the chronic-WHAT!-cles of calormen

For a while now I've been thinking about getting back to writing (I haven't written a new poem in ages). More specifically, I'm thinking about writing stories which riff off of C.S. Lewis' Chronicles of Narnia. I'll spare you the details of what I'm planning (partly because I'm still figuring things out) except to say that I'm imagining a cross between Wicked and Game of Thrones... re-imagining the world of Narnia from a Calormen-centric perspective. (For those who don't know, the Calormen are basically a transmogrified version of Muslims who appear as villains in the Chronicles of Narnia.)

To look at what other folks have said about Lewis and his treatment of race and Orientalism in the Narnia books, you could check out:
Are The Chronicles of Narnia Sexist and Racist?
Red Dwarf, Black Dwarf: The Racial Overtones of Narnia
C.S. Lewis' Calormen: Exacerbating Ethnic Tensions?
So Why is She the White Witch?

For another look at Narnia with an eye towards concerns about gender and sexuality you might be interested in the short story, The Problem of Susan by Neil Gaiman.

see also:
fictional works using settings created by other artists

habibi

I finally finished Craig Thompson's Habibi and I'm basically left with mixed feelings. On the one hand, especially considering Thompson is a non-Muslim, the work should be viewed as an intricately crafted graphic novel which affectionately and beautifully weaves together islamicate elements into a multi-layered anachronistic narrative. The basic story deals with the life of two slaves, a boy and a girl, who meet as children and move in and out of one another's lives. This main story is then embroidered and echoed by a diverse collection of elements including Quranic and Biblical texts, meditations on Arabic calligraphy, Sufi poetry, alchemical and astrological concepts, Middle Eastern pagan myths, Chinese numerology, and even modern physics. On the other hand, the work is also full of Orientalist cliches and one-dimensional characters (misogynist men in turbans, black eunuchs, half-naked harem girls, flatulent palace officials and horny sultans). Moreover, I don't want to give away any spoilers but I really didn't find the ending very satisfying. Basically the storytelling was stylistically rich and impressive but the characters lacked depth and humanity.

The Hooded Utilitarian: Can the Subaltern Draw?: The Spectre of Orientalism in Craig Thompson’s Habibi
Majjal: Self-Conscious Orientalism in Craig Thompson’s Habibi
The Hooded Utilitarian: A Conversation about Habibi’s Orientalism with Craig Thompson
CBR: Craig Thompson discusses "Habibi"
Wired: Craig Thompson’s Habibi: Gorgeous, a Bit Overwhelming
The Guardian: Habibi by Craig Thompson – review
Islam and Science Fiction: Islam and Sci-Fi Interview of Craig Thompson