Islam is at the heart of an emerging global anti-hegemonic culture that combines diasporic and local cultural elements, and blends Arab, Islamic, black and Hispanic factors to generate "a revolutionary black, Asian and Hispanic globalization, with its own dynamic counter-modernity constructed in order to fight global imperialism. (say what!)
I don't believe that all those "Clinton supporters" are really defecting over to McCain... some of those have to be Republicans who are just trying to mess with the polls. After all, why wouldn't the angry progressive left-of-center women (other than Rosanne) go over to Cynthia McKinney & Rosa Clemente?
Shoot, if Hillary had gotten the nomination and I didn't feel cool about how it went down and I lived in a "safe" state, I would totally vote for them. An African-American woman for prez with an Afro-Latina for VP running on a totally progressive platform?
I just added a number of posts to Third Resurrection which you might like to check out (including the one below) and I'll probably put a few more up in a couple of days.
I recently discovered the blog Fire of Ashk which posted a clip of some Naqshbandi followers of Shaykh Nazim doing dhikr in a circle, where one excited brother starts to breakdance:
You may have heard of Jerome Corsi's Obama Nation which represent's his attempt to "Swiftboat" the Democratic presidential candidate. If so you might also be interested in checking out the pdf of Unfit for Publication which is a point-by-point rebuttal of many of the dishonest claims in Corsi's work. Corsi himself seems to be a pretty foul kind of bigot who compares Islam to a virus and makes a number of negative comments about "rag heads" and Catholics.
With the help of Netflix and the bargain bin at Blockbuster I've finally finished seeing the George Romero zombie oeuvre (Night of the Living Dead, Dawn of the Dead, Day of the Dead plus their remakes, along with the more recent Land of the Dead and Diary of the Dead).
In my opinion, the remake of Night of the Living Dead is the best of the lot, followed by Diary of the Dead. I think the original versions of Dawn of the Dead and Day of the Dead were better than their remakes. (The social commentary is more effectively delivered and I prefer the original "slow zombies" to the new "fast zombies").
Land of the Dead is somewhere in between. To be honest, it was a bit disappointing but mainly because I had hyped it up in my mind (it was the last Romero movie I had left to see and it was a bit hard to find) but still, it was an interesting allegory of the Bush administration (at least that was Romero's stated intention) and in some ways, quite Grenada-esque.
John Edwards isn't running for president and currently does not hold any public office while the media seems to be paying a lot of attention to this whole John Edwards adultery story (either that or I'm watching too much FOX) On the other hand, John McCain is running for president and does currently hold public office and yet there seems to be very little discussion of the character questions raised by McCain's treatment of his first wife.
And then on top of that you have Cindy McCain's own issues... I don't mean her drug addiction (which is basically a medical question) but stealing drugs from her own charity in order to get satisfy that addiction is a serious ethical lapse.
... but with all the news reports about Russia attacking Georgia, has anyone else been thinking about renting Red Dawn at the videostore? While we are on the subject, does anyone else remember the mini-series Amerika?
McCain: This is a clear choice that the American people have. I had the courage and the judgment to say I would rather lose a political campaign than lose a war. It seems to me that Obama would rather lose a war in order to win a political campaign.
I was just thinking about this statement the other day. Even if we grant that McCain is willing to adopt unpopular stances regarding the Iraq Waq it definitely doesn't follow that he is making objective decisions based only on what is best for the United States. McCain is also a Vietnam veteran with a son currently in Iraq. So his emotional investment in the conflict is certainly sufficient to explain some of his positions as well.
1. After Obama'sFISA vote I'm finally starting to wish that McKinney had a chance of winning this election. Obama's still my choice but his vote took some of the shine off. Before this I basically viewed him as someone whose ideals I strongly agreed with, but who occasionally had to make some difficult pragmatic compromises with current political reality in order to get elected. Now I'm slightly less certain of where his real convictions lie.
2. This mantra that "the surge worked" seems really silly to me. From the perspective of anyone who opposed the Iraq War on philosophical or ideological grounds (e.g. because they are pacifists, because the conflict didn't satisfy their particular conditions for a just war, because they don't believe the US should be an empire, etc.) the surge's "success" just demonstrates our own technical proficiency in doing the wrong thing. It's like complimenting the DC sniper for his marksmanship.
I've previously mentioned Anida Yeou Esguerra on Planet Grenada (see the day after and anida esguerra. And also check out atomicshotgun.com). Here is a spoken word piece, "Morning Papers" from Marlon Unas Esguerra on Def Poetry Jam. I don't know about specific theologies but it is my understanding that both identify as Asian American and Muslim spoken word artists.
And, if you are in a time-and-zombie-killing mood, you might want to check out Sean T. Cooper's simple, but entertaining series of free online Boxhead Games.
Also, you may have seen some of the books in Open Court Publishing Company's series on Popular Culture and Philosophy which brings together a group of authors to philosophically unpack the content behind the Harry Potter novels, South Park and Buffy the Vampire Slayer. I'm in the middle of checking out The Undead and Philosophy: Chicken Soup for the Soulless. (I'll probably do a review in part two of this blog entry once I'm done)
For some reason zombies and zombie movies have been more on my radar these days. Both Shaun of the Dead and the remake of Romero's Dawn of the Dead were on tv earlier today. And a few weeks back Land of the Dead (starring John Leguizamo) was on. And during the days in between I've been making ample use of the bargain DVD bins at Walmart and Blockbuster in order to further explore the genre.
To begin with, I would argue that George Romero's 1990 remake of his own Night of the Living Dead is actually one of the all-time greatest films (one of my favorites in any case). It is a well-crafted story centering around seven personalities who arrive at a farmhouse while being threatened by zombies all around them. In spite of the small cast (not counting the zombies of course) and minimal setting, Romero manages to pack a surprisingly rich set of interactions and relationships, invoking issues of race, gender, age, family into a story full of suspense, conflict, social commentary and irony.
Most subsequent zombie films are similar in the sense that they explore zombie outbreaks in the confines of a specific (even if large) area such as a shopping mall (Dawn of the Dead), an army base (Day of the Dead), in and around a graveyard/mortuary/medical warehouse (Return of the Living Dead) and an airplane (Flight of the Living Dead... which could have just as easily been called Zombies on a Plane).
An interesting exception is George Romero's Diary of the Dead. The somewhat self-referential movie follows a group of film students and their professor who were working on a horror picture out in the woods when they get news of the zombie outbreak. But since the group has at their disposal a Winnebago full of gasoline and video equipment, the characters are able to travel to different locations and settings sense of the impacts of the zombie phenomena. (a hospital, a militia headquarters, a middle-class home, an upper-class home, etc.) which gives a more varied and global sense of the scope of the zombie problem. In fact, unlike many zombie films which portray localized outbreaks caused by some mysterious virus or chemical spill, in the Diary of the Dead the cause leans more to the theological. The basic rules of life and death seemed to have changed all over the world simultaneously. As one of the characters in another Romero zombie film explains, "When there's no more room in hell, the dead will walk the earth." In any case, Diary... contains a bit more social criticism and philosophical reflection than most of the other films in the genre, and I would argue that after Night... it is the second-best zombie film I've ever seen.
This isn't superdeep but it still weirded me out... I recently used Mapquest to get directions somewhere and on a whim clicked on "street view" to look at locations around my apartment. It turns out I could see a side view of my car online! It makes me wonder where the images are coming from. Black helicopters? Unmarked surveilance vehicles driving through my neighborhood Anyone know?
I just found out that they are making a film version of Dan Brown's angels and demons set for release next year. (It came up for me because an actress who plays one of the characters in Vanishing Point also has a role in Angels and Demons). In theological terms it probably won't be as controversial as The DaVinci Code, but apparently the Catholic Church has still refused to give permission for filming at the various historical Italian Churches which are part of the story's original setting.
I just finished watching the film Vantage Point last week. The central idea behind the film is how ones perception of reality radically depends on ones point of view. It demonstrates this idea by telling and retelling the story, from different perspectives, of a terrorist attack in Salamanca involving the President of the United States (POTUS).
The movie was good and generally entertaining. I just have a few comments and nits: 1. There was at least one discrepancy between the stories: During the iteration which follows Forrest Whitaker's character (an American tourist with marital problems back home), there are two secret service agents who appear at the end at a crucial moment but are absent from the corresponding scene in the final iteration of the story.
2. A second slight weakness in terms of the construction of the story: At a crucial point, the main terrorist leader who has clearly established his callous disregard for human life during the rest of the film, makes a surprise move actually swerves to avoid hitting a little girl.
3. Finally (and here is the "Grenada-esque" bit) maybe this is just as further example of how everything depends on perspective but the terrorists' motivations aren't made totally clear in the film. In one iteration, a member of the President's staff says that a group called Mujahideen Brigade with connections to Morocco is planning an attack on the President. But when we follow the terrorists, there are few, if any, clues to their ideology and all of them, even the sleeper agent, speak nothing but Spanish.
Over at Goatmilk, Wajahat Ali recently posted an in depth piece entitled: Fear of a Muslim Planet:Hip-Hop’s Hidden History by Naeem Mohaiemen on the historical connections between Islam and hip-hop. It made me want to do put together a sampling of Grenada posts on the same subject.
Thinking about Wanted for the last post reminded me of the following poem which gives a whole other spin to the superman myth:
Superman in the Nursing Home by Rusty Russell
It started with the flying. I just had to get away. I thought I was going crazy, hearing things – voices, sirens, water running behind walls, and the crying, someone always crying behind closed doors. It was that super hearing. I had it then. So some nights I'd fly out of the city until I couldn't hear them anymore, way out over the ocean where I could see the earth turning and the sun rising over the edge of the next day. Miraculous, made me feel like the only man on earth, but I wasn't a man. I was a freak. Then came all those years of changing clothes in dirty phone booths; chewing gum on the floor getting stuck in my pants, cigarette butts, and the smell of winos and urine. Sometimes the phone would ring while I was in there and it always gave me the creeps. Think about it – an anonymous telephone in the middle of the night on a deserted street and it's ringing for someone. Anyone. I never picked it up. I didn't want to hear it – lives pulled thin over a phone wire, stories of pockets with holes, bad breath whistling through bad teeth. What could I do? Someone sobbing and sloppy drunk in a bar somewhere picks up a phone, dials a number at random and gets Superman with his pants down in a phone booth. Believe it or not, this Superman thing started out modestly: no cape, no tights. Just lifting automobiles off trapped motorists, or catching falling babies before they hit the sidewalk. But it felt so good, the applause, the way the Earth girls looked at me, and it all got out of hand. I should have stopped after the first bank robbery. There would never be any cash reward in this for an indestructible guy like me. Just "Thanks, Superman," and the bankers smiling as I flew away. All the time they were thinking, "What a fucking tool," and they were right. Hell, it was all insured. If I'd quit then and done something with myself – forgotten this superhero thing and gotten a realtor's license or just a full time job with benefits, maybe I wouldn't be waiting for the TV hour here in the dayroom of the County Home. I never saved anyone from this. No one could. But in a way, it's true, what they say, that every moment lasts forever, because I still dream about those first nights when I was young, before it all started, flying out of Metropolis in my pajamas with the moon overhead and the silver ocean below, and the billboards left behind like a cry for help I can finally ignore.
While we are on the subject of graphic novels, I also recently read Wanted written by Mark Millar and which has also been adapted into a film staring James McAvoy, Morgan Freeman and Angelina Jolie.
I haven't yet seen the movie, but I have the definite impression that a large amount of the original story's significance has been lost in the transition from graphic novel to the film. The graphic novel takes place in a thinly-veiled analogue of the DC comic universe. The premise is that back in 1986 the various super villains came together and formed a unified army to decisively defeat the superheroes. In the present-day, super villains run the world with impunity through a secret society known as the Fraternity. (It is interesting to note that in a very small way, DC Comics moved in this direction when it made Lex Luthor president.) In the film, the secret society is made up of badass assassins who are still basically good but in the graphic novel, the organization is unambiguously evil. The main philosophical difference between the villains in the graphic novel lies in whether they are motivated by ruthless greed or a sadistic nihilism.
Professor Seltzer: Shouldn't that be every one's aspiration Mister Rictus? The loot without the leg breaking?
Mister Rictus: Personally I always saw the loot as just an added bonus, Professor Seltzer.
In addition to this basic moral vacuum, the other major element of the graphic novel which is presumably absent in the film is the rich relationship to the DC Comic Book mythos. One of the most interesting moments along these lines is an exchange between Wesley [the protagonist[ and Professor Seltzer [a clear Lex Luthor stand-in]:
Wesley: I don't understand how come this isn't in the history books? Even if there had been one superhero wouldn't that have been all over the news and stuff?
Professor Seltzer: Ah, but it wasn't enough just to beat them, Wesley. We had to strip them of their memories and make sure that even their greatest fans didn't remember them.
Such science might seem comical in this new world that we molded for you, but believe me when I saw that reality itself can be rewritten if we desire it, boy.
Seven dimensional imps [Mr. Mxyzptik] and alien super-computers [Brainiac] are among our ranks, you know. There's really nothing we can't do if we always stand united.
Now, your father's old nemesis [only referred to as "The Detective" but obviously Batman] is just a camp pudgy joke who signs autographs for money. The Warrior Princess [Wonder Woman] is a menopausal drunk who thinks she was a tv personality. And as for my own arch-foe [Superman]...
Well according to the newspapers, he needs someone to help him defecate now and spends his long dull days staring into space, trying to remember where it all went wrong. [the panel shows a man in a wheelchair sitting by a window, clearly recalling Christopher Reeve]
In other words, there is the strong suggestion (which is incredibly tragic when you stop to think about it) that Adam West, Christopher Reeve and Lynda Carter really are the defeated remnants of the heroes they portrayed on tv and film. (Along similar lines, the Vixen [a Catwoman stand-in] is definitely modelled on Halle Berry) So maybe the novel is meant to describe our own universe and we actually live in a world run by super villains?
In any case, based on the promotional material I've seen, the movie essentially ignores the comic book aspects of the novel. I wonder to what extent that was a freely-made creative decision and to what extent it was motivated by the likely legal hurdles due to copyright issues.
Basically, I expect that the movie will be an entertaining experience full of sci-fi/action candy but will be missing much of the mythological richness of the graphic novel.
I recently read Brian K. Vaughan's graphic novel Pride of Baghdad (art by Niko Henrichon) and was really impressed. The story is a political allegory with talking animals so it obviously screams to be compared to Animal Farm but it manages to give the Orwell classic a run for its money. The plot focuses on a group of lions (Zill, Safa, Noor and Ali) who escape from the Baghdad Zoo during a US bombing attack but from another perspective the novel is an engaging meditation on the meaning of freedom and autonomy in general, but especially in the context of modern-day Iraq. I definitely recommned.
I feel like I need a "reboot". I plan to work with Hamza Yusuf's booklet Agenda To Change Our Condition and see how it goes. There are some other texts I might want to add to that as well (Hanafi fiqh, Al-Ghazzali [1]) but this will be a good framework to start.
I've mentioned Umi before but after I found this piece and some of his photos online I thought it would be nice to revisit his work. As far as I can tell, he's currently a professor in California doing African-type studies.
Shades of Race in Contemporary Cuba by Umi Vaughan
As an African American man living in Cuba I am surprised and overwhelmed by the kaleidescope of names Cuban people use to describe race in their country, and I wonder what is to happen if and when American cultural influence fully invades Cuba again." I wrote this line in my field notes during a long stay on the island in 2002 and 2003 conducting anthropological research about popular music and Cuban society. Both Cuba and the U.S. are melting pots, where various racial and national sources feed the continual process of nation building and cultural production. In both places, because of the decimation of indigenous populations and the importance of African slave labor for European masters, the binary of European/African or black/white became key. In the struggle between these groups there was much pain, exchange, and creation. The contributions of other immigrant groups, while of great importance, only impact and destabilize but never displace the black/ white paradigm of race in America or Cuba. In Cuba's politics as well as its race matters I see a kinder, gentler take on the ways of an imperfect world, similar to our U.S. system, yet different. In these times of increased U.S. conservatism and international intervention, all with racial implications--some even predicting a U.S. invasion of Cuba--it is well to consider how people think and talk about race in Cuba with an eye to what it reveals about that nation. This also invites reflection about our own America.
Here in the U.S. African Americans understand color distinctions like blue black, red bone, high yellow, and honey brown, but our main distinction is between black and white. In Cuba these terms--blanco y negro--are joined by others like mulato, jabao, trigueZo, and moro, as well as a plethora of distinctions within and in-between these descriptions. Much more colorful and expressive than the quadroons and octoroons that live in the history of North American racial talk, revealing a mathematical conception of color and ethnicity, the Cuban terms rely on appearance, temperament, and intention (of the speaker) as well as express a clear hierarchy in which white is right and black...ya tú sabes/you know the rest. Nancy Morejón [1] asserts that "the Afro Cuban essence" exists and notes that the term "afrocubano" was coined by Fernando Ortiz [2] as part of a continuum balanced by "hispanocubano," referring to the predominance of African or Spanish elements in various aspects of Cuban culture. Ortiz elaborated the concept of transculturation in which two or more cultures come into contact, elements from each culture are lost, new forms are created, and a cultural product different from the ingredient parts is born. Cuban society and its race codes are interesting because they show great plurality and flexibility, underscoring the permeability of categories while at the same time reflecting origins in the institution of slavery, colonialism, and neocolonialism. Folks who would be considered simply black in the U.S. and subject to a monolithic racism, in Cuba fall into many shades of categorization in a society that has indisputably made great efforts toward equality on many levels. At the same time adelantar la raza, or to improve the race, does not refer to creating more cultural awareness or unified economic action on the part of people of color, but rather finding lighter-skinned partners to make lighter-skinned babies.
As in many other places in the world, there are many comely, dark chocolate to blue-black Africans in Cuba. Negro fino (refined), negro bonito (good looking), and negro serio (serious) are a few positive designations that acknowledge their clear African heritage and honor with respect the contributions of black Cubans like Antonio Maceo, Juan Gualberto Gomez, and Evaristo Estenoz to Cuban history. When negro fosforescente (coal black), negro bembón (big lipped black), negro fula (brother up to no good), negro verde (angry), mono (monkey), or negro palmao (broke black man) are used, negativity is being expressed in terms of undesirable, "ugly" African features, stereotypically black (mis)behavior, and social and economic underdevelopment. It is clear that Africa has permeated Cuban culture, in everything from the exquisite shades of skin, the rhythms of speech, and the nourishment from dance and music, cuisine, and worship; however, at the same time, elements that are too purely African, or that reveal the legacy of slavery (i.e., blacks' weaker economic position or shorter history of formal education) are rejected. It seems that positive evaluations of black are anomalies that disrupt the normal perception of black as bad, antisocial, inferior. Dynamic, talented blacks are sometimes referred to as blancos echados a perder (white folks gone to waste). Blacks, especially women, are said to be best suited for labor rather than love. Negrito is a common derogative diminutive. However, at the same time negro or negra is also a term of endearment regardless of your loved one's color.
There are also categories which fall in between and augment the main ones.
For example, very dark-skinned people with fine facial features (slim noses, pursed lips) and good hair are called moros--after the Moors who are present in Cuba's Spanish heritage. Sometimes in order to flatter someone, utilizing the subtle language of race, you might refer to them as moro when more accurately they should be described as negro. For example, one evening a gentleman approached me to sell several pairs of eyeglasses in very poor condition; in order to butter me up for this hard sell, he immediately began calling me moro. On another occasion I was being summoned by someone and did not realize they were talking to me because they kept calling me, "hey you, mulato!"
Mulato or mulata is a vague term that refers to a mixture between black and white, giving the offspring the best of both worlds, passion and soul, pelo bueno (good hair) and fine features. Fair-skinned mulatos are called mulato claro (light), mulato blanconazo (big white mulato), or adelantao (advanced/evolved) while the darker-skinned can be called mulato oscuro or mulato con trova (with soul, a little more of Africa). In the black/white continuum, the mulato or mulata are not simply median, but are said to be la combinación perfecta, with a mystique of sensuality and beauty that is evoked to represent Cuba itself. Cuba is known by many por sus habanos y sus mulatas (for its cigars and its women). There are ladies in La Habana drinking Mulata brand rum as they speak of this or that tremendo mulato (hunk/tenda). The main character in one of Cuba's most significant works of literature from the nineteenth century, Cirilo Villaverde's Cecilia Valdés, is a beautiful mulata. Mulatas and mulatos are said to be good for sex.
Jabao is another category. A kind of median, like the mulato, however stripped of the idyllic qualities of sensuality and beauty. Jabaos usually have fair skin with kinky hair and clear African facial features (wide noses, thick lips, etc.). Some have reddish or even blond hair and are said to be la candela, extremely mischievous and picaresque. It is said that los jabao no tienen raza (jabaos have no race) and that they do not mix well (genetically) with other races. Los jabaos son malos (jabaos are bad) is another often heard phrase.
In the barrios of Havana you will inevitably find someone who responds immediately to the nickname chino or china. The Chinese who started entering Cuba in 1847 as indentured servants to augment slave labor established long lasting communities and left their genetic legacy. During the slavery era Chinese men reproduced with free black women and mulatas because steps were taken to keep separate the Chinese laborers and the slaves. Anybody with slightly slanted eyes is likely to be called chino, identified with this early mixture or that which took place as the Chinese continued to migrate as business people, ambassadors, and students throughout the 1920s and 30s.
White folks in Cuba would not really be considered white by U.S. racial standards. They are slightly dark, tawny, marked by the influence of the Moors on their Spanish ancestors and by over 500 years of sharing the island of Cuba with descendants of Africa and more recently arrived Chinese. This phenotype is preferred by many when it comes to attractiveness and social acceptability, although it does imply the clumsiness and lack of grace/rhythm attributed to whites in the U.S. And yes, the O.J. Simpson complex does exist, in which success and true influence is marked by access to white partners. Whites are best for love and marriage. Still, the Afro-Cuban essence rules over Cuba. Most people there would agree that, in the words of Cuba's national poet Nicolas Guillén, Cubans are "todos mezclados" (all mixed up).
Umi Vaughan is an artist and experimental ethnographer who explores dance, creates photographs and performances, and writes about African Diaspora culture. [...] He studies popular music and performance in Cuba in relation to social transformation. He has made many visits to the island and resided there from June 2002 to October 2003, conducting research for his dissertation and forthcoming book ("Timba Brava: Maroon Music in Cuba").
1. Nancy Morejón, "Afro-Cuban Identity: Cuba and the Afro-Cuban Essence: A Metaphor?," in Cuba on the Verge, ed. Terry McCoy (New York: Bulfinch Press, 2003).
2. Fernando Ortiz, Cuban Counterpoint: Tobacco and Sugar (Durham: Duke University Press, 1995).
There is within the spiritual universe of Islam a dimension which may be called "Abrahamic Pythagoreanism" or a way of seeing numbers and figures as keys to the structure of the cosmos and as symbols of the archetypal world and also a world which is viewed as the creation of God in the sense of the Abrahamicmonotheisms. It is this possibility within the intellectual universe of Islam and not any external influences that enabled Islam to develop a philosophy of mathematics akin to the Pythagorean-Platonic tradition of antiquity [...]
-Seyyid Hossein Nasr, from the Forward of Islamic Patterns by Keith Critchlow
So I recently picked up the book Islamic Patterns. I've owned it for a while, what I'm saying is that I'm making another attempt to get through it. It contains some interesting discussions of the philosophical principles which lay behind much of the geometric artwork in the Islamic world. To be honest, it is taking some effort to get through. What I'm finding is that my own mathematical training makes it hard for me to really see where Critchlow is coming from. There is definitely a gap between the typical academic concept of what a number is or what geometry is about and the Pythagorean notion of the same.
Recently I've been thinking in general terms about different kinds of mathematics: partly with the hopes of developing an innovative curriculum for my students next year, partly for my curiosity and edification, partly with hopes of putting together some kind of article or document, and possibly in order to develop a career as not just a mathematician but a numerologist of sorts.
One route (exemplefied by the song "Mathematics") is to extract the mathematical content of our everyday lives with an eye towards social relevance. Another route would be to take a more metaphysical path (through the I Ching, sacred geometry, enneagrams, and similar constructions). We'll see how it goes.
[Mos Def] Booka-booka-booka-booka-booka-booka Ha hah You know the deal It's just me yo Beats by Su-Primo for all of my peoples, negroes and latinos and even the gringos
Yo, check it one for Charlie Hustle, two for Steady Rock Three for the fourth comin live, future shock It's five dimensions, six senses Seven firmaments of heaven to hell, 8 Million Stories to tell Nine planets faithfully keep in orbit with the probable tenth, the universe expands length The body of my text posess extra strength Power-liftin powerless up, out of this, towerin inferno My ink so hot it burn through the journal I'm blacker than midnight on Broadway and Myrtle Hip-Hop past all your tall social hurdles like the nationwide projects, prison-industry complex Broken glass wall better keep your alarm set Streets too loud to ever hear freedom sing Say evacuate your sleep, it's dangerous to dream but you chain cats get they CHA-POW, who dead now Killin fields need blood to graze the cash cow It's a number game, but shit don't add up somehow Like I got, sixteen to thirty-two bars to rock it but only 15% of profits, ever see my pockets like sixty-nine billion in the last twenty years spent on national defense but folks still live in fear like nearly half of America's largest cities is one-quarter black That's why they gave Ricky Ross all the crack Sixteen ounces to a pound, twenty more to a ki A five minute sentence hearing and you no longer free 40% of Americans own a cell phone so they can hear, everything that you say when you ain't home I guess, Michael Jackson was right, "You Are Not Alone" Rock your hardhat black cause you in the Terrordome full of hard niggaz, large niggaz, dice tumblers Young teens and prison greens facin life numbers Crack mothers, crack babies and AIDS patients Young bloods can't spell but they could rock you in PlayStation This new math is whippin motherfuckers ass You wanna know how to rhyme you better learn how to add It's mathematics
Chorus: scratched by DJ Premier (repeat 2X)
"The Mighty Mos Def.." "It's simple mathematics" -> Fat Joe "Check it out!" "I revolve around science.." "What are we talking about here?"
.. "Do your math" -> Erykah Badu (2X) .. .. "One.. t-t-two.. three, four" -> James Brown .. .. "What are we talking about here?" ..
[Mos Def] Yo, it's one universal law but two sides to every story Three strikes and you be in for life, manditory Four MC's murdered in the last four years I ain't tryin to be the fifth one, the millenium is here Yo it's 6 Million Ways to Die, from the seven deadly thrills Eight-year olds gettin found with 9 mill's It's 10 P.M., where your seeds at? What's the deal He on the hill puffin krill to keep they belly filled Light in the ass with heavy steel, sights on the pretty shit in life Young soldiers tryin to earn they next stripe When the average minimum wage is $5.15 You best believe you gotta find a new ground to get cream The white unemployment rate, is nearly more than triple for black so frontliners got they gun in your back Bubblin crack, jewel theft and robbery to combat poverty and end up in the global jail economy Stiffer stipulations attached to each sentence Budget cutbacks but increased police presence And even if you get out of prison still livin join the other five million under state supervision This is business, no faces just lines and statistics from your phone, your zip code, to S-S-I digits The system break man child and women into figures Two columns for who is, and who ain't niggaz Numbers is hardly real and they never have feelings but you push too hard, even numbers got limits Why did one straw break the camel's back? Here's the secret: the million other straws underneath it - it's all mathematics
As usual, Salim Muwakkil is on target (so to speak). It just makes me wonder what the Middle East would look like if all nations were looked at symmetrically in terms of their compliance to the various international agreements, treaties and declarations.
So I "went to dhikr" yesterday. I use quotes because in reality dhikr should be part of the basic punctuation of Muslim life so the idea of going to a specific location where dhikr can occur ir arguably rather odd. More specifically, I went to a gathering of the Shadhili tariqat [2] for group dhikr. The people were nice but I had to wrestle a bit with my "inner Taliban" since the people there were into "Sufism" but I wasn't sure if they were ready to say that they were "Muslim" or not. If I continue with them its just going to be something I'm going to have to work on somehow.
Coincidentally, I also discovered the following short film yesterday called Ms. Judgements. The people at dhikr were dressed like "gypsies" so I guess I'd identify most with the person right after:
This past Sunday, Obama gave a sermon on fatherhood at the Apostolic Church of God in Chicago. And can I say how deep it is to see a candidate actually give a sermon as opposed to merely pandering to Evangelicals? I'm also sure that Obama is absolutely relieved to be able to speak for himself in a church instead of having others speak on his behalf (and have the media assume he approves the message). In this sermon, Obama manages to strike a tone somewhere between government-responsibility and community-responsibility which I think works really well. I'm curious about how it will play among the "religious right" and the white "values voters"?
The clip from Audio Intefadeh seems to suggest Mark Gonzalez but that's not totally clear to me. In any case, he is a brilliant spoken word artist who is definitely in solidarity with the Palestinian cause and is trying to make a difference through his words and actions.
The Ghetto nerd came to America at age 6 with his impoverished Dominican family, like so many others before them, yearning to taste the “American Dream.” The Ghetto nerd suffered the brutal jabs and blows of the “American reality” as his family faced one epic tragedy after another. The Ghetto nerd immersed himself in literature, inhaling popular culture like air, snorting fantasy and science fiction like cerebral cocaine, and drowning himself in the wondrous, exaggerated worlds of comic books. ... A month before winning the Pulitzer, I sat with Junot Diaz, the Ghetto Nerd himself, for a revealing and candid discussion about the devastating “curse” and emotional scars of a tyrannical dictatorship – in this case that of Dominican Republic’s horrific General Trujillo – on an immigrant, American family; the mainstream “whitewashing” of “brown” experiences; the power of popular culture and comics books to express one’s personal narrative; the arrogance of “Whiteness”; and the emergence of a multicultural voice reflecting an ethnic, “All American” America.
This is an open letter to those white women who, despite their proclamations of progressivism, and supposedly because of their commitment to feminism, are threatening to withhold support from BarackObama in November. You know who you are.
I've linked to Wajahat Ali's blog before but I haven't checked him out in a while. It turns out I've missed a lot of good stuff. Here is an interview between Wajahat Ali and Islamic scholar Seyyid Hossein Nasr (who is also part of the Perennialist tradition we've discussed before here on Planet Grenada).
Blatantly stolen from Marc Manley over at The Manrilla Blog:
"From a small, self-published book entitled Something Else, jazz legend YusefLateef published an engaging book back in 1973. Yusef, who is known as a master multi-instrumentalist, is also a gifted writer, producing everything from short plays, essays, and poetry [as in this installment]. I have been putting segments of the book up on line. Here's the newest addition for your reading pleasure: http://www.manrilla.net/blog/reflections/
For more of Something Else, just visit the Blog and see the links under "Reads" on the right-hand side.
I actually wanted to include a clip of this song back when I wrote the post: o son of being / the spark but did not find one until now. I've recently been thinking about the relationship between Islam and hip-hop and so The Roots came to mind again (Malik B is Sunni and Black Thought is/has been a Five Percenter). Also, in spite of what I said in my mayda del valle post I went ahead and got The Best of the Roots album a few days ago (along with Game Theory and Rising Down)
1. I really like this image but was a bit surprised by how the mainstream networks were covering it. They were like "what is this mysterious gesture?". It is just another reminder of how "white" the mainstream press is in its perspective. It also an example of how Obama's candidacy (and hopefully his presidency) has the opportunity of being a sort of national teach-in on race relations; first by offering a peek into the Black church, and now introducing white people to African-American greeting practices.
Democratic presidential candidate Barack Obama and his wife, Michelle, share a victory "dap" during an election night rally in St. Paul, MN
2. I'm not sure who Obama should pick as his running mate but I've been interested in Senator Jim Webb of Virginia ever since I'd caught part of an interview with him on NPR. He's a Vietnam veteran and an ex-Republican who today is highly critical of George W. Bush and the current Iraq War.
3. I never cease to be amazed by the number of third-party candidates who run for president in each election in relative anonymity. Of course you have the Greens and the Libertarians, but there are also at least three different kinds of "socialist" parties (four if you count the Nazi party), you have the Fascist party, the Prohibition Party, the Constitution Party and even the Vampire, Witches and Pagan Party which are all putting up candidates. Some of these candidates seem to be running more as a joke or as a publicity stunt and others are "serious" but are obviously long-shots while many seem to lie somewhere in between.
4. A couple of the third-party presidential candidates are former elected officials who "defected" from the major parties. One is former Republican Congressman, Bob Barr who is running as the Libertarian Party candidate this year. One can only hope that he can serve as a spoiler for McCain in this election.
5. On the scary side, I recently found out that former Democratic member of Congress Rep. Cynthia McKinney is running for president on the Green Party ticket. I say scary because I think McKinney is likely to be a "spoiler". Some of the angry/ disappointed/ disgruntled Clinton supporters have already expressed their willingness to vote for McCain. But now McKinney offers yet another (arguably more attractive) option for liberals who don't want to vote for Obama. Given the tensions which currently exist in the Democratic party between Clinton supporters and Obama supporters, I think that there is a non-trivial mass of people who might be willing to make such a protest vote.
6. Now that I think about it, if Hillary had won her argument to the superdelegates, and they overruled the will of the non-superdelegates who went for Obama, I would have given serious thought to voting for McKinney myself.
7. By the way, times like these are why I wish we had proportional representation in the US so that genuine multi-party system could arise.
The epicenter of the new black activism [...] is Colombia. That's due as much to circumstance as design: more than a third of the 3.2 million Colombians uprooted by the country's long-running civil war are of African ancestry, as are many of the ragged street vendors and beggars who approach motorists at busy Bogotá intersections. Foreign and local NGOs are now working hard to publicize their plight. Though a landmark 1993 law enshrined the right of Afro-Colombians to obtain formal title to their ancestral lands, including 5 million hectares along the Pacific coast—a unique experiment in ethnic self-government—implementation has lagged, as unscrupulous agribusinesses and paramilitary warlords have seized communal property with near impunity. But recently, as part of its ongoing effort to win U.S. approval for a free-trade agreement, the government of President Alvaro Uribe has begun to expel these companies and restore 8,000 hectares of stolen land to Afro-Colombian community councils.
So Obama finally resigned his membership at Trinity United Church of Christ. The whole situation is weird and sad on all kinds of levels.
One of the weird aspects is that the straw that broke the camel's back on this issue was a recent sermon last Sunday by the Catholic priest, Rev. Dr. Michael Pfleger but obviously Obama isn't even Catholic.
Also weird is the way that Pfleger's comments are being characterized. As "hateful"? As a rant? As "racist"? Admittedly, he was a bit harsh on Hillary but I would say that occasionally that being harsh on politicians in certainly part of the role of being a "prophetic" preacher. Pfleger's sermon also wasn't a "rant". It was definitely a rhetorically effective performance intended to satirize Hillary Clinton. But it certainly wasn't wild and irrational. By implication, Pfleger was simply making the point that some of the actions and reactions of Hillary Clinton and some of her supporters are motivated by a sense of racial entitlement. That's a perfectly reasonable and coherent claim and it is worth being discussed. It is either true or not true. Especially bizarre is the claim that the sermon was racist?!?!
The sad part of all this is the extent to which liberation theology is being demonized by the media and is being excluded from the political discourse. More generally, it is sad that the media and the political process can have as much influence as they on a person's religious declarations.
So I'm in the middle of reading The Essential Ken Wilber: An Introductory Reader.Wilber's an interesting guy. He's a perennialist in the sense that he attempts to bring together a number of different religious, mystical and psychological systems into a single integrated structure. He seems most familiar with Buddhism and Hinduism and doesn't really do much to actively incorporate Islam into his work. But the brother over at Inspirations and Creative Thoughts has a couple of interesting posts which emphasize some of those connections anyway.
I've mentioned the television show Angel and the fictional evil secret-society The Circle of the Black Thorn in a previous post. (see circle of the black thorn.) The only bit I wanted to talk about was how the last season started to get much more explicitly political. For example, from the season's very first episode there is a scene where the main characers are going through the files of Wolfram & Hart, an evil demon-owned LA legal firm:
ANGEL This is unbelievable. FRED I think I've lost my appetite, which is kind of a first. LORNE (reading a file) Hmm, well, this is interesting. Apparently old Joe Kennedy tried to get out of his deal with the firm. ANGEL That explains a lot. LORNE Yeah, but George, Senior - he read the fine print. There's no one these guys don't have a piece of.
Then towards the end of the season they introduced a Hillary Clinton stand-in, the character of Helen Brucker, a female Senator who is planning to win the presidency in 2008 with the help of Wolfram & Hart:
SENATOR It's nice to see you again so soon, Angel. ANGEL (upon finding out that Senator Brucker was a member of the Circle of the Black Thorn) Senator. I had no idea you were so well...connected. SENATOR Well, I'm not gonna take the White House in 2008 on just my sparkling wit and funding from hostile governments. (chuckles)
Angel being a supernatural drama, the Senator actually isn't really human, but instead is some kind of demonic hellspawn who has managed to occupy a human body. Another interesting bit about this (which really wasn't on my mind when thse episodes first aired in 2004) is the fact that, in the series finale, Senator Brucker is killed with an axe to the head by Charles Gunn, the main Black character of the show. This all aired well before Obama declared his intentions to run for President to run so it is unlikely that Gunn is meant to be an Obama stand-in.
This has all been on my mind because "Power Play", the episode which introduced the Senator's character aired this past Friday morning, and the series finale "Not Fade Away" just aired this Monday morning.
I've been listening to this song lately in my car and I thought I'd share. The song is "Television, the drug of the nation" by the Disposable Heroes of Hiphoprisy which lead vocals by Michael Franti. The song goes back at least to the early 90's but the lyrics are still pretty timely.
T.V. is the stomping ground for political candidates where bears in the woods are chased by grecian formula'd bald eagles ... where image takes precedence over wisdom where sound bite politics are served to the fastfood culture where straight teeth in your mouth are more important than the words that come out of it race baiting is the way to get elected Willie Horton or will he not get elected on...
Thoughts on McCain's recent disavowal of John Hagee and Rod Parsley, the pastors whose endorsement he sought:
1. To begin with, it was pretty cynical of him to seek the endorsements in the first place. He was basically trying to shore up his relationship to the evangelical base of the Republican party, especially in swing states. (Parsley is in Ohio).
2. Even with a bad vetting job, I don't believe the McCain camp would have been totally ignorant of Hagee and Parsley's bigoted comments about Muslims and Catholics. (Which as I've said before are more "mainstream" than the media seems to be acknowledging. In fact, the extent of religious bigotry in the evangelical community should be a story, even apart from the campaign).
3. It is conceivable to me that the McCain camp perhaps missed Hagee's comment that Katrina was sent as a punishment for a planned New Orleans gay pride event but they definitely had to know that Hagee and Parsley would have strong statements against homosexual behavior.
4. Finally, I think McCain's decision to ultimately disavow the pastors was calculated and cynical as well. McCain was fine with bigotry against Muslims, Catholics and homosexuals. But once it is discovered that Hagee made an odd comment involving Hitler (suggesting that Hitler was God's instrument to ultimately herd the Jews to Israel) it was time to pull out for fear of alienating Jews. The "funny" thing is that as a Christian Zionist, Hagee is actually a staunch supporter of the state of Israel and has even won a number of humanitarian awards from a number of Jewish organizations.
5. In the long run, I wonder if this whole episode has alienated McCain even more from the evangelical base? One can only hope.
The following poem has been heavily anthologized. (I actually own at least 3 different poetry/spoken word CDs and a DVD where it appears). It was on my mind recently because I had been listening to some of the above-mentioned CDs in my car this week. And I decided to do an entry about it because it started to resonate with some other things going on these days.
For example, it is nearly 8 years after the 2000 U.S. Presidential election and people are still talking about counting votes in Florida. Also, I'm in the middle of reading Gaming the Vote: Why Elections Aren't Fair (And What We Can Do About it) by William Poundstone and I was a bit surprised by Darth Vaderish description of Nader's intentions in 2000 (that he consciously took on the spoiler role as a way to punish the Clinton-Gore administration for not paying any attention to him during their 8 years in office). Finally, I also think that Taylor Mali's cynicism about political poetry definitely applies to much of the political rhetoric coming from the presidential candidates these days... but more on that later...
How to Write a Political Poem By Taylor Mali
However it begins, it's gotta be loud and then it's gotta get a little bit louder. Because this is how you write a political poem and how you deliver it with power.
Mix current events with platitudes of empowerment. Wrap up in rhyme or rhyme it up in rap until it sounds true.
Glare until it sinks in.
Because somewhere in Florida, votes are still being counted. I said somewhere in Florida, votes are still being counted!
See, that's the Hook, and you gotta' have a Hook. More than the look, it's the hook that is the most important part. The hook has to hit and the hook's gotta fit. Hook's gotta hit hard in the heart.
Because somewhere in Florida, votes are still being counted.
And Dick Cheney is peeing all over himself in spasmodic delight. Make fun of politicians, it's easy, especially with Republicans like Rudy Giuliani, Colin Powell, and . . . Al Gore. Oooooh, see what I did? I called Al Gore a Republican. That must mean that my political sensibilities are much more finely tuned than yours. Create fatuous juxtapositions of personalities and political philosophies as if communism were the opposite of democracy, as if we needed Darth Vader, not Ralph Nader.
Peep this: When I say "Call," you all say, "Response."
Call! Response! Call! Response! Call!
Amazing Grace, how sweet the—
Stop in the middle of a song that everyone knows and loves. This will give your poem a sense of urgency. Because there is always a sense of urgency in a political poem. There is no time to waste! Corruption doesn't have a curfew, greed doesn't care what color you are and the New York City Police Department is filled with police officers! People who wear guns on their hips and carry metal badges pinned over their hearts. Injustice isn't injustice it's just in us as we are just in ice. That's the only alienation of this alien nation in which you either fight for freedom or else you are free and dumb!
And even as I say this somewhere in Florida, votes are still being counted.
And it makes me wanna beat box!
Because I have seen the disintegration of gentrification and can speak with great articulation about cosmic constellations, and atomic radiation. I've seen D. W. Griffith's Birth of a Nation but preferred 101 Dalmatians. Like a cross examination, I will give you the explanation of why SlamNation is the ultimate manifestation of poetic masturbation and egotistical ejaculation.
And maybe they are still counting votes somewhere in Florida, but by the time you get to the end of the poem it won't matter anymore.
Because all you have to do to end a political poem is close your eyes, lower your voice, and say:
the same line three times, the same line three times, the same line three times.
Let's cut to the almost-inevitable chase: How will Barack Obama do against John McCain in this fall's rumble for the U.S. presidency? With signs showing Hilary Clinton will have to drop out of the race, we're going to be left to determine whether the 46-year-old black Democrat or 71-year-old white Republican will climb into the powerful office. And that requires looking at the religion factor.
In American politics, which hugely affects Canada and the globe, religious loyalties deeply shape voters' preferences. But November will see a volatile election as things are changing dramatically on the U.S. religious front. The main reason is the country's large white evangelical bloc, worth more than one out of every four votes, won't be the all-important factor it was in bringing George W. Bush to power in 2000 and 2004.
If you harbour any doubts about how big a role religion plays in American politics, look at the blanket media coverage early this month of Obama's relationship to his boisterous former Chicago preacher, Jeremiah Wright.
For his part, McCain also has links with radical Christian leaders, even though they've not received the same level of attention. Still, McCain's opponents repeatedly question how the Arizona senator could embrace preacher John Hagee, who has denounced Catholicism as the "Great Whore" and believes Hurricane Katrina was God's punishment on "sinful" New Orleans. The latest polls show, overall, Obama holding onto about 47 per cent of Americans' support, compared to McCain's 43 per cent. Given that, let's break down how religious groups in the U.S. might lean come the fall ballot.
JEWS American Jews generally lean to Democrats over Republicans. A Gallup poll showed Jews would vote for Obama over McCain by a margin of 61 per cent to 32 per cent. The trouble for Obama is Jews count for only one out of every 58 American voters.
MUSLIMS The Muslim vote also goes strongly to Obama. Muslim leaders are actively questioning McCain's ties with Muslim-bashing Protestant preachers. However, Muslims make up only one out of every 166 Americans.
AFRICAN-AMERICAN PROTESTANTS These black Chrisians account for a significant seven per cent of Americans. They're a slam dunk for Obama. Polls show nine out of 10 will vote for their Harvard-educated Christian brother, a member of the United Church of Christ denomination.
THE NON-RELIGIOUS Most Americans who say they're non-religious (16 per cent) strongly favour Obama over McCain.
WHITE EVANGELICALS Eight years of Bush in the White House have changed the political shape of American evangelicalism. Many evangelicals are no longer making opposition to abortion and gay marriage their prime issues. Some Christian leaders are calling for evangelicals to stop being "useful fools" who blindly follow the Republican party no matter what. George Barna, a respected evangelical pollster, says white evangelical support for the Republican party is down to 29 per cent, a calamitous decline.
McCain, an Episcopalian who attends his wife's Baptist church, also has to deal with not being the first choice of the Religious Right, which had wanted Mike Huckabee. Aware of his lack of credibility among these hawks, McCain had argued the U.S. military needs to stay in Iraq for a century (a position he softened Thursday, May 15, 2008) and he's been singing the praises of some hard-line televangelists.
Meanwhile, even though Obama is pro-choice on abortion and homosexual rights and says the U.S. must get out of Iraq, many born-again Christians like him anyway, for talking passionately about the redemptive power Christ has had in his life. An informal poll by the leading evangelical youth magazine, Relevant, found evangelicals in their 20s would overwhelmingly vote for the black senator.
ROMAN CATHOLICS Catholics are key because they make up the swing vote in U.S. elections. Comprising 24 per cent of Americans, Catholics have for the past nine elections consistently backed the winning horse for president. Though public polls have not yet directly compared how McCain and Obama would do among Catholics, McCain will likely be in trouble among them for embracing the combative Protestant Hagee, who took until May 13 to apologize for branding Catholicism a "cult."
There is little doubt events beyond religion will stir up voters before the November election, particularly if a conflict arises with Iran. But barring an earth-shattering political event, I'd place my bets, given religion-rooted trends, on Obama for president.
For more than a generation, hip-hop has drawn kids from neighborhoods around the world into the musical intersection of street culture and political consciousness. Now that common ground is making a mark in one of the globe’s most conflict-ridden areas: the Arab world.
1. Is it just me or are the more black "talking heads" on the television news shows? And what is even better is the fact that they aren't just race experts but they are talking about the economy, the war, etc.
2. What is more elitist than being willing and able to whip out 6 million dollars of your own money in an attempt to acquire more political power even when the popular will seems to be against you?
4. In a similar vein, I was surprised to see some clips recently where Fox's O'Reilly reveals how mean-spirited he can be. The following exchange with Geraldo Rivera makes O'Reilly look like the last juror to switch sides in 12 Angry Men:
and then in the following O'Reilly just shows himself to be short-tempered and crazy:
5. John Hagee really isn't all that unique. Anti-Catholic and anti-Islamic ideas are more prevalent among Evangelicals than is generally acknowledged by the media. I mean, I grew up going to church which taught from the pulpit that Catholics weren't really Christian. I think such sentiments are widespread. I'm not saying that we are anywhere close, but I wonder what kind of pressures, what kind of change in the political and economic situation, how much of a loss of social order and restraint would be necessary for the US to sink to the kind of sectarian violence which has appeared in Pakistan or Iraq (or Northern Ireland for that matter)?
Widely regarded as the father of a Black Consciousness movement in Cuba, the Cuban ethnologist and historian, Walterio Carbonell, died on Sunday, April 13, 2008, at the age of 88. For Cuba, whose Black population now comprises 62 percent of the total, it is a great loss. Carbonell was regarded as one of the most profound Cuban intellectuals for the latter half of the 20th century. His work, On the Origin of National Culture, published in Havana in 1961 but immediately banned by the Castro regime, made him an instant icon to Black Cuban racial dissidents. The book was published in France only a few weeks ago.
Latinos’ subordinate status in Georgia and in the Deep South bears more than a passing resemblance to that of African-Americans who were living under Jim Crow. Call it Juan Crow: the matrix of laws, social customs, economic institutions and symbolic systems enabling the physical and psychic isolation needed to control and exploit undocumented immigrants. Listening to the effects of Juan Crow on immigrants and citizens like Mancha (”I can’t sleep sometimes because of nightmares,” she says. “My arms still twitch. I see ICE agents and men in uniform, and it still scares me”) reminds me of the trauma I heard among the men, women and children controlled and exploited by state violence in wartime El Salvador. Juan Crow has roots in the US South, but it stirs traumas bred in the hemispheric South.
I normally have trouble swallowing Carlos Mencia'sunapologetically jingoistic brand of comedy so I was really surprised by the following excerpt from one of his shows:
The Black Commentator: Rev. ‘Icarus’, the Obama Campaign, & the Left by Bill Fletcher, Jr. gives some insight into what Rev. Wright's real crime was and why certain folks got so mad.
1. I think it is not just surprising but sad that out of all the members of Public Enemy,Flavor Flav seems to be the most successful and the one who is still in the public eye in a big way... from the Surreal Life, to Strange Love, to 3 seasons of Flavor of Love and a Comedy Central Roast, to a new sitcom. Why can't Chuck D get that much exposure? I would love to see Chuck D replace Colmes on Fox News' Hannity and Colmes, for instance. The situation isn't all bad. Chuck D is actually still doing alot of positive projects, he's just not as visible as before.
2. I realized that the Rumi poetry event I went to the other day had the highest concentration of white people of almost any event I've been to since moving to Miami.
3. I don't think I'm going to come up with anything deep or new on this issue, but I'll just say that the doctrine of Quranic abbrogation has often stuck me as odd. It is bizzare to think that there are verses in the Quran which are meant to be read, studied and recited for the past 1400 years, from the time they were revealed to now, and from now until Judgement Day, but they are only legally valid for a period of 20 years or so. Maybe more on this later.
4. I recently picked up the book Jesus for President: politics for ordinary radicals by Shane Claiborne and Chris Haw. It is a pretty good read so far. The authors seem to be advocating a kind of hippie liberation theology. The book takes many of its visual cues from the 'zines while the text highlights many of the ways in which the Jewish and Christian writings take a critical stance towards conventional secular ideals of kingdom and empire.
5. I just went to a Borders and discovered a new Boondocks book which I hadn't known about before: All the Rage: The Boondocks Past and Present (nice).
