Showing posts with label mos def. Show all posts
Showing posts with label mos def. Show all posts
Tuesday, May 27, 2014
Tuesday, November 01, 2011
why i am a five percenter
I just recently finished Michael Muhammad Knight's latest book, "Why I Am A Five Percenter". I liked parts of it, but in the end it was disappointing. On the plus side, I was curious to learn more about the history of the Five Percenter movement but Knight had already mapped out much of the story in his earlier book The Five Percenters: Islam, Hip Hop and the Gods of New York. Also interesting and informative was Knight's discussion of how earlier generations of Muslims unpacked words and letters in ways not totally dissimilar to how Five Percenters use the Supreme Mathematics or the Supreme Alphabet.
Some of the less satisfying aspects of "Why I Am A Five Percenter" might have been resolved with a more accurate title. (I would have suggested "Sacred Drift(er)" after Peter Wilson's anthology.) The book is less a confident conversion narrative and more of an affectionate ethnography. Less, Paul on the road to Damascus and more, the Prodigal Son who still hasn't found his way home. (Also, the occasional digs and swipes against Sherman Jackson didn't really endear him to me either.) Knight is caught in some limbo between Sunni Islam and the Five Percenters but not really belonging to either (although at the moment he seems more comfortable calling himself a Five Percenter).
In many ways, Michael Muhammad Knight is a kind of updated version of Hakim Bey /Peter Lamborn Wilson. Bey's participation in the Moorish Orthodox Church (inspired by Noble Drew Ali's movement) parallels Knight's association with the Five Percenters. And both have clearly done a fair amount of travelling (physically and spiritually) in the Muslim world. It might be interesting to find out what Michael Muhammad Knight will do a few years down the line after having more experiences and education under his belt, especially if he's reached some kind of religious and cultural equilibrium point.
Some of the less satisfying aspects of "Why I Am A Five Percenter" might have been resolved with a more accurate title. (I would have suggested "Sacred Drift(er)" after Peter Wilson's anthology.) The book is less a confident conversion narrative and more of an affectionate ethnography. Less, Paul on the road to Damascus and more, the Prodigal Son who still hasn't found his way home. (Also, the occasional digs and swipes against Sherman Jackson didn't really endear him to me either.) Knight is caught in some limbo between Sunni Islam and the Five Percenters but not really belonging to either (although at the moment he seems more comfortable calling himself a Five Percenter).
In many ways, Michael Muhammad Knight is a kind of updated version of Hakim Bey /Peter Lamborn Wilson. Bey's participation in the Moorish Orthodox Church (inspired by Noble Drew Ali's movement) parallels Knight's association with the Five Percenters. And both have clearly done a fair amount of travelling (physically and spiritually) in the Muslim world. It might be interesting to find out what Michael Muhammad Knight will do a few years down the line after having more experiences and education under his belt, especially if he's reached some kind of religious and cultural equilibrium point.
Friday, September 09, 2011
mos def, ya sin, and "government names"
Mos Def is changing his name to Yasiin! The name is actually old news to some of his fans. A few years ago on The Ecstatic album he said clearly (in Spanish) on the track No Hay Nada Mas: "Mi primero nombre es Yasiin Dante" (sic). So I suppose the real news is at the end of the year he is retiring the name "Mos Def":
Get More: Sucker Free
Coincidentally I've been thinking about names a lot recently. Earlier this week I started to write down ideas for a spoken word piece riffing on the concept of "government name" and was intrigued by the different kinds of names and ideas about names which are out there.
For a large mass of people, there is a simple identification between their "real" name and their "government name" but not everyone takes that identification for granted. Many Jews will have a Hebrew name given at circumcision which is different from their public/government names. Similarly, there are Asians in America who might use an Anglo name as their public name but their "real" name used with family is different.
Obviously many rappers and performance poets adopt flashy and distinctive stage names. Also actors and comedians choose names which hide or obscure their ethnic origins or emphasize/de-emphasize their connections to show business dynasties (list of stage names). But if you look at the full range of naming practices, people change their names for all sorts of reasons (religious, spiritual, cultural, personal and familial, social, economic, idiosyncratic, etc.)
An interesting distinction between the Nation of Islam and more orthodox Islam lies in their attitudes towards names. For example, the Quran (33:5) says "Call them by the names of their fathers" and orthodox Islam puts a certain amount of emphasis on acknowledging ones lineage and not denying paternity. So there are many converts who, even when they adopt a "Muslim" name, they will keep the surnames they were born with. (e.g. Abdul-Hakim Jackson, Nuh Ha Mim Keller). For the Nation, on the other hand, most African-American surnames are treated as European-derived "slave names" and replaced with an X, but there is a tendency to keep ones given name. (e.g. Malcolm X, Clarence 13X, etc.)
For Muslims, Ya Sin is a fairly common name which comes from the name of a surah known as the heart of the Quran.
Heart of the Qur'an: A Commentary to Sura al Yasin by Ayatullah Dastghaib Shirazi
The Heart of the Qur’an: Reflections from Surah Ya-Sin by Hamza Yusuf Hanson
Sunday, December 05, 2010
my name is khan (finally saw it)
A few months ago, without actually having seen the film, I had posted some links/letters regarding the movie My Name is Khan and the controversial decision by the Muslim Public Affairs Council to honor the film with its "Voices of Courage and Conscience" Media Award. (see my name is not khan and my name is still not khan ). The film has been described as a kind of "Muslim Forrest Gump" where the hero, Rizvan Khan, a Muslim man with Asperger Syndrome is on a mission to meet the President of the United States and tell him "My name is Khan and I am not a terrorist."
Now that I have seen the movie (thanks to the used DVD bin at Blockbuster) I'm in a better position to appreciate what the disagreement was about. I totally see Su’ad Abdul Khabeer's point about the film. It's portrayal of African-Americans in rural Georgia was definitely archaic, stereotypical and problematic. And in spite of the criticisms which can still be made about how Hollywood deals with race, one would be hard pressed to find a contemporary American film which portrays Blacks in such a fashion.
But My Name is Khan, is most definitely not an American film It is an Indian-centered film for an Indian audience. So even though most of the film was set in the United States, most of the dialogue was in Hindi or Urdu and most of the subjects/agents in the film were of Indian descent; Indian store owners, professors, motel managers, news reporters, and doctors, etc. (so "of course" the African-American characters will be poorly fleshed out stereotypes).
In fact, it wouldn't really be correct to call it a "pro-Muslim" film. From an early scene in the movie we see Rizvan Khan's mother teach him explicitly that there is no difference between Muslim and Hindu. There are just two kinds of people in the world, good people and bad people. And so we see many examples of "bad Muslims" (e.g. a terrorist recruiter speaking in a mosque, a Muslim couple who are too embarrassed to pray in front of non-Muslims, Rizvan's jealous and then estranged brother Zakir) and good non-Muslims (Rizvan's Hindu wife and stepson, the white couple who befriend them, different Sikh and Hindu Indian-Americans who support Khan on his journey). In fact, we see many more examples of Hindus and Sikhs being victimized in the post-9/11 environment than we see of Muslims. (And African-American Muslims are absent).
Basically I think our evaluation of the film depends entirely on where we choose to set the bar. If we want to compare My Name is Khan to more typical Hollywood portrayals of Muslims (see planet of the arabs) then of course we would say that MNIK is wonderful. And I would actually say that, except for the scenes involving African-Americans, MNIK is basically a fun, entertaining, Bollywood film. But if we demand a higher degree of excellence, and especially if the film is to receive an award from a major Muslim-American organization because of its "courage" and "conscience" I think it is fair to hold the film to a higher standard. And by that standard, the other winners of the 2010 MPAC Courage and Conscience Media Award were more deserving.
In fact, looking at past winners of the award, I'm tempted to think that some other cultural productions and performances are more deserving... Don Cheadle in Traitor for instance or Keith David as Abu 'Imam' al-Walid in the Chronicles of Riddick. Some more controversial alternative choices might be Amir Sulaiman, the film New Muslim Cool, Mos Def and K'naan on Austin City Limits, Lupe Fiasco and others. Lets hope that MPAC is more "courageous" when it gives out awards in the future.
Now that I have seen the movie (thanks to the used DVD bin at Blockbuster) I'm in a better position to appreciate what the disagreement was about. I totally see Su’ad Abdul Khabeer's point about the film. It's portrayal of African-Americans in rural Georgia was definitely archaic, stereotypical and problematic. And in spite of the criticisms which can still be made about how Hollywood deals with race, one would be hard pressed to find a contemporary American film which portrays Blacks in such a fashion.
But My Name is Khan, is most definitely not an American film It is an Indian-centered film for an Indian audience. So even though most of the film was set in the United States, most of the dialogue was in Hindi or Urdu and most of the subjects/agents in the film were of Indian descent; Indian store owners, professors, motel managers, news reporters, and doctors, etc. (so "of course" the African-American characters will be poorly fleshed out stereotypes).
In fact, it wouldn't really be correct to call it a "pro-Muslim" film. From an early scene in the movie we see Rizvan Khan's mother teach him explicitly that there is no difference between Muslim and Hindu. There are just two kinds of people in the world, good people and bad people. And so we see many examples of "bad Muslims" (e.g. a terrorist recruiter speaking in a mosque, a Muslim couple who are too embarrassed to pray in front of non-Muslims, Rizvan's jealous and then estranged brother Zakir) and good non-Muslims (Rizvan's Hindu wife and stepson, the white couple who befriend them, different Sikh and Hindu Indian-Americans who support Khan on his journey). In fact, we see many more examples of Hindus and Sikhs being victimized in the post-9/11 environment than we see of Muslims. (And African-American Muslims are absent).
Basically I think our evaluation of the film depends entirely on where we choose to set the bar. If we want to compare My Name is Khan to more typical Hollywood portrayals of Muslims (see planet of the arabs) then of course we would say that MNIK is wonderful. And I would actually say that, except for the scenes involving African-Americans, MNIK is basically a fun, entertaining, Bollywood film. But if we demand a higher degree of excellence, and especially if the film is to receive an award from a major Muslim-American organization because of its "courage" and "conscience" I think it is fair to hold the film to a higher standard. And by that standard, the other winners of the 2010 MPAC Courage and Conscience Media Award were more deserving.
In fact, looking at past winners of the award, I'm tempted to think that some other cultural productions and performances are more deserving... Don Cheadle in Traitor for instance or Keith David as Abu 'Imam' al-Walid in the Chronicles of Riddick. Some more controversial alternative choices might be Amir Sulaiman, the film New Muslim Cool, Mos Def and K'naan on Austin City Limits, Lupe Fiasco and others. Lets hope that MPAC is more "courageous" when it gives out awards in the future.
Thursday, September 02, 2010
hip-hop artistry knows no borders
I was listening to NPR the other day and caught part of an interview with Ana Tijoux. Tijoux is a Chilean rapper, born in France to parents who fled there to escape the Pinochet regime. The interview also mentions Detroit MC, Invincible who has appeared here before. NPR also posted a clip Ana Tijoux: Tiny Desk Concert of Tijoux performing her raps in a small intimate space accompanied only by a single percussionist.
Aside from liking the music and her delivery, the other thing I was struck by is the degree to which hip-hop has become "respectable" in recent times. This year Invincible (Ilana Weaver) was awarded a Kresge Foundation grant. NPR is doing stories on rappers. And PBS is televising hip-hop shows. The times, they are a changing.
Planet Grenada:
invincible / emergence
mos def and k'naan on austin city limits
Aside from liking the music and her delivery, the other thing I was struck by is the degree to which hip-hop has become "respectable" in recent times. This year Invincible (Ilana Weaver) was awarded a Kresge Foundation grant. NPR is doing stories on rappers. And PBS is televising hip-hop shows. The times, they are a changing.
Planet Grenada:
invincible / emergence
mos def and k'naan on austin city limits
Wednesday, September 01, 2010
the rise of islamic rap
The Rise of Islamic Rap by Peter Mandaville focuses on how South Asian Muslim youth in the UK have chosen to express themselves using Black American musical forms. The article goes on to view this movement in the context of increasing cooperation between young Muslims and left-leaning movements (the World Social Forums, the Green Party, alter-globalization, etc.)
planet grenada and islam and hip-hop
planet grenada and islam and hip-hop
Thursday, June 11, 2009
mos def: no hay nada mas
From his new album "The Ecstatic", here is Mos Def rapping in Spanish (I think he sounds like Tego Calderon):
Tuesday, May 12, 2009
Saturday, April 25, 2009
happy belated earth day! (water wars and warriors)
Even though I ]missed Earth Day (It was the 22nd of April) I thought it would be good to take the opportunity to post something about the ecology. First there is an independently made video for Mos Def's "New World Water". For me, the song is a reminder of the fact that, water scarcity is becoming a bigger issue and that according to some futurists it won't be too long before governments will fight wars over water the way they fight over oil today.
Thursday, June 19, 2008
"do your math..."
Recently I've been thinking in general terms about different kinds of mathematics: partly with the hopes of developing an innovative curriculum for my students next year, partly for my curiosity and edification, partly with hopes of putting together some kind of article or document, and possibly in order to develop a career as not just a mathematician but a numerologist of sorts.
One route (exemplefied by the song "Mathematics") is to extract the mathematical content of our everyday lives with an eye towards social relevance. Another route would be to take a more metaphysical path (through the I Ching, sacred geometry, enneagrams, and similar constructions). We'll see how it goes.
[Mos Def]
Booka-booka-booka-booka-booka-booka
Ha hah
You know the deal
It's just me yo
Beats by Su-Primo for all of my peoples, negroes and latinos
and even the gringos
Yo, check it one for Charlie Hustle, two for Steady Rock
Three for the fourth comin live, future shock
It's five dimensions, six senses
Seven firmaments of heaven to hell, 8 Million Stories to tell
Nine planets faithfully keep in orbit
with the probable tenth, the universe expands length
The body of my text posess extra strength
Power-liftin powerless up, out of this, towerin inferno
My ink so hot it burn through the journal
I'm blacker than midnight on Broadway and Myrtle
Hip-Hop past all your tall social hurdles
like the nationwide projects, prison-industry complex
Broken glass wall better keep your alarm set
Streets too loud to ever hear freedom sing
Say evacuate your sleep, it's dangerous to dream
but you chain cats get they CHA-POW, who dead now
Killin fields need blood to graze the cash cow
It's a number game, but shit don't add up somehow
Like I got, sixteen to thirty-two bars to rock it
but only 15% of profits, ever see my pockets like
sixty-nine billion in the last twenty years
spent on national defense but folks still live in fear like
nearly half of America's largest cities is one-quarter black
That's why they gave Ricky Ross all the crack
Sixteen ounces to a pound, twenty more to a ki
A five minute sentence hearing and you no longer free
40% of Americans own a cell phone
so they can hear, everything that you say when you ain't home
I guess, Michael Jackson was right, "You Are Not Alone"
Rock your hardhat black cause you in the Terrordome
full of hard niggaz, large niggaz, dice tumblers
Young teens and prison greens facin life numbers
Crack mothers, crack babies and AIDS patients
Young bloods can't spell but they could rock you in PlayStation
This new math is whippin motherfuckers ass
You wanna know how to rhyme you better learn how to add
It's mathematics
Chorus: scratched by DJ Premier (repeat 2X)
"The Mighty Mos Def.."
"It's simple mathematics" -> Fat Joe
"Check it out!"
"I revolve around science.."
"What are we talking about here?"
.. "Do your math" -> Erykah Badu (2X) ..
.. "One.. t-t-two.. three, four" -> James Brown ..
.. "What are we talking about here?" ..
[Mos Def]
Yo, it's one universal law but two sides to every story
Three strikes and you be in for life, manditory
Four MC's murdered in the last four years
I ain't tryin to be the fifth one, the millenium is here
Yo it's 6 Million Ways to Die, from the seven deadly thrills
Eight-year olds gettin found with 9 mill's
It's 10 P.M., where your seeds at? What's the deal
He on the hill puffin krill to keep they belly filled
Light in the ass with heavy steel, sights on the pretty shit in life
Young soldiers tryin to earn they next stripe
When the average minimum wage is $5.15
You best believe you gotta find a new ground to get cream
The white unemployment rate, is nearly more than triple for black
so frontliners got they gun in your back
Bubblin crack, jewel theft and robbery to combat poverty
and end up in the global jail economy
Stiffer stipulations attached to each sentence
Budget cutbacks but increased police presence
And even if you get out of prison still livin
join the other five million under state supervision
This is business, no faces just lines and statistics
from your phone, your zip code, to S-S-I digits
The system break man child and women into figures
Two columns for who is, and who ain't niggaz
Numbers is hardly real and they never have feelings
but you push too hard, even numbers got limits
Why did one straw break the camel's back? Here's the secret:
the million other straws underneath it - it's all mathematics
Chorus
{closing scratch} "Mathematics.."
One route (exemplefied by the song "Mathematics") is to extract the mathematical content of our everyday lives with an eye towards social relevance. Another route would be to take a more metaphysical path (through the I Ching, sacred geometry, enneagrams, and similar constructions). We'll see how it goes.
[Mos Def]
Booka-booka-booka-booka-booka-booka
Ha hah
You know the deal
It's just me yo
Beats by Su-Primo for all of my peoples, negroes and latinos
and even the gringos
Yo, check it one for Charlie Hustle, two for Steady Rock
Three for the fourth comin live, future shock
It's five dimensions, six senses
Seven firmaments of heaven to hell, 8 Million Stories to tell
Nine planets faithfully keep in orbit
with the probable tenth, the universe expands length
The body of my text posess extra strength
Power-liftin powerless up, out of this, towerin inferno
My ink so hot it burn through the journal
I'm blacker than midnight on Broadway and Myrtle
Hip-Hop past all your tall social hurdles
like the nationwide projects, prison-industry complex
Broken glass wall better keep your alarm set
Streets too loud to ever hear freedom sing
Say evacuate your sleep, it's dangerous to dream
but you chain cats get they CHA-POW, who dead now
Killin fields need blood to graze the cash cow
It's a number game, but shit don't add up somehow
Like I got, sixteen to thirty-two bars to rock it
but only 15% of profits, ever see my pockets like
sixty-nine billion in the last twenty years
spent on national defense but folks still live in fear like
nearly half of America's largest cities is one-quarter black
That's why they gave Ricky Ross all the crack
Sixteen ounces to a pound, twenty more to a ki
A five minute sentence hearing and you no longer free
40% of Americans own a cell phone
so they can hear, everything that you say when you ain't home
I guess, Michael Jackson was right, "You Are Not Alone"
Rock your hardhat black cause you in the Terrordome
full of hard niggaz, large niggaz, dice tumblers
Young teens and prison greens facin life numbers
Crack mothers, crack babies and AIDS patients
Young bloods can't spell but they could rock you in PlayStation
This new math is whippin motherfuckers ass
You wanna know how to rhyme you better learn how to add
It's mathematics
Chorus: scratched by DJ Premier (repeat 2X)
"The Mighty Mos Def.."
"It's simple mathematics" -> Fat Joe
"Check it out!"
"I revolve around science.."
"What are we talking about here?"
.. "Do your math" -> Erykah Badu (2X) ..
.. "One.. t-t-two.. three, four" -> James Brown ..
.. "What are we talking about here?" ..
[Mos Def]
Yo, it's one universal law but two sides to every story
Three strikes and you be in for life, manditory
Four MC's murdered in the last four years
I ain't tryin to be the fifth one, the millenium is here
Yo it's 6 Million Ways to Die, from the seven deadly thrills
Eight-year olds gettin found with 9 mill's
It's 10 P.M., where your seeds at? What's the deal
He on the hill puffin krill to keep they belly filled
Light in the ass with heavy steel, sights on the pretty shit in life
Young soldiers tryin to earn they next stripe
When the average minimum wage is $5.15
You best believe you gotta find a new ground to get cream
The white unemployment rate, is nearly more than triple for black
so frontliners got they gun in your back
Bubblin crack, jewel theft and robbery to combat poverty
and end up in the global jail economy
Stiffer stipulations attached to each sentence
Budget cutbacks but increased police presence
And even if you get out of prison still livin
join the other five million under state supervision
This is business, no faces just lines and statistics
from your phone, your zip code, to S-S-I digits
The system break man child and women into figures
Two columns for who is, and who ain't niggaz
Numbers is hardly real and they never have feelings
but you push too hard, even numbers got limits
Why did one straw break the camel's back? Here's the secret:
the million other straws underneath it - it's all mathematics
Chorus
{closing scratch} "Mathematics.."
Monday, February 18, 2008
Wednesday, May 30, 2007
9/11 video response from mostly harmless
I'm starting to notice and appreciate the fact that other folks out there who I don't necessarily know about are occasionally interested in the stuff I post and are responding on their own blogs. For example, on Mostly Harmless I just found This One's for the WAAGNFNP and Planet Grenada which is (in part) a response to an Immortal Technique/Mos Def video I posted earlier. The author, who goes by The Constructivist, shares some other political music videos on 9/11 , Katrina, globalization and related issues.
Wednesday, May 02, 2007
bin laden
I'm not going to say I endorse the song "Bin Laden", but I've blogged about Immortal Technique and Mos Def here before so I figured I would put the video up and invite comments.
I'm baptized by America and covered in leeches
The dirty water that bleaches your soul and your facial features
Drownin' you in propaganda that they spit through the speakers
And if you speak about the evil that the government does
The Patriot Act'll track you to the type of your blood
They try to frame you, and say you was tryna sell drugs
And throw a federal indictment on niggaz to show you love
This shit is run by fake Christians, fake politicians
Look at they mansions, then look at the conditions you live in
All they talk about is terrorism on television
They tell you to listen, but they don't really tell you they mission
They funded Al-Qaeda, and now they blame the Muslim religion
Even though Bin Laden, was a CIA tactician
They gave him billions of dollars, and they funded his purpose
Fahrenheit 9/11, that's just scratchin' the surface
immortal technique: two interviews
3500 years ago...
final call interview with immortal technique
a revolution in the middle east
immortal technique and adisa banjoko
mos def's piece on assata shakur
I'm baptized by America and covered in leeches
The dirty water that bleaches your soul and your facial features
Drownin' you in propaganda that they spit through the speakers
And if you speak about the evil that the government does
The Patriot Act'll track you to the type of your blood
They try to frame you, and say you was tryna sell drugs
And throw a federal indictment on niggaz to show you love
This shit is run by fake Christians, fake politicians
Look at they mansions, then look at the conditions you live in
All they talk about is terrorism on television
They tell you to listen, but they don't really tell you they mission
They funded Al-Qaeda, and now they blame the Muslim religion
Even though Bin Laden, was a CIA tactician
They gave him billions of dollars, and they funded his purpose
Fahrenheit 9/11, that's just scratchin' the surface
immortal technique: two interviews
3500 years ago...
final call interview with immortal technique
a revolution in the middle east
immortal technique and adisa banjoko
mos def's piece on assata shakur
Saturday, April 14, 2007
we want to talk right down to earth in a language that everybody here can easily understand
YouTube: Mos Def Reads Malcolm X's Message to the Grassroots as a part of Voices of a People's History of the United States. If you go to "when in the course of human events..." you can find a link to an old Grenada post on the same speech (which points to a page with Malcolm X's actual audio) under the title for the fourth of july.
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