wham! bam! islam!

A trailer from WHAM! BAM! ISLAM!, Isaac Solotaroff's documentary that will air on PBS's Independent Lens on October 13th (check your local listings). WHAM! BAM! ISLAM! (http://www.facebook.com/WhamBamIslam) tells the story of Naif Al-Mutawa and his venture to create the first team of superheroes from the Muslim world called THE 99. Following the tumultuous journey of THE 99 from concept to reality, from international acclaim to censure by cultural gatekeepers, Al-Mutawa doggedly pursues his vision to bring new heroes to Muslim children while re-introducing Islam to the West.

professor imam and the squadron supreme

Speaking of comic books, I've recently started to get into the Squadron Supreme especially in their more recently rebooted incarnation. The characters aren't well known but the concept behind them is interesting. Basically they are Marvel Comic's revisioning of /parody of /homage to /commentary on the major DC Comic superheroes. Their names and costumes are different enough that the probably won't raise copyright issues, but their powers and back stories are similar enough that the intention is clear.

Both the original and the rebooted characters explore the dark side of the superhero concept. For example, an important storyline involving the original Squadron had them try to turn the U.S. into a crime-free utopian society and ended up creating a police-state.

Furthermore, I'm not sure if he's explicitly described as Muslim, but taking a leap based on his name, the original Squadron Supreme character Professor Imam may be one of the earliest Muslim superheroes in either Marvel or DC. I haven't yet seen him appear in the rebooted Squadron but I hope he shows up. It would probably allow for some good political stories.

In the rebooted version, "Superman" (Hyperion) is initially found by farmers but eventually Truman Show-ed by the U.S. government who want to make sure he grows up patriotic and compliant. Instead of there being a single token Black superhero, both "Batman" (Nighthawk) and "the Flash" (the Blur) are African-American and have numerous political arguments about their obligations to "the people". In Nighthawk's case especially, his parents were specifically killed by white supremacists, so as an adult he takes a by-any-means-necessary approach to fighting racist and genocidal villains both in the inner-city (primarily Chicago) and in Africa. These are definitely not your grandparents superheroes...

See also:
female, muslim and mutant
naif al-muwata on the 99
josiah x
in brightest day, in blackest night

the 99 revisited / the liberators

Lately I've been thinking again about graphic novels in general and some Muslim characters in particular.

On the one hand, there is the comic book The 99 which I've blogged on before. The premise is that there are 99 mystical gemstones scattered around which endow the person who possesses it with a power or ability related to one of the traditional 99 names of Allah. The comic book has existed for a while but apparently they are in the process of upgrading from a comic book series to an animated format:


The 99 Homepage

Planet Grenada's past
the 99
female, muslim and mutant
pride of baghdad

On the other hand, in the Ultimate Marvel universe there is the character of Colonel Abdul al-Rahman (a kind "Muslim" version of Captain America) of the Liberators (who are a Third World, morally ambiguous version of the Avengers/Ultimates). Abdul al-Rahman is an Azerbaijani youth from Iran who is moved to volunteer for a super-soldier program when Captain America and the Ultimates participate in a U.S. invasion of the Middle East. There is no indication that the character is religious but is arguably "Muslim" in a political sense.

The Liberators have a short career in the Ultimate Universe (They just appear in the Ultimates trade paperback "Grand Theft America". And while some of their members were inspired by pre-existing characters from the standard Marvel universe, Colonel Abdul Al-Rahman was not. But it would be interesting to see if his character would be developed further in the standard continuity.

superman in the nursing home

Thinking about Wanted for the last post reminded me of the following poem which gives a whole other spin to the superman myth:

Superman in the Nursing Home
by Rusty Russell


It started with the flying.
I just had to get away.
I thought I was going crazy, hearing things –
voices, sirens, water running behind walls,
and the crying, someone always crying behind closed doors.
It was that super hearing. I had it then.
So some nights I'd fly out of the city
until I couldn't hear them anymore,
way out over the ocean where I could see the earth turning
and the sun rising over the edge of the next day.
Miraculous, made me feel like the only man on earth,
but I wasn't a man. I was a freak.
Then came all those years
of changing clothes in dirty phone booths;
chewing gum on the floor getting stuck in my pants,
cigarette butts, and the smell of winos and urine.
Sometimes the phone would ring while I was in there
and it always gave me the creeps.
Think about it – an anonymous telephone
in the middle of the night on a deserted street
and it's ringing for someone. Anyone.
I never picked it up. I didn't want to hear it –
lives pulled thin over a phone wire,
stories of pockets with holes,
bad breath whistling through bad teeth.
What could I do?
Someone sobbing and sloppy drunk in a bar somewhere
picks up a phone, dials a number at random
and gets Superman
with his pants down in a phone booth.
Believe it or not, this Superman thing started out modestly:
no cape, no tights.
Just lifting automobiles off trapped motorists,
or catching falling babies before they hit the sidewalk.
But it felt so good, the applause,
the way the Earth girls looked at me,
and it all got out of hand.
I should have stopped after the first bank robbery.
There would never be any cash reward in this
for an indestructible guy like me.
Just "Thanks, Superman,"
and the bankers smiling as I flew away.
All the time they were thinking,
"What a fucking tool," and they were right.
Hell, it was all insured.
If I'd quit then and done something with myself –
forgotten this superhero thing and gotten a realtor's license
or just a full time job with benefits,
maybe I wouldn't be waiting for the TV hour
here in the dayroom of the County Home.
I never saved anyone from this. No one could.
But in a way, it's true, what they say,
that every moment lasts forever,
because I still dream about those first nights
when I was young, before it all started,
flying out of Metropolis in my pajamas
with the moon overhead and the silver ocean below,
and the billboards left behind
like a cry for help I can finally ignore.

wanted

While we are on the subject of graphic novels, I also recently read Wanted written by Mark Millar and which has also been adapted into a film staring James McAvoy, Morgan Freeman and Angelina Jolie.

I haven't yet seen the movie, but I have the definite impression that a large amount of the original story's significance has been lost in the transition from graphic novel to the film. The graphic novel takes place in a thinly-veiled analogue of the DC comic universe. The premise is that back in 1986 the various super villains came together and formed a unified army to decisively defeat the superheroes. In the present-day, super villains run the world with impunity through a secret society known as the Fraternity. (It is interesting to note that in a very small way, DC Comics moved in this direction when it made Lex Luthor president.) In the film, the secret society is made up of badass assassins who are still basically good but in the graphic novel, the organization is unambiguously evil. The main philosophical difference between the villains in the graphic novel lies in whether they are motivated by ruthless greed or a sadistic nihilism.

Professor Seltzer:
Shouldn't that be every one's aspiration Mister Rictus? The loot without the leg breaking?

Mister Rictus:
Personally I always saw the loot as just an added bonus, Professor Seltzer.

In addition to this basic moral vacuum, the other major element of the graphic novel which is presumably absent in the film is the rich relationship to the DC Comic Book mythos. One of the most interesting moments along these lines is an exchange between Wesley [the protagonist[ and Professor Seltzer [a clear Lex Luthor stand-in]:

Wesley:
I don't understand how come this isn't in the history books? Even if there had been one superhero wouldn't that have been all over the news and stuff?

Professor Seltzer:
Ah, but it wasn't enough just to beat them, Wesley. We had to strip them of their memories and make sure that even their greatest fans didn't remember them.

Such science might seem comical in this new world that we molded for you, but believe me when I saw that reality itself can be rewritten if we desire it, boy.

Seven dimensional imps [Mr. Mxyzptik] and alien super-computers [Brainiac] are among our ranks, you know. There's really nothing we can't do if we always stand united.

Now, your father's old nemesis [only referred to as "The Detective" but obviously Batman] is just a camp pudgy joke who signs autographs for money. The Warrior Princess [Wonder Woman] is a menopausal drunk who thinks she was a tv personality. And as for my own arch-foe [Superman]...

Well according to the newspapers, he needs someone to help him defecate now and spends his long dull days staring into space, trying to remember where it all went wrong. [the panel shows a man in a wheelchair sitting by a window, clearly recalling Christopher Reeve]

In other words, there is the strong suggestion (which is incredibly tragic when you stop to think about it) that Adam West, Christopher Reeve and Lynda Carter really are the defeated remnants of the heroes they portrayed on tv and film. (Along similar lines, the Vixen [a Catwoman stand-in] is definitely modelled on Halle Berry) So maybe the novel is meant to describe our own universe and we actually live in a world run by super villains?

In any case, based on the promotional material I've seen, the movie essentially ignores the comic book aspects of the novel. I wonder to what extent that was a freely-made creative decision and to what extent it was motivated by the likely legal hurdles due to copyright issues.

Basically, I expect that the movie will be an entertaining experience full of sci-fi/action candy but will be missing much of the mythological richness of the graphic novel.

Goatmilk: WANTED - MOVIE REVIEW