Wednesday, May 07, 2014
Tuesday, May 06, 2014
Monday, May 05, 2014
Saturday, May 03, 2014
Saturday, April 26, 2014
Monday, April 21, 2014
Saturday, April 19, 2014
happier without women?
This is the "halal" version of the British Muslim "Happy" video (without instrumental music or "provocative" images of women dancing). I like the fact that they did an acapella cover, but it is somewhat disturbing that apparently some people seem unable to distinguish between smiling hijabi girls walking happily down the street and porn.
Friday, April 18, 2014
fbi uncovers plot to just sit back and enjoy collapse of united states
Given the last entry, this story is more sad than funny...
The Onion: FBI Uncovers Al-Qaeda Plot To Just Sit Back And Enjoy Collapse Of United States
it's official: the us is no longer a democracy, but an oligarchy
From Slashdot
"Researchers from Princeton University and Northwestern University have concluded, after extensive analysis of 1,779 policy issues, that the U.S. is in fact an oligarchy and not a democracy.
What this means is that, although 'Americans do enjoy many features
central to democratic governance,' 'majorities of the American public
actually have little influence over the policies our government adopts.'
Their study (PDF), to be published in Perspectives on Politics,
found that 'When the preferences of economic elites and the stands of
organized interest groups are controlled for, the preferences of the
average American appear to have only a minuscule, near-zero,
statistically non-significant impact upon public policy.'"
Thursday, April 17, 2014
Wednesday, April 16, 2014
happy british muslims
From: The Honesty Policy
List of participants (Rough order of appearance): Laith, Adam Deen, Safiah, Alia, Ghalia, Julie Siddiqui, Salma Yaqoob, Fuad Nahdi, Khalid Ahmed & Ruqaiya, Myriam Cerrah, Hannah Habibi Hopkins, Tanya Muneera Williams, Faisal, Izzi Hassan, Asiyah Juma, Abdul-Hakim Murad, Rukea, Nadir Nahdi, Mizan, Yaz, Sadiya Chaudhory, Kübra Gümüsay and Ali Gümüsay, Fareena Alam, Rahim Jung, Waqaas Ahmed, Saleha Islam, Mo Ansar, Rabie, Edris Khamissa, HP Team, LSE ISOC, Kifah Shah, Aisha and Tahiya, Rumi’s Cave, Thawab and Basma, Omar, Mecca2Medinah, Marwan, Bentley Wood, Remona Aly, Majid Khan, Na’eem Raza, Shama, Zainab and Nuri, Abdul-Rehman Malik, Malaysian family, Asim Siddiqi and kids, Asiyah and Juveid, HP, Omareeto, Rizwan, Bilal Hassam, Nuri, Humera and Khalida Khan, Anwar, Nazli and Jayde, HP team.
List of participants (Rough order of appearance): Laith, Adam Deen, Safiah, Alia, Ghalia, Julie Siddiqui, Salma Yaqoob, Fuad Nahdi, Khalid Ahmed & Ruqaiya, Myriam Cerrah, Hannah Habibi Hopkins, Tanya Muneera Williams, Faisal, Izzi Hassan, Asiyah Juma, Abdul-Hakim Murad, Rukea, Nadir Nahdi, Mizan, Yaz, Sadiya Chaudhory, Kübra Gümüsay and Ali Gümüsay, Fareena Alam, Rahim Jung, Waqaas Ahmed, Saleha Islam, Mo Ansar, Rabie, Edris Khamissa, HP Team, LSE ISOC, Kifah Shah, Aisha and Tahiya, Rumi’s Cave, Thawab and Basma, Omar, Mecca2Medinah, Marwan, Bentley Wood, Remona Aly, Majid Khan, Na’eem Raza, Shama, Zainab and Nuri, Abdul-Rehman Malik, Malaysian family, Asim Siddiqi and kids, Asiyah and Juveid, HP, Omareeto, Rizwan, Bilal Hassam, Nuri, Humera and Khalida Khan, Anwar, Nazli and Jayde, HP team.
Sunday, April 13, 2014
yasiin bey (mos def) + marvin gaye
Amerigo Gazaway's *Soul Mates* series continues the theme of his previous work in creating collaborations that never were. On the series' latest installment, Amerigo unites Brooklyn rapper Yasiin Bey (Mos Def) and soul legend Marvin Gaye for a dream collaboration aptly titled "Yasiin Gaye". Building the album's foundation from deconstructed samples of Gaye's Motown classics, Gazaway re-purposes the instrumentation into new productions within a similar framework. Carefully weaving Bey's tangled raps and Gaye's soulful vocals over his new arrangements, the producer delivers a quality much closer to an authentic collaboration than a lukewarm "mashup" album.
Tuesday, March 18, 2014
Monday, March 17, 2014
Monday, March 03, 2014
rebel music by hisham aidi
I haven't read this yet but it will probably find its way to my booklist:
From Amazon:
This fascinating, timely, and important book on the connection between music and political activism among Muslim youth around the world looks at how hip-hop, jazz, and reggae, along with Andalusian and Gnawa music, have become a means of building community and expressing protest in the face of the West’s policies in the War on Terror. Hisham Aidi interviews musicians and activists, and reports from music festivals and concerts in the United States, Europe, North Africa, and South America, to give us an up-close sense of the identities and art forms of urban Muslim youth.
We see how the current cultural and political turmoil in Europe’s urban periphery echoes that moment in the 1910s when Islamic movements began appearing among African-Americans in northern American cities, and how the Black Freedom Movement and the words of Malcolm X have inspired the increasing racialization and radicalization of young Muslims today. More unexpected is how the United States and some of its allies have used hip-hop and Sufi music to try to deradicalize Muslim youth abroad.
Aidi’s interviews with jazz musicians who embraced Islam in the post–World War II years and took their music to Europe and Africa recall the 1920s, when jazz inspired cultural ferment in Europe and North Africa. And his conversations with the last of the great Algerian Andalusi musicians, who migrated to Paris’s Latin Quarter after the outbreak of the Algerian War in 1954, speak for the musical symbiosis between Muslims and Jews in the kasbah that attracted the attention of the great anticolonial thinker Frantz Fanon.
Illuminating and groundbreaking, Rebel Music takes the pulse of the phenomenon of this new youth culture and reveals not only the rich historical context from which it is drawn but also how it can foretell future social and political change.
Excerpt:
Prologue
One muggy afternoon in July 2003, I headed up to the South Bronx for the Crotona Park Jams, a small festival that is little-known locally, but manages to draw hip-hop fans from around the world. The annual event is organized by Tools of War, a grassroots arts organization that invites artists from across the country and Europe to perform in the Bronx, hip-hop’s putative birthplace, and to meet some of the genre’s pioneers, figures like Afrika Bambaataa and Kurtis Blow. I arrived at the park and asked around for Christie Z, a local promoter and activist. Christie, who has blue eyes and a ruddy complexion and wears a white head scarf, is the founder of Tools of War and a smaller group called Muslims in Hip Hop. She is married to Jorge Pabón (aka Fabel), a well-known dancer and master of ceremonies (MC), who appeared in the classic 1980s hip-hop film Beat Street and currently teaches “poppin’ ” and “lockin’ ” dance styles at NYU. The two—Christie Z & Fabel, as they’re known—are a power couple on the East Coast’s hip-hop scene, but they’ve become significant players internationally as well, organizing shows in Europe and bringing artists from overseas to perform in America.
Christie’s story is unusual. “People always ask me,” she says with a laugh, “how did a white girl from central Pennsylvania become a Muslim named Aziza who organizes turntable battles in the Bronx? I say the lyrics brought me here. I was in high school when I heard ‘The Message,’ ” she says, referring to the 1982 breakout song by Grandmaster Flash, which vividly described life in the ghetto during the Reagan era, and was one of hip-hop’s earliest mainstream hits. “I heard that track and I followed the sound to New York.”
I had arrived early hoping for a pre-show interview with the French rap crew 3ème Œil (Third Eye), who had flown in from Marseille to perform that evening. The rap trio is known in France for its socially conscious lyrics. Since the invasions of Afghanistan and Iraq, the group had become even more political, rapping about what they call the West’s “stranglehold” on the East. I stood around the stage waiting. A circle had formed with a group of boys clapping and dancing, as the DJ on duty that evening—another pioneer, DJ Tony Tone of the Cold Crush Brothers—spun rap and Latin soul classics. Soon Third Eye’s manager, Claudine, a brown-haired woman in her early twenties, appeared and led me backstage. I explained that I was a researcher at Columbia writing about global hip-hop. Her face lit up. “We’ve been wanting to talk to you for a while,” she said, as she walked me through a backstage tent and out into the open. Later I found out Claudine had thought I was a representative of Columbia Records, about to offer her group a contract.
The sun was setting, a blue glow had enveloped the park, and I walked up to the four young men lounging on a bench facing the spectacular Indian Lake, which sits at the park’s center. Soon I was chatting with the rappers—Boss One (Mohammed) and Jo Popo (Mohammed), both born in the Comoros Islands off the coast of East Africa, but raised in Marseille—and their DJ, Rebel (Moustapha). They were dressed similarly in sagging denim Bermudas, eighties-style Nike high-tops, and baseball caps. Jo Popo gave me a copy of their new hit single, “Si Triste” (So Sad). I told him I’d already seen bootlegged copies at African music stands in Harlem. He nodded and gave me a fist bump. The song, popular among West African youth in New York, offers social commentary over a looping bass line, decrying police brutality and mass incarceration (with a special shout-out to the American death-row prisoner Mumia Abu-Jamal). I asked them how the French press responded to their lyrics, and about the anti-immigrant National Front leader Jean-Marie Le Pen’s claim that hip-hop was a dangerous musical genre that originated in the casbahs of Algeria.
Boss One shook his head, “For Le Pen, everything bad—rap, crime, AIDS—comes from Algeria or Islam.” This was mid-2003; the War on Terror was in its early years. “The more Bush and Chirac attack Islam and say it’s bad,” said Boss One, “the more young people will think it’s good, and the more the oppressed will go to Islam and radical preachers.” His tone became a little defensive when talking about the banlieues, the poor suburbs that ring France’s major cities, stating that life in France’s cités was better than in the American ghettos. “Life is hard in France, but we have a social safety net. Here there is no such thing”—he stood up to emphasize the point—“and it will get worse with Bush, the cowboy, le rancheur!”
Their bluster disappeared when I asked what they thought of the Bronx. They grew wistful talking about the Mecca of hip-hop. Jo Popo smiled describing their meeting the day before with hip-hop legend Afrika Bambaataa. “C’était incroyable!” Bam, as he is known, is particularly loved in France, where he was instrumental in introducing hip-hop in the early 1980s. The group’s music mixer, DJ Rebel, who previously hadn’t said a word, suddenly spoke up. “I have dreamed of visiting the Bronx for all thirty-six years of my life. This is where hip-hop started, this music which has liberated us, which has saved us,” he said with apparent seriousness. “Yesterday we met Bambaataa and Kool Herc. I thanked them personally for what they have done for us blacks and Muslims in France—they gave us a language, a culture, a community.” His voice broke a little.
I was struck by the emotion and sincerity of their words, and I had a few academic questions to ask: Why was the Bronx so central to the “moral geography” of working-class kids in Marseille? Where did this romantic view of the American ghetto come from? Why were they more fascinated by Bronx and Harlem folklore than by the culture of their parents’ countries of origin? Claudine suddenly reappeared and asked them to return to the tent. Grandmaster Flash, the legendary DJ and another iconic figure of global hip-hop, had arrived, and they were scheduled to meet him. “Flash invented scratching—I get paid to teach scratching in France,” said DJ Rebel getting up to leave. “A bientôt,” and the rap trio and their thoughtful DJ walked off. Half an hour later they were on the stage, waving their arms: “Sautez! Sautez! Sautez!” Boss One translated: “That means, ‘Jump! Jump! Jump!’ ”
One muggy afternoon in July 2003, I headed up to the South Bronx for the Crotona Park Jams, a small festival that is little-known locally, but manages to draw hip-hop fans from around the world. The annual event is organized by Tools of War, a grassroots arts organization that invites artists from across the country and Europe to perform in the Bronx, hip-hop’s putative birthplace, and to meet some of the genre’s pioneers, figures like Afrika Bambaataa and Kurtis Blow. I arrived at the park and asked around for Christie Z, a local promoter and activist. Christie, who has blue eyes and a ruddy complexion and wears a white head scarf, is the founder of Tools of War and a smaller group called Muslims in Hip Hop. She is married to Jorge Pabón (aka Fabel), a well-known dancer and master of ceremonies (MC), who appeared in the classic 1980s hip-hop film Beat Street and currently teaches “poppin’ ” and “lockin’ ” dance styles at NYU. The two—Christie Z & Fabel, as they’re known—are a power couple on the East Coast’s hip-hop scene, but they’ve become significant players internationally as well, organizing shows in Europe and bringing artists from overseas to perform in America.
Christie’s story is unusual. “People always ask me,” she says with a laugh, “how did a white girl from central Pennsylvania become a Muslim named Aziza who organizes turntable battles in the Bronx? I say the lyrics brought me here. I was in high school when I heard ‘The Message,’ ” she says, referring to the 1982 breakout song by Grandmaster Flash, which vividly described life in the ghetto during the Reagan era, and was one of hip-hop’s earliest mainstream hits. “I heard that track and I followed the sound to New York.”
I had arrived early hoping for a pre-show interview with the French rap crew 3ème Œil (Third Eye), who had flown in from Marseille to perform that evening. The rap trio is known in France for its socially conscious lyrics. Since the invasions of Afghanistan and Iraq, the group had become even more political, rapping about what they call the West’s “stranglehold” on the East. I stood around the stage waiting. A circle had formed with a group of boys clapping and dancing, as the DJ on duty that evening—another pioneer, DJ Tony Tone of the Cold Crush Brothers—spun rap and Latin soul classics. Soon Third Eye’s manager, Claudine, a brown-haired woman in her early twenties, appeared and led me backstage. I explained that I was a researcher at Columbia writing about global hip-hop. Her face lit up. “We’ve been wanting to talk to you for a while,” she said, as she walked me through a backstage tent and out into the open. Later I found out Claudine had thought I was a representative of Columbia Records, about to offer her group a contract.
The sun was setting, a blue glow had enveloped the park, and I walked up to the four young men lounging on a bench facing the spectacular Indian Lake, which sits at the park’s center. Soon I was chatting with the rappers—Boss One (Mohammed) and Jo Popo (Mohammed), both born in the Comoros Islands off the coast of East Africa, but raised in Marseille—and their DJ, Rebel (Moustapha). They were dressed similarly in sagging denim Bermudas, eighties-style Nike high-tops, and baseball caps. Jo Popo gave me a copy of their new hit single, “Si Triste” (So Sad). I told him I’d already seen bootlegged copies at African music stands in Harlem. He nodded and gave me a fist bump. The song, popular among West African youth in New York, offers social commentary over a looping bass line, decrying police brutality and mass incarceration (with a special shout-out to the American death-row prisoner Mumia Abu-Jamal). I asked them how the French press responded to their lyrics, and about the anti-immigrant National Front leader Jean-Marie Le Pen’s claim that hip-hop was a dangerous musical genre that originated in the casbahs of Algeria.
Boss One shook his head, “For Le Pen, everything bad—rap, crime, AIDS—comes from Algeria or Islam.” This was mid-2003; the War on Terror was in its early years. “The more Bush and Chirac attack Islam and say it’s bad,” said Boss One, “the more young people will think it’s good, and the more the oppressed will go to Islam and radical preachers.” His tone became a little defensive when talking about the banlieues, the poor suburbs that ring France’s major cities, stating that life in France’s cités was better than in the American ghettos. “Life is hard in France, but we have a social safety net. Here there is no such thing”—he stood up to emphasize the point—“and it will get worse with Bush, the cowboy, le rancheur!”
Their bluster disappeared when I asked what they thought of the Bronx. They grew wistful talking about the Mecca of hip-hop. Jo Popo smiled describing their meeting the day before with hip-hop legend Afrika Bambaataa. “C’était incroyable!” Bam, as he is known, is particularly loved in France, where he was instrumental in introducing hip-hop in the early 1980s. The group’s music mixer, DJ Rebel, who previously hadn’t said a word, suddenly spoke up. “I have dreamed of visiting the Bronx for all thirty-six years of my life. This is where hip-hop started, this music which has liberated us, which has saved us,” he said with apparent seriousness. “Yesterday we met Bambaataa and Kool Herc. I thanked them personally for what they have done for us blacks and Muslims in France—they gave us a language, a culture, a community.” His voice broke a little.
I was struck by the emotion and sincerity of their words, and I had a few academic questions to ask: Why was the Bronx so central to the “moral geography” of working-class kids in Marseille? Where did this romantic view of the American ghetto come from? Why were they more fascinated by Bronx and Harlem folklore than by the culture of their parents’ countries of origin? Claudine suddenly reappeared and asked them to return to the tent. Grandmaster Flash, the legendary DJ and another iconic figure of global hip-hop, had arrived, and they were scheduled to meet him. “Flash invented scratching—I get paid to teach scratching in France,” said DJ Rebel getting up to leave. “A bientôt,” and the rap trio and their thoughtful DJ walked off. Half an hour later they were on the stage, waving their arms: “Sautez! Sautez! Sautez!” Boss One translated: “That means, ‘Jump! Jump! Jump!’ ”
Tuesday, February 18, 2014
Thursday, January 09, 2014
Sunday, January 05, 2014
aishah, rebeccah and young marriage
From time to time I've been caught up into highly-polemical religious discussions on the internet. At times I've found such discussions personally useful as a way to clarify for myself what I believe. Other times, the discussions are a source of aggravation and a waste of time. One of the more hot-button issues in the context of such discussions is the fact that Muhammad (saaws) married Aishah (ra) when she was relatively young. Alot of the time, my main response would be to point people to The Young Marriage of Aishah by Abû Imân cAbd ar-Rahmân Robert Squires, which provides a fairly well reasoned discussion of the subject.
Recently my mind has been blown after reading the article: Child Marriage in Ancient Israelite times which, among other things, cites the "respected" rabbinic opinion that Rebecca was only three years old when she got married to Isaac, and that in general, child marriage was INCREDIBLY widespread in the ancient Jewish world
Huff Post: Three-Year-Old Bride In Bible Kids' Book
Also see: Our Mother A'isha's Age At The Time Of Her Marriage to The Prophet which presents a fairly detailed argument for Aishah being older than is usually stated, while at the same time making it clear that young marriages were not at all atypical for the time (for example, Aisha herself was almost engaged to someone else).
Thursday, December 26, 2013
Monday, December 23, 2013
Monday, December 16, 2013
lorde's royals and the people's revolt
For some reason I find the minor controversy over Lord's song, "Royals" and whether it is racist or not really intriguing. I'm especially interested in seeing how different artists of color have engaged with the song through covers and remixes, with varying degrees of creative and political sophistication. (There are even a few white artists who add new levels of appropriation in the mix as well).
Feministing: Wow, that Lorde song Royals is racist
Feministing: A little more on Lorde, Royals, and Racism
The Guardian: Lorde's song Royals deserves nuanced critique
XXL: Five Best Rapper Remixes of Lorde’s “Royals”
ROYALS REMIX LORDE FT VA DRIVE from IN FOCUS on Vimeo.
(Ghetto from my head to my toe cover) by Vamsi ft. AceThursday, December 12, 2013
Thursday, December 05, 2013
Tuesday, December 03, 2013
muslim hijabi hipsters in america + reactions
Tumblr: Muslim Hipsters (Mipsterz)
Dr. Suad: On "Somewhere in America" and Mipsters
Struggling Hijabi: Somewhere in America, Ish is Complicated
The Islamic Monthly: Somewhere in America, Muslim Women Are “Cool”
I am the Poppy Flower: While I was Sleeping
Monday, December 02, 2013
the end of totally biased
Unfortunately, the show Totally Biased has been cancelled. But hopefully it will lead to bigger and better things for W. Kamau Bell.
W. Kamau Bell: A Baker’s Dozen of My Favorite “Totally Biased” Clips
see also: zain malik on w. kamau bell's totally biased
Tuesday, November 19, 2013
Saturday, November 16, 2013
scientology and the nation of islam
This has got to be one of the more bizarre and unexpected developments on the American religious landscape:
Beliefnet: Is Louis Farrakhan trying to merge Islam and Scientology?
Examiner: Louis Farrakhan has sold out the N.O.I.
Patheos: When Worlds Collide II: Scientology and the Nation of Islam
New Republic: The Mothership of All Alliances
Wednesday, November 06, 2013
Saturday, November 02, 2013
tato laviera is dead
Hispanic New York: Tato Laviera, Prominent Nuyorican Poet, Is Dead
This makes me sad. When I was in college I discovered Tato Laviera's poetry and it played a big role in my thinking about what it means to be Afro-Latino. I even organized an event to bring him to campus and got to spend a chunk of time with him. He's apparently been sick for a while with diabetes and unconscious. Rest in Peace. Inna illahi wa inna ilayhi raji'un.
Saturday, October 26, 2013
Sunday, October 06, 2013
william copeland & joe reilly - twice in a lifetime
This is a sequel of my favorite song by Will Copeland and Joe Reilly (see "i've seen ethiopians knocking out rome")
A version of the same song also appears on Copeland's (aka Namaste Brown aka Ill Wizard aka Will See) new digital album: The Basics. (check the link to hear free samples, buy the whole album or individual tracks)
A version of the same song also appears on Copeland's (aka Namaste Brown aka Ill Wizard aka Will See) new digital album: The Basics. (check the link to hear free samples, buy the whole album or individual tracks)
Friday, September 27, 2013
the ugliness of beauty pagents
Latin@rebels: When You Are Not Latin@ Enough: The Sad Case of Jakiyah McKoy, Little Miss Hispanic Delaware
HuffPost:
Miss America 2014 Win Prompts Racist Twitter Backlash, Followed By (Some) Twitter Apologies
It is surprising to me how ugly and political beauty pageants seem to be getting lately. First Nina Davuluri becomes the first Miss America of Indian descent (prompting a confused and ignorant racist backlash). And then Jakiyah McKoy wins Little Miss Hispanic Delaware, only to have her crown stripped from her because 1) some racist Hispanics don't believe a black little girl can represent "latin beauty" and 2) she apparently wasn't able to produce proof of her Dominican grandmother. For me, Jakiyah's situation cuts a little closer to home since I could totally imagine crap like that happening to some of my younger relatives. I also find it especially ironic that the issue should ostensibly turn on the identity of the grandmother (see y tu abuela donde esta? and y tu abuela, a’onde esta?)
Tuesday, September 17, 2013
Thursday, September 12, 2013
bobby mcferrin & aziza mustafa zadeh
For some reason I thought I had posted this a long time ago but apparently not... it is a thoroughly "Grenada-esque" clip of Bobby McFerrin, Aziza Mustafa Zadeh singing Carmen.
qahera
I just found this tumblr with the comic adventures of Qahera, a sword-wielding, hijab-wearing, salty-mouthed, Egyptian super-heroine. There are only a few pages posted (with versions in English and Arabic) but I look forward to seeing what develops. Check it out.
Friday, July 26, 2013
muslim latinos: a new hybrid identity
Notes from the Social Field: Muslim Latinos: a new hybrid identity
no más, por favor: stereotypes of latina muslims
This is an old article but somehow I missed it. It is a nice reflection from Racialicious on the ways in which the media chooses to cover Latina Muslims (who would have thought there would be enough of a presence to generate a stereotype?)
Racialicious: No Más, Por Favor: Stereotypes of Latina Muslims
Wednesday, July 10, 2013
it's a small world after all...
black-arab solidarity: what could it mean? by liz derias
The Palestinian struggle is a black struggle by Susan Abulhawa
The Subjects of American Empire Are Joining in Solidarity by Kevin Zeese & Margaret Flowers
The Palestinian struggle is a black struggle by Susan Abulhawa
The Subjects of American Empire Are Joining in Solidarity by Kevin Zeese & Margaret Flowers
yasiin bey (aka mos def) demonstrates guantanamo bay force-feeding standard operating procedure
Yasiin Bey appears in a video launched recently demonstrating the Standard Operating Procedure for force-feeding prisoners on hunger strike at Guantanamo Bay. Made by human rights charity Reprieve and Bafta-award winning director Asif Kapadia, the film shows US actor and rapper formerly known as Mos Def experiencing the procedure.
Thursday, July 04, 2013
"somebody's watching me"
On the serious tip, I definitely think that "America the Beautiful" would make a much better national anthem than the "Star Spangled Banner". But this is starting to be a rising contender.
Thursday, May 09, 2013
race in cuba: the eternal black problem
Race in Cuba: The Eternal 'Black Problem' When it comes to race, Cuba is far from the utopia that black intellectuals like to think it is. As part of The Root's series exploring the island's color complex, Cuba's best-known novelist weighs in.
the afro-iranian community
The Afro-Iranian Community: Beyond Haji Firuz Blackface, the Slave Trade & Bandari Music at the Ajam Media Collective takes an interesting look at a little-known branch of the Black diaspora. (I think the only other time I've heard more than a passing comment about black Iranians was in the context of discussing the slaves belonging to the founders of the Babi and Bahai faiths.)
Thursday, April 25, 2013
was tamerlan tsarnaev a “devout” muslim?
Religion Dispatches: Was Tamerlan Tsarnaev a “Devout” Muslim? by Sarah Posner
Tuesday, April 23, 2013
juan cole: terrorism and the other religions
Contrary to what is alleged by bigots like Bill Maher, Muslims are
not more violent than people of other religions. Murder rates in most of
the Muslim world are very low compared to the United States.
As for political violence, people of Christian heritage in the
twentieth century polished off tens of millions of people in the two
world wars and colonial repression. This massive carnage did not occur
because European Christians are worse than or different from other human
beings, but because they were the first to industrialize war and pursue
a national model. Sometimes it is argued that they did not act in the
name of religion but of nationalism. But, really, how naive. Religion
and nationalism are closely intertwined. The British monarch is the
head of the Church of England, and that still meant something in the
first half of the twentieth century, at least. The Swedish church is a
national church. Spain? Was it really unconnected to Catholicism? Did
the Church and Francisco Franco’s feelings toward it play no role in
the Civil War? And what’s sauce for the goose: much Muslim violence is
driven by forms of modern nationalism, too.
I don’t figure that Muslims killed more than a 2 million people or so
in political violence in the entire twentieth century, and that mainly
in the Iran-Iraq War 1980-1988 and the Soviet and post-Soviet wars in
Afghanistan, for which Europeans bear some blame.
Compare that to the Christian European tally of, oh, lets say 100
million (16 million in WW I, 60 million in WW II– though some of those
were attributable to Buddhists in Asia– and millions more in colonial
wars.)
Belgium– yes, the Belgium of strawberry beer and quaint Gravensteen castle– conquered the Congo and is estimated to have killed off half of its inhabitants over time, some 8 million people at least.
Or, between 1916-1917 Tsarist Russian forces — facing the Basmachi
revolt of Central Asians trying to throw off Christian, European rule — Russian forces killed an estimated 1.5 million people.
Two boys brought up in or born in one of those territories
(Kyrgyzstan) just killed 4 people and wounded others critically. That
is horrible, but no one, whether in Russia or in Europe or in North
America has the slightest idea that Central Asians were mass-murdered
during WW I and looted of much of their wealth. Russia at the time was
an Eastern Orthodox, Christian empire (and seems to be reemerging as
one!).
Then, between half a million and a million Algerians died in that
country’s war of independence from France, 1954-1962, at a time when the
population was only 11 million!
I could go on and on. Everywhere you dig in European colonialism in Afro-Asia, there are bodies. Lots of bodies.
Now that I think of it, maybe 100 million people killed by people of
European Christian heritage in the twentieth century is an
underestimate.
As for religious terrorism, that too is universal. Admittedly, some
groups deploy terrorism as a tactic more at some times than others.
Zionists in British Mandate Palestine were active terrorists in the
1940s, from a British point of view, and in the period 1965-1980, the
FBI considered the Jewish Defense League among the most active US
terrorist groups. (Members at one point plotted to assassinate Rep.
Dareell Issa (R-CA) because of his Lebanese heritage.) Now that Jewish
nationalsts are largely getting their way, terrorism has declined among
them. But it would likely reemerge if they stopped getting their way.
In fact, one of the arguments Israeli politicians give for allowing
Israeli squatters to keep the Palestinian land in the West Bank that
they have usurped is that attempting to move them back out would produce
violence. I.e., the settlers not only actually terrorize the
Palestinians, but they form a terrorism threat for Israel proper (as the
late prime minister Yitzhak Rabin discovered).
Even more recently, it is difficult for me to see much of a difference between Tamerlan Tsarnaev and Baruch Goldstein, perpetrator of the Hebron massacre.
Or there was the cold-blooded bombing of the Ajmer shrine in India by Bhavesh Patel
and a gang of Hindu nationalists. Chillingly, they were disturbed when a
second bomb they had set did not go off, so that they did not wreak as
much havoc as they would have liked. Ajmer is an ecumenical Sufi shrine
also visited by Hindus, and these bigots wanted to stop such
open-minded sharing of spiritual spaces because they hate Muslims.
Buddhists have committed a lot of terrorism and other violence as
well. Many in the Zen orders in Japan supported militarism in the first
half of the twentieth century, for which their leaders later
apologized. And, you had Inoue Shiro’s assassination campaign in 1930s
Japan. Nowadays militant Buddhist monks in Burma/ Myanmar are urging on
an ethnic cleansing campaign against the Rohingya.
As for Christianity, the Lord’s Resistance Army in Uganda initiated hostilities
that displaced two million people. Although it is an African cult, it
is Christian in origin and the result of Western Christian missionaries
preaching in Africa. If Saudi Wahhabi preachers can be in part blamed
for the Taliban, why do Christian missionaries skate when we consider
the blowback from their pupils?
Despite the very large number of European Muslims, in 2007-2009 less than 1 percent of terrorist acts in that continent were committed by people from that community.
Terrorism is a tactic of extremists within each religion, and within
secular religions of Marxism or nationalism. No religion, including
Islam, preaches indiscriminate violence against innocents.
It takes a peculiar sort of blindness to see Christians of European
heritage as “nice” and Muslims and inherently violent, given the
twentieth century death toll I mentioned above. Human beings are human
beings and the species is too young and too interconnected to have
differentiated much from group to group. People resort to violence out
of ambition or grievance, and the more powerful they are, the more
violence they seem to commit. The good news is that the number of wars
is declining over time, and World War II, the biggest charnel house in
history, hasn’t been repeated.
Monday, April 22, 2013
wise words in the wake of the boston bombing
White privilege is knowing that if the bomber turns out to be white, he or she will be viewed as an exception to an otherwise non-white rule, an aberration, an anomaly, and that he or she will be able to join the ranks of pantheon of white people who engage in (or have plotted) politically motivated violence meant to terrorize — and specifically to kill — but whose actions result in the assumption of absolutely nothing about white people generally, or white Christians in particular.
Among these: Tim McVeigh and Terry Nichols and Ted Kaczynski and Eric Rudolph and Joe Stack and George Metesky and Byron De La Beckwith and Bobby Frank Cherry and Thomas Blanton and Herman Frank Cash and Robert Chambliss and James von Brunn and Lawrence Michael Lombardi and Robert Mathews and David Lane and Chevie Kehoe and Michael F. Griffin and Paul Hill and John Salvi and Justin Carl Moose and Bruce and Joshua Turnidge and James Kopp and Luke Helder and James David Adkisson and Scott Roeder and Shelley Shannon and Dennis Mahon and Wade Michael Page and Jeffery Harbin and Byron Williams and Charles Ray Polk and Willie Ray Lampley and Cecilia Lampley and John Dare Baird and Joseph Martin Bailie and Ray Hamblin and Robert Edward Starr III and William James McCranie Jr. and John Pitner and Charles Barbee and Robert Berry and Jay Merrell and Brendon Blasz and Carl Jay Waskom Jr. and Shawn and Catherine Adams and Edward Taylor Jr. and Todd Vanbiber and William Robert Goehler and James Cleaver and Jack Dowell and Bradley Playford Glover and Ken Carter and Randy Graham and Bradford Metcalf and Chris Scott Gilliam and Gary Matson and Winfield Mowder and Buford Furrow and Benjamin Smith and Donald Rudolph and Kevin Ray Patterson and Charles Dennis Kiles and Donald Beauregard and Troy Diver and Mark Wayne McCool and Leo Felton and Erica Chase and Clayton Lee Wagner and Michael Edward Smith and David Burgert and Robert Barefoot Jr. and Sean Gillespie and Ivan Duane Braden and Kevin Harpham and William Krar and Judith Bruey and Edward Feltus and Raymond Kirk Dillard and Adam Lynn Cunningham and Bonnell Hughes and Randall Garrett Cole and James Ray McElroy and Michael Gorbey and Daniel Cowart and Paul Schlesselman and Frederick Thomas and Paul Ross Evans and Matt Goldsby and Jimmy Simmons and Kathy Simmons and Kaye Wiggins and Patricia Hughes and Jeremy Dunahoe and David McMenemy and Bobby Joe Rogers and Francis Grady and Cody Seth Crawford and Ralph Lang and Demetrius Van Crocker and Floyd Raymond Looker and Derek Mathew Shrout and Randolph Linn.
Ya know, just to name a few.
- Tim Wise
See also:
Sunday, April 21, 2013
juan cole and the concept of "enemy combatant"
Juan Cole: Is LindJohn's (Lindsay Graham and John McCain) notion of an Enemy Combatant Racist? points out the irony in how members of hate groups can commit acts of violence and Paul Curtis can even attempt to kill the President of the United States without anybody calling for them to be considered an enemy combatant.
peter king calls on fbi to put him under close surveillance and profile redheads
Juan Cole: Rep. Peter King Calls on FBI to put him under Close Surveillance and Profile Redheads is meant as satire but has more truth in it than King would like.
Thursday, April 18, 2013
Monday, April 15, 2013
Tuesday, April 09, 2013
game of thrones vs. brave new world
Here's where I'm "at" as a Muslim in regard to homosexuality: I accept the orthodox ruling that homosexual acts are forbidden. (Being straight, this isn't really any sort of special challenge) The Quran and hadith are abundantly clear on this point, more clear than the Bible in fact. For example, Bible-believers who want to argue that the story of Sodom and Gomorrah is not really about homosexuality actually have some ammunition in passages such as:
Behold, this was the guilt of your sister Sodom: she and her daughters had pride, surfeit of food, and prosperous ease, but did not aid the poor and needy. They were haughty, and did abominable things before me; therefore I removed them, when I saw it [Ezekiel 16:49-50]
while in the Quran the men of Sodom are addressed differently saying: "Most surely you come to males in lust besides females; nay you are an extravagant people." [7.81] or again "What! do you indeed approach men lustfully rather than women? Nay, you are a people who act ignorantly." [27.55]
At the same time, I also don't really have much of a visceral reaction ("ick response") to homosexuality either. And much of the time I find "natural law" type arguments unconvincing.
That said, the following thoughts recently occurred to me as a way of framing some of these issues:
Suppose you are in a society where blood is thicker than water and people locate a great part of their identity in their biological families; e.g. Lannister, Stark, Capulet, Montague, Hattfield, McCoy (And many "traditional" stances assume this as an axiom). Then marriages don't just involve the couple getting married but they have political implications for both families (and so "arranged" marriages make a certain amount of sense). Furthermore, one of the important functions of marriage in such an environment is to create concrete natural connections between families through children (a new grandchild, cousin, etc. common to both sides).
But, in a really fundamental way, gay marriage can't play that role. Even when the gay couple "has" children, at least one family, possibly both, aren't getting a new blood relative. (and the child is possibly disconnected from some of its biological relatives). So from a traditional perspective, gay marriage is ultimately incomplete. Instead of being about families being joined, gay marriage is more fundamentally about the sex lives of the individual couple.
To be fair, people's feelings about marriage and family have been changing for a while now in various ways (e.g. towards greater individualism, increasing divorce rates, changing attitudes about adoption, limits on parental rights etc.) which probably has softened the ground for gay marriage. New reproductive technologies have allowed for surrogate mothers, sperm donors, egg donors to all be distinct from "mom" and "dad". Gay marriage is just one more thing bringing us one step closer towards Huxley's Brave New World where biological lineage and reproduction are separated from family and emotional relationships.
Monday, April 01, 2013
a muslim meditation on easter
RNS: Between Good Friday and Easter: A Muslim Meditation on Christ and Resurrection by Omid Safi is an interesting reflection on the Easter holiday. Safi's take on the subject strikes me as surprisingly "Christian". Over the years I've had my own thoughts on the subject, but have tended to put my energies into trying to make sense of the docetism of "they neither killed him, nor crucified him".
see also:
good friday
the cross and the lynching tree
muslim easter hymn
day after day after day
easter memories
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