Islam is at the heart of an emerging global anti-hegemonic culture that combines diasporic and local cultural elements, and blends Arab, Islamic, black and Hispanic factors to generate "a revolutionary black, Asian and Hispanic globalization, with its own dynamic counter-modernity constructed in order to fight global imperialism. (say what!)
I actually wanted to include a clip of this song back when I wrote the post: o son of being / the spark but did not find one until now. I've recently been thinking about the relationship between Islam and hip-hop and so The Roots came to mind again (Malik B is Sunni and Black Thought is/has been a Five Percenter). Also, in spite of what I said in my mayda del valle post I went ahead and got The Best of the Roots album a few days ago (along with Game Theory and Rising Down)
I honestly don't remember what chain of links first brought me here, but these days I've been intrigued by this new Bahai hip-hop group called the Dawnbreakers Collective and their catchy new single, O Son of Being.
The refrain: "O SON OF BEING! Make mention of Me on My earth, that in My heaven I may remember thee." comes from a Bahai text called "The Hidden Words", which some Bahais identify with a Book of Fatima which the prophet Muhammad's daughter is said (according to some Shiis) to have received from the angel Jibreel after the Prophet's death.
Personally I find the Hidden Words to be very reminiscent of the HadithQudsi (The intensely heart-softening subset of Islamic hadith where Allah/God speaks in the first person).
The above 'hidden word' is particularly reminiscent of the following hadith:
On the authority of AbuHarayrah (may Allah be pleased with him), who said that the Prophet (peace be upon him) said: Allah the Almighty said:
I am as My servant thinks I am. I am with him when he makes mention of Me. If he makes mention of Me to himself, I make mention of him to Myself; and if he makes mention of Me in an assembly, I make mention of him in an assembley better than it. And if he draws near to Me an arm's length, I draw near to him a fathom's length. And if he comes to Me walking, I go to him at speed.
I would argue that there is much in the Bahai faith which is derivative of Islamic sources (including later Sufis, poets and philosophers along with obvious sources like the Quran and hadith). To show this carefully would take more time than I'm able to spend at the moment, but some of those links are pretty evident, even from a cursory analysis.
While we are on the subject of the spiritual inspiration behind hip-hop music, the other example which was on my mind as I was writing this is The Roots' song "The Spark". (I wouldn't consider The Roots an "Islamic" hip-hop group per se. From what I gather, one of their members is a Five Percenter and another past member is Sunni, and both perspectives come out in their lyrics). For example, in "The Spark", the hadithqudsi:
"My servant draws not near to Me with anything more loved by Me than the religious duties I have enjoined upon him, and My servant continues to draw near to Me with supererogatory works so that I shall love him. When I love him I am his hearing with which he hears, his seeing with which he sees, his hand with which he strikes and his foot with which he walks."
becomes the somewhat more irreverent lyrical chorus:
"Yo, the feet that I walk with The ears that I hear with, the eyes that I see with The mouth that I talk with, the terror that I stalk with Now it's time to spark shit"
I wish I could find the video online, but instead I could only find the lyrics (included below). In spite of the vulgarity, the song actually does come off successfully as the sincere prayerful voice of a flawed Muslim.