Showing posts with label michael jackson. Show all posts
Showing posts with label michael jackson. Show all posts

Monday, July 13, 2009

maya angelou: we had him

(written by Maya Angelou on the occasion of Michael Jackson's death)

We had him

Beloveds, now we know that we know nothing,
now that our bright and shining star can slip away from our fingertips
like a puff of summer wind.

Without notice, our dear love can escape our doting embrace.
Sing our songs among the stars and walk our dances across the face of the moon.
In the instant that Michael is gone, we know nothing. No clocks can tell time.
No oceans can rush our tides with the abrupt absence of our treasure.

Though we are many, each of us is achingly alone, piercingly alone.
Only when we confess our confusion can we remember
that he was a gift to us and we did have him.

He came to us from the creator, trailing creativity in abundance.
Despite the anguish, his life was sheathed in mother love, family love,
and survived and did more than that.
He thrived with passion and compassion, humor and style.
We had him whether we know who he was or did not know,
he was ours and we were his.
We had him, beautiful, delighting our eyes.

His hat, aslant over his brow, and took a pose on his toes for all of us.
And we laughed and stomped our feet for him.
We were enchanted with his passion because he held nothing.
He gave us all he had been given.

Today in Tokyo, beneath the Eiffel Tower, in Ghana's Black Star Square.
In Johannesburg and Pittsburgh, in Birmingham, Alabama, and Birmingham, England

We are missing Michael.
But we do know we had him, and we are the world.

Saturday, June 27, 2009

michael jackson - they don't care about us

MJ at his most controversial (at least in terms of his music). Before the song "They Don't Care About Us" was even released, Michael Jackson was accused of antisemitism due to his use of the lyric: "Jew me, sue me, everybody do me/ Kick me, kike me, don't you black or white me". Jackson argued (rather reasonably) that the intention of the song as a whole is opposed to prejudice and oppression and the disputed lyrics should be viewed in that context.

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In an interview with The Guardian, Spike Lee puts his finger on a certain inconsistency in how the video was treated:

And you wonder if [Spike Lee] regrets any of them [various controversies he's been involved in]. His verbal disembowelling of Quentin Tarantino, for example, after taking offence at the latter's use of the word "nigger" in his 1997 caper Jackie Brown? He's already answering by the time I've got to "Quent-".

"Oh, I don't regret that at all. And to put the record straight, because a lot of people never got the whole story... I never said that Quentin Tarantino should not be allowed to use the word nigger. My contention was that his use of it was excessive. You know, Harvey Weinstein [co-founder of Miramax, Jackie Brown's financiers] called me up and said he wished I'd leave this thing alone. And I said, 'Harvey - would you ever release a film that on so many occasions used the word kike? He just cleared his throat and said, 'No.' So, it's like, 'Oh - you can't say kike but nigger is OK?' "

He lets the question hang. But he's not done yet.
"And then of course they say, 'But Tarantino's an artist, he's just expressing himself.' Well, if we're talking about artists, let's talk about..."

Everything slows with the realisation of what's coming next.
"Michael Jackson. Because, forgetting all that other shit for a minute, in the song They Don't Care About Us, Michael Jackson said 'Sue me, Jew me, Kick me, Kike me.' What happened? He was ripped apart by Spielberg and David Geffen, and the record was pulled from the stores. So, Quentin Tarantino says nigger and he's an artist, but Michael Jackson says kike and it can't be exposed to the public?"

So what's he saying? Are they both acceptable, or neither? "All I'm saying is why is it OK for Quentin Tarantino to say nigger and not for Michael Jackson to say kike?" His point, at least what I think is his point, is well taken: I really am starting to wish he'd stop saying kike. "So that's the question," he says. "Why is one OK and one not?"
I think part of an answer has to do with the fact that various communities have different notions and sensitivities when it comes to deciding what is really offensive. For example, I don't know a Jewish analogue to a spoken word piece like "Niggers are Scared of Revolution" let alone the prevalence of the n-word in contemporary hip-hop. (And as the line goes, "You can't complain if you are dancing to it.") A second (and more important) factor has to do with the relative political power of various communities and their ability to impose their sensitivities on the public. (For example, I don't think anyone has ever gotten in trouble for using "gyp" as a verb but then again Gypsies/Roma have almost zero visibility or political power in the United States.

Saturday, November 22, 2008

michael jackson converts to islam

From UPI.com

LOS ANGELES, Nov. 21 (UPI) -- Pop star Michael Jackson has converted to Islam at a ceremony in Los Angeles attended by Yousef Islam, the singer formerly known as Cat Stevens, sources say.

Jackson, whose once-amazing career has been eclipsed in recent years by reports of bizarre behavior, as well as legal and financial troubles, is said to have changed his name to Mikaeel and taken the shahada -- or made a declaration of belief -- as part of his conversion to Islam, Al-Arabiya said Friday.

The religious ceremony reportedly took place at the Hollywood Hills home of Toto keyboardist Steve Porcaro, who composed music for Jackson's iconic "Thriller" album.

Jackson's lawyer said the singer has agreed to testify in person next week at a $7 million breach-of-contract lawsuit brought against him in London's High Court by the king of Bahrain's son, Sheik Abdulla bin Hamad bin Isa Al-Khalifa.

The sheikh is suing Jackson for allegedly backing out of a business venture that was to produce an album, including songs the royal wrote for and planned to record with Jackson, as well as an autobiography and a stage play.

However, Jackson contends he never signed an official agreement and insists the payments he received from the sheik were "gifts," claiming the royal's case is based on "mistake, misrepresentation and undue influence."

see also:
michael jackson: off the wall
britney spears may convert to islam