yasiin gaye: the return (official teaser)

from b-boy to islamic studies scholar

Loonwatch: Exclusive Interview with Reza Aslan

I read Reza Aslan's "No God But God" a few months ago and was really impressed. After reading the above interview I'm now even more impressed with the person. The wide-ranging interview covers Aslan's time as a break dancer, his conversion to evangelical Christianity and his subsequent rediscovery to his Muslim roots, his love-hate relationship with Robert Spencer and Pamela Geller, the nature of Islamic reform, the role of rationality in Islam and Christianity, Iranian eschatology, the Arab Spring, the New Atheists, and why Osama bin Laden is like Freddie Mercury. And for an added bonus he shares his super-secret sleeper agent activation code.

pa'lo monte - enigma (featuring chuck d)

land far away / satta massagana / happy land

Land Far Away by Muslim female rap duo, Poetic Pilgrimage, is a remix of the reggae classic Satta Massagana by the Rastafarian musical group, The Abyssinians.


Land Far Away - Poetic Pilgrimage

My first impression was that mixing Islam with Rastafarian themes was odd until I really started thinking about how the Quran also deals with the subject of the Exodus of the children of Israel to the Promised Land. Furthermore, the general themes of land and migration show up in other Islamic contexts as well, from the travels of Abraham (as), to the Hajj to Mecca, to the hijra which marks the turning point of the Islamic calendar, to the Night Journey to al Aqsa (the "farther mosque" so literally a Land Far Away), to the "minor hijra" in Abyssinia, to the Garden. We are always traveling.


Satta Massagana - Abyssinians (the standard "studio" version)


Satta Massagana - Abyssinians (a "rootsier" version from a documentary about Rastafari)


Happy Land - Carlton & the Shoes (an earlier song which inspired Satta Massagana)

a love supreme: musilm jazz artists

imagine

The recent occasion of John Lennon's 70th birthday put me in a mood to wonder about what different covers/versions/mash-ups had been done of the famous anti-anthem, "Imagine".

I actually found two which were (mostly) in Arabic:

Noa & Khaled (Marrakech)

and also

GAROU / Patrick FIORI / Luck MERVIL / Julie ZENATTI / Rachid TAHA / KHALED / FAUDEL / Liane FOLY / Tina ARENA / Julien CLERC / Cheb MAMI

One of the more technically interesting is:

where the lyrics, instead of being sung by John Lennon, were taken from samples of George Bush speeches.


This version by A Perfect Circle, is darker than most, both musically and visually. The historical images definitely underline the wide distance between Lennon's ideals and contemporary reality.


This one is of Bill Clinton "singing" along with a choir of Arab and Jewish children.

And of course there are at least two hip-hop versions:

Nas + Pitbull (remix)


2Pac vs. John Lennon - DJ Vlad Rock Phenomenon Remix

In both of the above, the songs start off being nearly-identical to the original and the rap doesn't come in until fairly late in each song.

You might also be interested in:
Digg: Best and Worst Imagine Covers which includes versions by Diana Ross, Avril Lavigne, David Bowie and Queen along with a Gregorian chant version, a Latin version, an electronica version, and another Nas remix.

man bites dog: buddhist fundamentalists and muslim prisoners of conscience

I totally missed this story when it happened but it seems worth noting as an example.

An expatriate Sri Lankan woman who wrote two books about her conversion from Buddhism to Islam has been arrested while on holiday in Sri Lanka, apparently for causing offence to Buddhists.

Sarah Malini Perera, who was born in Sri Lanka but has lived in Bahrain since 1985 and converted to Islam in 1999, was arrested last week under the country’s strict emergency laws, according to the police.

They declined to give precise details of the 38-year-old writer’s offence, but suggested that her books were deemed to have caused offence to ethnic Sinhalese Buddhists, who account for about 70 per cent of Sri Lanka’s 20 million people.

For the whole story, see: Author Sarah Malini Perera held ‘for offending Buddhists’ in Sri Lanka

The same piece mentions that the Sri Lankan government denied a visa to Muslim (yes Muslim) singer Akon because the video for his song Sexy Chick included images of video "vixens" dancing with a statue of the Buddha in the background. Part of the backlash included a crowd of over 200 angry rock-throwing Buddhists attacking the offices of Akon's concert promoters, damaging property and injuring a few individuals. You can find more details on that story here.

Both these stories, especially taken together, totally invert the usual narratives we are spoon-fed about religion and the tolerance/ sensitivity and peacefulness/ violence of Buddhism / Islam respectively. I'm a little surprised (but not really) that they didn't get more attention. A few more accounts like these and the dominant narrative would begin to crack. If members of a "good" religion like Buddhism can be pushed to violence when their sensitivities are threatened and if even Muslims can be victims of censorship and exclusion for acting on their conscience then who are the heroes and who are the villains?

america 2001 - long hairz collective

Just continuing my Michigan musings... here is one of the few clips I could find online with music by the Long Hairz Collective. I've blogged about them before (see "i've seen ethiopians knocking out rome" and also water warriors). I could be wrong but I think they've basically broken up but the members are still out there performing and putting positive messages out there in the atmosphere.



You can download their album Dread Locks & Pony Tales over at CD Baby

mami el negro (el africano) part two

Out of historical interest and a desire for completeness, here is THE ORIGINAL version of "El Africano" (which is the only one I've heard with a female vocalist)



And an interview with Calixto Ochoa about the story behind the song:



See also:
mami el negro esta rabioso (el africano)

heru in jamaica

Here is a roughly two hour discussion/interview/talk with Heru (whom we've talked about before) for a Jamaican TV show. Topics include: anti-black violence in Jamaican music, homosexuality in dancehall, the roots of Rastafari and Halie Selassie, the significance of Obama's election, and in general he gives a pretty good articulation of a (not "the") Pan-African outlook on politics, economics, and current events. He has a lot of positive things to say which are worth thinking about. At the same time, it was weird for me to hear his affected "Jamaican" accent. I imagine that he's either making a conscious choice to speak that way because of his involvement in dub and reggae or he's picking it up honestly because of how much time he is spending in the West Indies or with working with Caribbean people. He touches a little on his own religious beliefs but I would be really interested in hearing an indepth discussion of Ausar Auset (if that's the path he is on)

the writings of yusef lateef

Blatantly stolen from Marc Manley over at The Manrilla Blog:

"From a small, self-published book entitled Something Else, jazz legend Yusef Lateef published an engaging book back in 1973. Yusef, who is known as a master multi-instrumentalist, is also a gifted writer, producing everything from short plays, essays, and poetry [as in this installment]. I have been putting segments of the book up on line. Here's the newest addition for your reading pleasure: http://www.manrilla.net/blog/reflections/

For more of Something Else, just visit the Blog and see the links under "Reads" on the right-hand side.

Enjoy"

Dr. Hip Slick: On Hipness
Ode To Pieter Bruegel
Reflections
Spiritual Aspects of Creating Music
The Constitution of Aesthetics, The Declaration of Genius and The Aesthetic Address
The Garments
The Outgame

mami el negro esta rabioso (el africano)

This post has been rattling around in my brain for a couple days now (or longer depending on how you count) but Kismet "made me" finish it a little bit more quickly due to her comment on negro bembon. If anyone wants to look at how race shows up in Latin music, "El Africano" by Wilfrido Vargas (actually written by Calixto Ochoa, but Vargas went further with it) is a necessary "text". In one version, the song lyrics are:

Mami el negro esta rabioso, quiere bailar/pelear conmigo, decicelo a mi papa. Mami el negro me echa miedo, me tapo la cabeza y el negro me destapa. (or alternatively) Mami, yo me acuesto tranquila me arropo de pie a cabeza y el negro me destapa. CORO : Mami que sera lo que quiere el negro? (repeat)

Wlfrido Vargas: El Africano  

 The classic merengue tune is about a "rabioso" (angry, literally "rabid") black man uncovering the innocent girl who has little experience with "lo que quiere el negro" (what the black man wants). On one level it is a festive party anthem, but on another it pretty clearly perpetuates certain alarmist attitudes towards Black sexuality. (e.g. see race and sex) DJ Laz made heavy use of a Vargas sample and updated the song musically, if not lyrically. While more recently, Cuban-American rapper Pitbull came out with "The Anthem" featuring Lil' John as an homage to the original. Miraculously, he manages to make the lyrics more lascivious (the girl is certainly not calling her daddy for protection) and racist (adding typical Latin stereotypes of Black female/"morena" sexuality to stereotypes of Black male sexuality). 

 DJ Laz: Mami El Negro

   

 Pitbull: The Anthem 

 So far, my favorite piece in this lineage is "Mami El Negro" by the 'conscious' Spanish (as in from Spain) rapper El Chojin. To be honest, I never heard of El Chojin until working on this post but he is growing on me. I also like the Grenada-esque anti-bling anthem Si Mi Chica Se Llamara Shakira /If Shakira was my girlfriend. But in "Mami El Negro" he is the most explicit in terms of breaking down the racist content of the original song, along with the ignorance and prejudice he faces in his everyday life. El Chojin: Mami El Negro  

  Lyrics to "Mami El Negro" by El Chojin

Alguien me pregunto de donde soy! hombre no es la misma cancion

pero si es un poco mas de lo mismo racismo,

he crecido como muchos han crecido

escuchando la cancion de los conguitos, la del negro negrito

y payasadas por el estilo

y me las he comido siendo un niño

pero amigo he crecido y tanta estupidez me ha convertido

en un hombre orgulloso y decidido

a no aguantar ni una broma mas,

me cago en el payaso de George Dan,

los del colacao, los de la Warner y todos los demas,

retrasados, que yo nunca me he reido de un blanco por ser blanco,

tanto tonto tan simpatico, tan asno rebuznando

\"ah tu no tienes que tomar el sol en verano\"

me daban pena pero ya estoy arto,

me dais asco, tontos que sois tontos

y lo curioso es que se creen graciosos

pues mami ahora el negro esta rabioso

otro tonto y monto el pollo gordo,

bobo te cojo y te pongo rojo,

avergüenzate si alguna vez creiste que de veras un blanco

con taparrabos gritando en lo alto de un arbol podria ser el rey de algo, no

a Tarzán se lo comio el miedo al hombre negro,

un desconocimiento inmenso te ha hecho ciego, terco, memo y no tengo porque entenderlo,

ser bueno paciente y toda esa mierda,

al proximo que me venga con la ingeniosa idea

de decir que me parezco a Jordan, Eddie Murphy o al que sea se la lleva,

ea o sea que esta es vuestra manera de hacer que me sienta en vuestra tierra integrado,

pues lo siento pues la habeis cagado,

yo no me quiero sentir integrado

tengo mi peña, mi micro, mi dj y los platos

y bastante interesado que paso,

que ni somos iguales ni tenemos que aparentarlo,

mami ahora el negro esta rabioso

pero es porque tu le has cabreado

¿Mami sabes tu que es lo que quiere? Que el negro esta rabioso de oir a tanto lerdo

¿Mami sabes tu que es lo que quiere? Que el negro esta rabioso es hora de exigir respeto

¿Mami sabes tu que es lo que quiere el negro? No hay ningun problema mientra veas donde termina el juego

¿Mami sabes tu que es lo que quiere el negro? Pues que le dejes simplemente ni mas ni menos

Es cierto, las cosas son mucho mas sencillas de lo que parecen

no tenemos porque andarnos con estupideces,

ya somos mayores, mira, no somos iguales,

no te escandalizes el racismo existe

es real y esto no es una llamada a la reconciliacion

es simplemente informacion

porque sabes que?

lo cierto es que no me importa una mierda lo que tengas en la cabeza,

simplemente callatelo, no hagas comentarios,

no intentes ser gracioso y ya veras como asi a todos nos va a ir mucho mejor,

que yo no tengo porque ser mejor persona que tu,

que no te he pedido de ningun favor, simplemente digo las cosas como son,

soy realista y tener esta actitud la que me han hecho tener a lo largo de mi vida,

ha hecho que incluso haya gente que me llama racisma,

es la risa, o sea que me vigilan, hacen chistes, cancioncitas,

no me quieren en sus familias y encima yo soy el racista

pues nada hombre cuidado que te tengo discriminado,

a ver si voy a hacer que te sientas marginado o algo,

mira cuando alguien dice lo que todos piensan pero no lo dice,

se le decalifica pero bueno asi es como funciona esto,

pero bueno yo soy el que tiene el micro, tengo un disco y consigo

que lo que digo se te meta en el cerebro

ahora piensa por ti mismo firmado el Chojin 1999 a diez meses del 2000.

also: shakira and wycleff at the grammys

negro bembon

Mataron al negro bembón
Mataron al negro bembón
Hoy se llora noche y día
Porque el negrito bembón
Todo el mundo lo queria
Porque el negrito bembón
Todo el mundo lo queria

Y llegó la policia
Y arrestaron al maton
Y uno de las policias
Que tambíen era bembón
Le toco la mala suerte
De hacer la investigación
Le toco la mala suerte
De hacer la investigación

Y saben la pregunta
que le hizo al maton
Porque lo mato
Diga usted la razon
Y saben la respuesta
que le dio el maton :
yo lo mate
por ser tan bembón
El guardia escondio
la bemba y le dijo :
Eso no es razon



I was recently thinking about the ways in which race shows up in Latin music when the song "Negro Bembon" by Ismael Rivera popped into my head. The song makes me think of how Afro-Latinos in Latin America didn't really undergo US-style civil rights / Black power movement. So instead of making a loud and angry statement like NWA's "F*** tha Police" or a righteous and defiant statement like Marley's "I Shot the Sheriff", "Negro Bembon" gives us the muted and insufficient "Eso no es razon" from a Black cop who, even with a gun and badge, is still not strong or brave enough to truly challenge a racist system. Occasionally I wonder if the song's refrain is deliberately understated as way of making a powerful social critique, but most of the time I tend to think that the voice of protest is so muted because certain white supremacist assumptions are pervasive and taken for granted in Latin culture, even in the music of Afro-Latino artists like Ismael Rivera.

tego calderon: latin america needs its own civil rights movement
a rising voice: afro-latin americans

britney spears may convert to islam

Alarabiya: Britney Spears may convert to Islam

Stranger things have happened. Actually no, they haven't. Somehow in the cases of other celebrity converts to Islam (Jermaine Jackson, Everlast, Cat Stevens, Rick James, or even looking at the rumors around Prince Charles) there seemed to be a little bit more continuity, however faint. In any case, this should be interesting however it turns out. Let's keep her in our dua.

white muslims
"we shall change them for fresh skins"
i'm rick james, ukhti?
michael jackson: off the wall
Middle East Quarterly: Prince Charles of Arabia