from the RAND corporation entitled Civil Democratic Islam: Partners, Resources and Strategies which explicitly lays out a divide-and-conquer strategy for transforming Muslim societies... a strategy which plays so-called fundamentalists, traditionalists, modernists and secularists against one another.

is wayne brady gonna have to choke a tau'ri?

so two very brief comments:
1. I don't know if more people are actually reading and linking to Planet Grenada or if the TTLB ecosystem changed its definitions recently but (for what it is worth) apparently after several long epochs of being a rodent or a marsupial, Grenada climbed back up the evolutionary ladder and is a large mammal among blogs again. Let's see how long it lasts.

2. C'BS ALife Allah recent comment on the previous post really got me thinking about how I had originally expected Afrofuturism to play a larger role in this blog. As a result, it inspired me to do a little more reading online and sowed the seeds for some future posts... but until then I'll just share one thing for now... even though I've been an on-again-off-again fan of Stargate SG-1 I was surprised to find out recently that Wayne Brady had played first prime (basically head slave) of one of the Goa'uld (the bad guys for the major part of the series). It is hard to explain but somehow that is really fitting and really ironic, all at the same time.

grenada and afro-futurism
ecological crisis
negrophobia, hope and gasoline
negrodamus 1
brian gumbel (sic) is looking like malcolm x?

blacks and brazil

Black Britain: Being black in Brazil vs being black in the USA by Afro-Brazilian journalist, Italo Ramos

In These Times: Can Brazil’s Quilombos Survive? by Anne Kogan is a review of Quilombo Country, a documentary narrated by Chuck D which deals with the modern communities in Brazil which were originally formed by runaway slaves.

Planet Grenada and Brazil
just as long as they don't show the parkers...
brazil race diary 1999
a rising voice: afro-latin americans
brazil's racial history
senzala or quilombo
ronaldo in palestine
arabs in brazil

points to paradise

Chickenbones: Points to Paradise (Or African Immigrants Journey to Spain) by Akoli Penoukou

the fourth world

Chickenbone: Both The Fourth World Multiculturalism as Antidote to Global Violence by Rose Ure Mezu and The Fourth World: In the Belly of the Beast by Amin Sharif insightfully explore some of the civilizational tensions which characterize our contemporary postcolonial world.

traditional islam for the hip-hop generation

Southern California InFocus: Traditional Islam for the hip-hop generation by Zaid Shakur talks about some of the positive things going on in and around the San Diego urban Muslim community.

who is black?

From MyAfricanDiaspora.com:
Who is Black? A Puerto Rican Woman Claims Her Place In The African Diaspora by Rosa Clemente

also by Rosa Clemente:
what does Jesus look like?

jamilah abdul-sabur

Yet another Afro-Caribbean Muslim-by-name-if-not-by-faith I recently discovered is Jamilah Abdul-Sabur. She is a an artist working in sound, video and photography. If I have time I intend to check out her exhibit sometime soon.

According to the New Times:

Very little appears to be happening in some of Jamilah Abdul-Sabur’s imagery, and perhaps that is precisely her message. For her project at Diaspora Vibe Gallery, the young artist documented people as they navigated down-at-the-heels sections of Baltimore, attempting to focus on the socioeconomic disparities among many of that city’s residents. Typically her protagonists find themselves stuck in very bleak spaces. They also seem helpless and unable to escape their dreary surroundings. A man lies on his back in an anonymous interior, his figure outlined by a nimbus of broken glass. A young fellow stands in a hallway, listlessness masking his face. A closeup of a woman frames her against a building full of shattered windows. Abdul-Sabur’s “... believe, in what?” features video, photography, and installation depicting three characters and their interactions within an abandoned Baltimore factory. The gritty exhibit is presented as part of the gallery’s new Off the Wall/Experimental Lab Series organized to engage audiences in nontraditional ways.

rasheed ali & rain people

I don't know if Rasheed Ali is Muslim but he is a musician who identifies as Afro-Caribbean and whose musical influences extend from Africa to all over the diaspora. I was drawn in to him through an article on his blog called: The African in Puerto Rico: An Overview

To read more of his thoughts and listen to his music, check out:
Myspace: Rasheed Ali & Rain People
CD Baby: Rasheed Ali & Rain People
Blogspot: One Tribe, Many Voices
Spanish blog: Una Tribu, Muchas Voces

transafrica forum and afro-colombians

Two items from TransAfrica forum on Afro-Colombians:
First: Call Your Representative to Support HR618 Recognizing Afro-Colombian Rights in the US House of Representatives. And secondly: TransAfrica Calls for Support for the Peace Process and Highlight the Issues facing Afro-Colombians which starts to describe a little of what the situation is and talks about the positive humanitarian involvement of the Chavez government.

is there a black vote in venezuela?

Venezuelanalysis.com: Is There a "Black Vote" in Venezuela? is an older piece which touches on how far Venezuelan society still has to go when it comes to its Black citizens, even under Hugo Chavez.

everything is separated by water

A few weekends ago I was able to catch Everything is separated by water; an exhibition of 17 major pieces by María Magdalena Campos-Pons, an Afro-Cuban artist from Matanzas. I was stuck by how several of the pieces touched on questions of identity in a way which could be generalized to people of African descent, Latinos and immigrant Muslims. Whether you are talking about the Rio Grande, the Atlantic Ocean or the 90 miles which separate Miami from Cuba, 'everything' really is separated by water.

Memory, historical connections to Cuba and Africa, her dislocation and that of her ancestors fuel the 17 major works that comprise the Campos-Pons retrospective Everything is Separated by Water at the Bass Museum in Miami Beach.

''Her work is about constructing identity and cultural histories,'' says curator Lisa D. Freiman, who organized the retrospective for the Indianapolis Museum of Art, where it was staged more amply in 12,000 square feet of space. ``It's about who we become when we move to new places, and the feeling of not completely being whole in any place.''

'In my country, in my setting, in my town, `the problem' of being African wasn't about physical placement or about land,'' Campos-Pons explains. ``When we talked about Africa, we didn't talk about the continent. Africa was in my Cuban backyard.

''Africa was my father, my mother, my cousins and my aunts and uncles,'' she adds. ``They played the drums in the patio at all hours. The question of Africa arose from the point of view of the United States. When I was in Cuba, it was never a question.''

Using paint, herbs and wood sculpture -- sight, sounds and smells -- Campos-Pons conjures the image of the forest where the gods of santería are said to dwell. The forest also is the realm of their messenger and keeper of the roads, Eleguá, the orisha after whom Campos-Pons titles another work, The One Who Opens the Path (1997), a composition of 10 mammoth Polaroid Polacolor photographs.

Likewise, in another piece, The Seven Powers Come by Sea (1992), the seven orishas of the Yoruban pantheon are present in large wood sculptures that resemble slave ships and are carved with stick figures, showing how slaves were tightly stacked on ships sailing to the New World.

For the rest of the story, check out the Miami Herald: Cuban artist connects memories of a fragmented life