legion

I also caught the movie Legion at a midnight opening last week. The film had its interesting moments but overall it wasn't very well made and I definitely could have waited for it to appear in the bargain DVD bin at Blockbuster.

Legion is a dark and twisted Christmas card on film. The premise: God has lost faith in humanity so He orders the angelic hosts to bring on the apocalypse. We see darkness, swarms of insects and other phenomena, but mostly we see angels possess other human beings (e.g. the foul-mouthed, wall-crawling old lady prominently featured in the commercials).

God has created a special child who will possibly be born to a pregnant waitress in a diner and could somehow oppose and counter-act the apocalypse. But then in a spectacular example of logic, He also orders the archangel Michael to kill this self-same child before it is born.

The interesting thing is that Michael ends up being almost a perfect inversion of the Islamic concept of the devil by refusing this command. At one point he even announces that when God made mankind he was the first angel to bow down to the the crowning glory of God's creation (as opposed to Iblis in the Quran who refuses to bow down to Adam). And to add another level to the inversion, just as al-Hallaj suggested that the commandment to bow was more a test of the purity of the devil's monotheism than a straightforward order, in Legion, the commandment to bring on the apocalypse was really a test of compassion (which Michael passes) by holding on to his faith in humanity.

see also:
the devil and al-hallaj

Unfortunately, this one interesting aspect is outweighed by the film's various flaws including: 1) There is way too much violence given that the film is ultimately a fable on compassion. 2) Unlike the film The Prophecy which was able to portray angels with a dark side with the right amount of tension, most of the "angels" in Legion just appear creepy and demonic. 3) More specifically, the angel-possessed crowds basically made Legion reminiscent of a zombie movie. But then the massive crowds clearly could have overwhelmed the heroes in the dinner and it isn't plausible that our heroes would last as long as they do.

zombie jamboree (part two)

With the help of Netflix and the bargain bin at Blockbuster I've finally finished seeing the George Romero zombie oeuvre (Night of the Living Dead, Dawn of the Dead, Day of the Dead plus their remakes, along with the more recent Land of the Dead and Diary of the Dead).

In my opinion, the remake of Night of the Living Dead is the best of the lot, followed by Diary of the Dead. I think the original versions of Dawn of the Dead and Day of the Dead were better than their remakes. (The social commentary is more effectively delivered and I prefer the original "slow zombies" to the new "fast zombies").

Land of the Dead is somewhere in between. To be honest, it was a bit disappointing but mainly because I had hyped it up in my mind (it was the last Romero movie I had left to see and it was a bit hard to find) but still, it was an interesting allegory of the Bush administration (at least that was Romero's stated intention) and in some ways, quite Grenada-esque.

To be continued...

zombie jamboree (part one)

The Kingston Trio: Zombie Jamboree


And, if you are in a time-and-zombie-killing mood, you might want to check out Sean T. Cooper's simple, but entertaining series of free online Boxhead Games.

Also, you may have seen some of the books in Open Court Publishing Company's series on Popular Culture and Philosophy which brings together a group of authors to philosophically unpack the content behind the Harry Potter novels, South Park and Buffy the Vampire Slayer. I'm in the middle of checking out The Undead and Philosophy: Chicken Soup for the Soulless. (I'll probably do a review in part two of this blog entry once I'm done)

For some reason zombies and zombie movies have been more on my radar these days. Both Shaun of the Dead and the remake of Romero's Dawn of the Dead were on tv earlier today. And a few weeks back Land of the Dead (starring John Leguizamo) was on. And during the days in between I've been making ample use of the bargain DVD bins at Walmart and Blockbuster in order to further explore the genre.

To begin with, I would argue that George Romero's 1990 remake of his own Night of the Living Dead is actually one of the all-time greatest films (one of my favorites in any case). It is a well-crafted story centering around seven personalities who arrive at a farmhouse while being threatened by zombies all around them. In spite of the small cast (not counting the zombies of course) and minimal setting, Romero manages to pack a surprisingly rich set of interactions and relationships, invoking issues of race, gender, age, family into a story full of suspense, conflict, social commentary and irony.

Most subsequent zombie films are similar in the sense that they explore zombie outbreaks in the confines of a specific (even if large) area such as a shopping mall (Dawn of the Dead), an army base (Day of the Dead), in and around a graveyard/mortuary/medical warehouse (Return of the Living Dead) and an airplane (Flight of the Living Dead... which could have just as easily been called Zombies on a Plane).

An interesting exception is George Romero's Diary of the Dead. The somewhat self-referential movie follows a group of film students and their professor who were working on a horror picture out in the woods when they get news of the zombie outbreak. But since the group has at their disposal a Winnebago full of gasoline and video equipment, the characters are able to travel to different locations and settings sense of the impacts of the zombie phenomena. (a hospital, a militia headquarters, a middle-class home, an upper-class home, etc.) which gives a more varied and global sense of the scope of the zombie problem. In fact, unlike many zombie films which portray localized outbreaks caused by some mysterious virus or chemical spill, in the Diary of the Dead the cause leans more to the theological. The basic rules of life and death seemed to have changed all over the world simultaneously. As one of the characters in another Romero zombie film explains, "When there's no more room in hell, the dead will walk the earth." In any case, Diary... contains a bit more social criticism and philosophical reflection than most of the other films in the genre, and I would argue that after Night... it is the second-best zombie film I've ever seen.

to be continued...