anarchism, hollywood-style

Alternet: Anarchism, Hollywood-Style by Anthony Kaufman, a review of V is for Vendetta. Check out:(the film or the graphic novel)

"a soul, three fingers and at least one good eye"

I once went to an open mike heard a poem which was inspired by Gil Scott-Heron's famous piece "The Revolution Will Not Be Televised". It had a line that went "The revolution will make the government start to suspect and profile anyone with a soul, three fingers, and at least one good eye". It seems like those days are just around the corner. Just between you and me, I could almost understand some of the paranoid anti-Muslim measures which the neo-cons and the powers that be are in favor of these days. I certainly don't agree with them and I think they are horribly mistaken, but I can at least wrap my head around theirs. I "get" where they are coming from. I expect it.

But now, even more mainstream folks who speak out of turn are turning up on the radar:

the American Civil Liberties Union released a series of once secret FBI files that show the FBI's Joint Terrorism Task Force conducted a secret investigation into the activities of the Thomas Merton Center beginning as early as November 2002, and continuing up until at least last March.

Alternet: Punished for Pacifism

pat robertson is evil: reason #704

Pat Robertson AGAIN calls for Chavez to be assassinated ?!?!? Didn't he realize that he was wrong the first time? Whatever happened to "Thou shalt not kill" and "Love your enemies"? And at the very very least, doesn't he realize it was a bad PR move to call for folks to be assassinated on public airwaves?

MediaMatters for America: Robertson again calls for Chavez's assassination: "Not now, but one day"

past reasons:
pat robertson is evil: reason #865
pat robertson is evil: reason #873

chavez's alleged anti-semitism

Alternet: Chavez's Alleged Anti-Semitism which follows up somewhat from Planet Grenada: chavez and anti-semitism

what has hip-hop really done for racism?

From Black Electorate: What has Hip-Hop really done for Racism? by Al-Tariq Ibn Shabazz.

Especially as someone who grew up on Public Enemy and KRS-ONE I still want to hold onto some of my optimism when it comes to thinking about the power of music to politically enlighten urban youth.

I can't help but think of Common's "I used to love H.E.R. (Hip-hop in its Essence and Reality)"

She didn't have a body but she started gettin thick quick
Did a couple of videos and became afrocentric
Out goes the weave, in goes the braids beads medallions
She was on that tip about, stoppin the violence
About my people she was teachin me
By not preachin to me but speakin to me
in a method that was leisurely, so easily I approached
She dug my rap, that's how we got close

But I also have to admit that Ibn Shabazz has a point. If it is true that “The sole purpose of racism is to support and ensure that the White majority and its ethnic subgroups continue to dominate and use Blacks as a means to produce wealth and power” then the music industry in general, and hip-hop in particular are more part of the problem than the solution, especially if you think about how economic power is exercised behind the scenes.

More sober thoughts on hip-hop's limitations from Planet Grenada:
yo! pbs raps
the revolution won't have a video

circle of the black thorn

I wonder if Black Thorn League inspired the fictional Circle of the Black Thorn which appeared in the last season of Angel:

SPIKE
Who they?

LINDSEY
The Circle of the Black Thorn.

LORNE
Sounds like a little sewing club for pirates.

LINDSEY
It's a secret society.

GUNN
Never heard of them.

LINDSEY
That's 'cause they're secret.
(Gunn smirks)

SPIKE
There's plenty of these cabals about. They usually spend a lot of time in basements paddling one another's bums to prove their manhood.

LINDSEY
These are not frat boys, Spike. The circle's small. It's elite. They got connections you boys can't even comprehend.

WESLEY
They're evil.

LINDSEY
Sure. But evil's not the point. Power is.

WESLEY
Power.

GUNN
OK, we get it. They're bad ass. What do they do?

LINDSEY
(snickers)
Jeez. Are you guys always this slow? Huh? Starts with an "a," ends in "pocalypse." It's a well-oiled machine, this circle. These people grease the wheels, keep the parts in place. Make sure man's inhumanity to man keeps rolling along.

WESLEY
We thought the senior partners were responsible for the apocalypse.

LINDSEY
The senior partners are on a different plane. Down here...it's the players in the circle that make things happen. Hell, you get tapped by one of them, it's kind of like getting the keys to the chocolate factory.

Hakim Bey with his Temporary Autonomous Zones, Imam-of-one's-own-being concept and his Nambla involvement may not seem hellishly apocalyptically evil, but is arguably in the same ballpark as the evil secret society which appeared on Angel.

hard time for soft drinks

Alternet: Hard Time for Soft Drinks about the evils of pop. From time to time I think about the field of "prophetic medicine" or health in general and wonder if I should live a more natural kind of lifestyle. If I find some interesting information I'll pass it along.

green tea with the imam of the age

This is an older piece from Michael Muhammad Knight where he interviewed Peter Lamborn Wilson/ Hakim Bey: Green Tea with the Imam of the Age

moors, snakes and st. patrick

The Moorish Science Temple of America was a proto-Islamic group founded by Noble Drew Ali which gained some prominence in the United States among African-Americans before the Nation of Islam came on the scene. Not completely unlike the Nation, the Moorish Science had their own peculiar racial doctrines which set up a theological difference between whites and blacks. And so later on, when European-Americans (many of them "hippies" and "beatniks") saw something in Noble Drew Ali's teachings which was appealing to them and they wanted to accept the prophethood of Noble Drew Ali and form the Moorish Orthodox Church, a certain amount of explanation was required. And it just so happens that the explanation they chose connects Islam and the Moors to St. Patrick's Day.


Manifesto of the BLACK THORN LEAGUE

1. According to orally-transmitted teachings of Noble Drew Ali, founder & Prophet of the Moorish Science Temple of America: -- Ireland was once part of the Moorish Empire; that is, the celts were Moslems, & there were black moors from N. Africa also present in Ireland. But the moors were expelled by militant Christianity -- this event is disguised in the legend of St. Patrick's expelling the snakes - for which reason the MST celebrates St. Patrick's Day, in a mood of irony perhaps, in expectation of an eventual Return.

2. In Noble Drew Ali's system, celts are considered an "Asiatic race", & thus potential converts to Moorish Science. We consider NDA's theories to be racial but not racist, because (again according to oral tradition) they were based (at least in part) on spiritual affinity. "Europeans" who wished to Join the MST (including some of the later founders of the Moorish Orthodox Church) were declared to be really celts or "Persians" -- (which may have something to do with the oft-remarked similarity of Eiran and Iran).

3. NDA's hidden history of Ireland may be taken as an esoteric metaphor -but it is supported in some surprising ways by archaeology & even "official" history. In the first place, the celts are an Asiatic race, or at least the most recent arrivals in the west from the mysterious "Hyperborean" heartland of the Aryans -- last of those nomadic migrations which settled India, Persia & Greece.

4. Second: What is one to make of those early Celtic crosses inscribed with the bismillah ("In the Name of God", opening words of the Koran) in kufic Arabic, found in Ireland? The Celtic Church, before its destruction by the Roman hierarchy, maintained a close connection with the desert hermit-monks of Egypt. Is it possible this connection persisted past the 7th/8th centuries, & that the role of the monks was taken up by Moslems? by Sufis? in contact with a still-surviving underground Celtic Church, now become completely heretical, & willing to syncretize Islamic esotericism with its own Nature-oriented & poetic Faith?

5. Such a syncresis was certainly performed centuries later by the Templars & the Assassins (Nizari Ismailis). When the Temple was suppressed by Rome & its leaders burned at the stake, Ireland provided refuge for many incognito Templars. According to The Temple & The Lodge, these Templars later reorganized as a rogue Irish branch of Freemasonry, which (in the early 18th century) would resist amalgamation with the London Grand Lodge. The Islamic connection with masonry is quite clear, both in the Templar & the Rosicrucian traditions, but Irish masonry may have inherited an even earlier Islamic link -- memorialized in those enigmatic crosses!

6. It's interesting to note that Noble Drew Ali's Masonic initiations may not have been limited to Prince Hall or black Shriner transmissions, but may also have included some hidden lines connected to Irish masonry, & dating back to Revolutionary days in American history. It is known that many common soldiers in the British Colonial Army were masons affiliated with the Irish rather than the London Grand Lodge. This "class" difference -was reflected in the American Revolutionary Army, whose officers were "official" masons but whose private ranks tended to be "Irish".

7. Historians sometimes forget that in the 18th century, in America, the Irish were generally considered "no better than Negroes". In 1741 on St. Patrick's Day in New York a riot broke out, involving a conspiracy which included Irish, African, & Native American men & women -- naturally "of the meanest sort." Some Irish conspirators were overheard to swear they'd kill as many "white people" as possible. The uprising failed & the plotters were executed. As the bodies of two hanged in the open air decayed in an Iron gibbet, "observers noticed a gruesome, yet instructive, transformation. The corpse of an Irishman turned black & his hair curly while the corpse of Caesar the African, bleached white. It was accounted a 'wondrous phenomenon'" (Linebaugh & Rediker, "The Many-Headed Hydra").

8. Clearly the Celt & African were linked not only in the gaze of the oppressor class, but also in their own world-view -- as comrades, as somehow the same -- in a solidarity which extended to Indians & to other "Europeans" who fell beneath the level of the "respectable poor" into the category of slaves & outcasts. Racist feelings did not divide the 18th century poor & marginalized -- as would become the case under later Capitalism. Rather the marginalized of all races constituted an underclass & moreover, an underclass with some awareness of itself, hence with a certain power (the power of the "strong victim"). This consciousness might well have been developed in part by Irish-black "masonry" of some sort. And Noble Drew Ali might have known of this tradition, which he masked (or perhaps unveiled) in his parable of the snakes - & celebration of March 17th.

9. In another interpretation of St. Patrick's anti-reptilism, the "snakes" he banished were in fact "druids", i.e. Celtic pagans. The snake may have been an emblem of the Old Faith, as it is for many forms of paganism, including African (Damballah) & Indian (the Nagas) -- & even for the Ophite Christianity of Egypt (Christ himself depicted as a crucified snake).

10. Celtic pagan lore was embedded in the Romance traditions especially in the Arthurian material -- & here once again. we find ourselves in the world of the Arabo-Celtic crosses. For the romances are permeated with "Islamic" consciousness. In Malory's Morte dArthur & Eschenbach's Parzifal many Saracen (i.e. Moslem/Moorish) knights are depicted not as enemies but allies of the Celts -- & in the latter book the entire story is attributed to Moorish sources (which are now lost). Saracens, Christians, & crypto-pagans are united in a mystical cult of chivalry which transcends outward religious forms, & is emblematized not only in pagan symbols like the Grail & the Questing Beast, but even in such cultural borrowings as the lute (al-'ud in Arabic), or indeed the cult of romantic/chivalric love, transmitted from Islam to the west by Sufis in Spain.

11. Ireland's contacts with Spain certainly extend back into the Islamic period, & the so-called "Black Irish" may have as many Moorish as castillian genes. Medieval Irish monks probably absorbed Sufism & Islamic philosophy along with the art of the illuminated manuscript -- witness the extraordinary stylistic resonance between the Book of Eells & the Kufic Korans of Omayyad Spain. If St. Francis could visit N. Africa & come back to Italy wearing a Sufi's patched cloak, so the Irish might easily borrow from Egypt & al-Andalus.

12. All speculation aside, the Moorish Orthodox Church entertains its own esoteric interpretation of NDA's teachings on these matters. We heartily endorse his "elective affinity" theory of affiliation with a greater spiritual Celto-Asiatic "race". DNA counts for something, but soul for a great deal more. "Every man & woman their own vine & fig tree" (one of NDA's slogans) is not a matter of fate but of character, not of birth but of choice.

13. In our historical/imaginative exegesis & unfolding of NDA's parable, we have uncovered a complex of heretical Islamic & Moorish cultural strands linking Celtic neo-paganism, esoteric Christianity, & the Arthurian cycle, thru Sufism & masonry, to the perennial libertarian struggle of the marginalized & oppressed peoples of the "Atlantic" world.

14. We propose to embody this poetic complex in a popular chivalric order, devoted symbolically to the cause of "bringing the snakes back to Ireland" - that is, of uniting all these mystical strands into one patterned weave, which will restore the power of its synergistic or syncretistic power to the hearts of those who respond to the particular "taste" of its mix. We have borrowed this slogan from contemporary neo-pagans in order to symbolize the special mission our order will undertake toward Celtic-Moorish friendship. The BLACK THORN LEAGUE will be open to all, regardless of whether they are MOC members or not, providing only that they support this particular goal.

15. "Black" in our title signifies not only the black banners of the moors but also the black flag of anarchy. "Blackthorn", because the tree symbolizes druid Irelands & is used to make cudgels. "League", in honor of the various Irish rebel groups which have organized as such. Other organizational models include such Masonic revolutionary groups as the Carbonari, or Proudhon's anarchist "Holy Vehm", or Bakunin's Revolutionary Brotherhood. We also emulate certain anarcho-Taoist Chinese tongs (such as the Chaos Society)~~ & hope to evolve the kind of informal mutual aid webworks they developed.

16. The League will bestow the Order of the Black Thorn as title & honor, & will hold an annual conclave & banquet on St. Patrick's Day in memory both of Noble Drew Ali's vision, & of those rioters of 1741 who conspired in low taverns to overthrow the State. Bring The Snakes Back To Ireland!

Hakim Bey:
Moorish Tag Day Update

Planet Grenada:
"funny, you don't look moorish"
white muslims and moorish science
hakim bey, ontological anarchy and cultural expression

"my pride is racist people say, but no one minds st. patrick's day"

I haven't heard this song, or seen this video in a very long time. But given today's date it seemed appropriate. The song is called "Split Personality" from a group called Basehead.

happy birthday to me

Cool. Tomorrow is Planet Grenada's birthday. It's been an interesting year.

more marvin x

Chicken Bone: Artist Profile: Marvin X
In the mid-1960s, playwright Marvin X founded the Black House, the Black Education Theater and many other Tenderloin stages that served as headquarters for the Black Arts Movement.

In 2004, X put on the Tenderloin Book Fair and University of Poetry, a sprawling daylong lit fest. Now 61, he's writing a book about Islamic history in the Bay Area and is writing a play with Dead Prez.

King: The Black Arts Movement is built on many ideals. Which, for you, are the strongest?

Marvin: The Black Arts Movement is about consciousness-raising music and literature. It's about the Paul Robeson concept of the artistic freedom fighter; about making statements that saturate the political nervous system.

King: You've been called a radical activist. What would you tell a group of 20-year-old playwrights if they said they don't care about radicalism?

Marvin: I would say what Mao Zedong said: "Let a hundred schools of thought contend." I don't want anything to do with them. Go do your thing. I've got a mission to actually change something. Like Bush said, you with me or against me. Contrary to Bush, the main addiction in America is not oil, it's white supremacy. That's the addiction from which all other addictions spring. Deal with the problem of supremacy, and you'll solve the greed for oil, the murder for oil. That's what's radical to me. We need a thousand Frantz Fanons, and white people need to have a 12-step supremacy-recovery program. Go in, have a detox. Maybe it'll help you, and us.

King: Do you think hip-hop is to black culture now what jazz in the 60s was to the Black Arts Movement?

Marvin: No! Jazz in the 60s was aligned with the freedom struggle, the music of Archie Shepp, Pharoah Sanders. It was liberation music. Hip-hop don't have that, at least not on BET, MTV. That's because the ruling class don't want people awake. They want people asleep. . . . I grew up in a politically charged household. My parents were involved in the NAACP and published a black newspaper in Fresno, so it's not strange for me to be politically conscious.

King: What do you think about the concept of Black History Month?

Marvin: Now people are writing about the Black Arts Movement. But you won't dare invite the originators, who are still alive. You don't want them around because that would reveal your contradictions.

previously on Grenada:
marvin x
marvin x: first muslim american poet
my son, the fanatic

children's crusade

Washington Post: In Uganda, a Fresh Start For Former Child Fighters

The children are victims of a 20-year insurgency waged by the Lord's Resistance Army, a shadowy rebel group that wants to overthrow the government and install the Ten Commandments as law. Since it was founded in the 1980s, the group has kidnapped an estimated 20,000 children to serve as fighters, porters and sex slaves.

Thousands of the children have escaped. When they return home, many suffer post-traumatic stress disorder, having witnessed brutal killings -- sometimes of a parent or sibling -- or having been raped, beaten, deprived of water and food or forced to kill, according to a study published in the Lancet medical journal in March 2004.

For a previous post on Christian terrorism, check out: eric robert rudolph

"goodbye children"

World Net Daily: Isaac Hayes quits 'South Park' after spoof on Scientologists It makes sense that he would quit working on South Park after it started to mock his own faith. (Hayes is a Scientologist). But he apparently didn't have a problem with South Park mocking every other religion, so I don't think he can claim that he wants to respect all religions equally.

the south park where chef becomes muslim

sandra day o'connor says us risks edging near to dictatorship

Sandra Day O'Connor, a Republican-appointed judge who retired last month after 24 years on the supreme court, has said the US is in danger of edging towards dictatorship if the party's rightwingers continue to attack the judiciary.

In a strongly worded speech at Georgetown University, reported by National Public Radio and the Chicago Daily Law Bulletin, Ms O'Connor took aim at Republican leaders whose repeated denunciations of the courts for alleged liberal bias could, she said, be contributing to a climate of violence against judges.

Ms O'Connor, nominated by Ronald Reagan as the first woman supreme court justice, declared: "We must be ever-vigilant against those who would strong-arm the judiciary."

She pointed to autocracies in the developing world and former Communist countries as lessons on where interference with the judiciary might lead. "It takes a lot of degeneration before a country falls into dictatorship, but we should avoid these ends by avoiding these beginnings."

Common Dreams: Former Top Judge Says US Risks Edging Near to Dictatorship

louder than a bomb

In These Times: Louder Than a Bomb: an Interview with Chicago Hip-Hopper Kevin Coval by Aaron Sarver.

I just saw Kevin Coval recently. It was the second time I saw him live. He's a decent Chicago poet who has some interesting pieces dealing with his Jewish heritage and how it connects to his political convictions. He has this nice piece which connects the swaying of orthodox Jews while davening to hip-hop headnodding which he performed on Def Poetry Jam a while back.

a soldier's story

Has anyone out there seen A Soldier's Story ? That's one gooood movie. The film was based on the Pulitzer Prize winning work by Charles Fuller, A Soldier's Play about the murder of an African-American, Sgt. Waters (played by Adolph Caesar) near an army base. The officer sent to investigate the murder, Capt. Davenport (played by Howard E. Rollins Jr.) is also Black, and many of the soldiers on the base are also African-American. The initial suspicion is that the murder was racially motivated and committed by the Klan but the story (often told through flashbacks from when Waters was alive) gradually gets more and more complex.

The setting of the film is in some ways like one of those Russian Easter eggs... a shell within a shell within a shell. It takes place during World War II when the Allies are fighting against a Nazi regime... inside the United States which is still very racist, on an army base where segregation is still practiced, among African-American soldiers where some of them have very definite ideas of what it means to be Black.

For example, in one flashback scene, Sgt. Waters says to CJ, a Black solider from the south:

Them Nazis ain't all crazy. Whole lot of people just can't seem to fit in to where things seem to be going. Like you, CJ. See, the Black race can't afford you no more. There used to be a time, we'd see someone like you singin', clownin', yassuh-bossin'...and we wouldn't do anything. Folks liked that. You were good. Homey kind of nigger. When they needed somebody to mistreat, call a name or two, they paraded you.Reminded them of the good old days. Not no more. The day of the Geechee is gone, boy. And you're going with it. We can't let nobody go on believing we're all fools like you.

In another scene, Sgt. Waters talks about an earlier time during WWI,

You know the damage one ignorant Negro can do? We were in France in the first war; we'd won decorations. But the white boys had told all them French gals that we had tails. Then they found this ignorant colored soldier, paid him to tie a tail to his ass and run around half-naked, making monkey sounds. Put him on the big round table in the Cafe Napoleon, put a reed in his hand, crown on his head, blanket on his shoulders, and made him eat *bananas* in front of all them Frenchies. Oh, how the white boys danced that night... passed out leaflets with that boy's picture on it. Called him Moonshine, King of the Monkeys. And when we slit his throat, you know that fool asked us what he had done wrong?

I think I have more of Sgt. Waters in me than I care to admit. Probably some CJ too. And the less said about that, the better.

Also, check out: A Soldier's Story Script but this is like the script available for Deep Cover in that the document doesn't include the speakers' names. So it is useful if you want to find a particular quote, once you've already seen the film but it is not so useful if you want to follow the story. I also looked for the script to the original play online, but the only sites which come up are ones that aren't free.

not really the same thing but it is in the same ballpark

I was pretty surprised when Brownfemipower and other women of color bloggers were alluding to the fact that for some reason their blogs seemed to come up in searches for internet pornography (See A Radical Woman of Color Perspective). In the case of Planet Grenada, I use site meter and webstats4u.com to keep track of hits and in general I would say that visitors are getting what they came for. (Only occasionally, some people are looking for specific information related to the island nation of Grenada).

But what surprised me recently is that yesterday, I received the greatest daily number of hits EVER on Planet Grenada (413 page views) but the overwhelming number of them were from people searching for info on wafah dufour (Bin Laden's niece who posed half-nekkid... yes nekkid... in GQ and is trying to have a music career). Since I actually have a brief blog entry on her it is not as inappropriate as what is going on with the abovementioned radical women of color bloggers, but still, I would never have expected (or hoped) that this would be my most popular post.

What is also kind of odd is that the original post went up over a month ago so why is the spike happening now?

post traumatic slave syndrome

In These Times recently published an interview with Dr. Joy DeGruy Leary, author of Post Traumatic Slave Syndrome: America’s Legacy of Enduring Injury and Healing. The basic idea seems to be that the legacy of slavery constituted a kind of trauma and consequently African-Americans today generally suffer from something akin to post-traumatic stress disorder. I have my reservations. Personally I'm a bigger fan of Frantz Fanon or Naim Akbar when it comes to understanding Black psychology. But from a certain perspective, they are all saying basically the same thing: Racism drives Black folks crazy. And somehow Fanon and Akbar both manage to sound optimistic and empowering as they say this.

Fanon says: Yes, Black folks (well... mostly the colonized Algerians) are crazy. Literally, clinically crazy. But so are the French. And things will be okay after the revolution.

Akbar says: Yes, Black folks are crazy (in a cultural sense). But things will be okay after you read my latest book.

But Leary sounds like she is saying Blacks are literally crazy in a clinical sense, in a way which tends to call into question Black humanity. Moreover, she sees the problem as rooted in past slavery rather than present conditions, which then puts serious limits on what we can do to get well. Anyway, tell me what you think.

gordon parks r.i.p.

I only want to be a soldier, I'm holding on, to a culture
Focused like Gordon Parks when it's sorta dark
For niggas that's flooded with ice, my thoughts the ark
- "Dooinit" , Common

NYTimes: Gordon Parks, a Master of the Camera, Dies at 93
Wikipedia: Gordon Parks