amir sulaiman: "come to the hills (we must win)"

love, gnosis & other suicide attempts

Amir Sulaiman's poems in Love, Gnosis & Other Suicide Attempts are simultaneously spiritual and sensual; threatening and vulnerable. Sulaiman's voice is between a flood and a firestorm. In the spirit of Rumi and Attar, his poems engage sensuality with a kind of religious devotion and engage religious devotion with sensuous fervor. He exposes the reader to the pleasure found in suffering; the ecstasy found in brokenness. Love, Gnosis & Other Suicide Attempts is often frighteningly gorgeous; other times humbly surrendering, but always honest.

amir sulaiman: the meccan openings

Amir Sulaiman's latest album, The Meccan Openings, is available for FREE download here. (And if you don't like downloading, most if not all of the songs are available on YouTube in some form). I haven't finished listening yet but so far the first couple of tracks have really drawn me in. I'm really curious to get a better sense of where Amir Sulaiman is at spiritually.

My lyricism is an exercise in exorcism.
But the exoteric call it eso-terrorism.
I learned jihad from Rumi.
The Sunni call me Shia.
The Shia call me Sufi.

somalia: nevermind by amir sulaiman

black faces
white tongues
the smell of sea water
taunts with sarcasm
drink me


oh somalia
im sorry i couldnt be there for you
but while you were trying to to get your daughter
to drink her urine
a singer died
while your children
were falling from the tree of life
scattered bushels of rotten fruit
some whiter children were shot


oh somalia
only if your beautiful wasnt so black
only if you were
gaza or
libya or
bahrain or
egypt or
norway or
england or
japan or
america
or the moon
i would mention you in a poem


only if you had
oil or
poppy or
timber or
rubber or
white people
i would mention you in my prayers


oh somalia
only if your beautiful wasnt so black
the world has grown accustom to watching you die
since i was a child
somalia - synonymous with suffering
african meant adversity
an african struggling was like
a fish swimming
a dog barking
somalia meant starvation


nevermind the magic in your poetry
or
the glowing saints rising from your lands like a thousand moons


nevermind the beauty of your beaches
or
the utter perfection in the hips of your women


oh somalia
only if you didnt wear the resemblance of eve
like an ornate funeral shroud
we wouldnt see you as our sin
and avert our gazes
in shame
turn our faces
to blame
only if your lack of the worldy
didnt remind us
of our lack of the other-worldly
perhaps then we would mention you


oh somalia
only if your beautiful wasnt so black

my name is khan (finally saw it)

A few months ago, without actually having seen the film, I had posted some links/letters regarding the movie My Name is Khan and the controversial decision by the Muslim Public Affairs Council to honor the film with its "Voices of Courage and Conscience" Media Award. (see my name is not khan and my name is still not khan ). The film has been described as a kind of "Muslim Forrest Gump" where the hero, Rizvan Khan, a Muslim man with Asperger Syndrome is on a mission to meet the President of the United States and tell him "My name is Khan and I am not a terrorist."

Now that I have seen the movie (thanks to the used DVD bin at Blockbuster) I'm in a better position to appreciate what the disagreement was about. I totally see Su’ad Abdul Khabeer's point about the film. It's portrayal of African-Americans in rural Georgia was definitely archaic, stereotypical and problematic. And in spite of the criticisms which can still be made about how Hollywood deals with race, one would be hard pressed to find a contemporary American film which portrays Blacks in such a fashion.

But My Name is Khan, is most definitely not an American film It is an Indian-centered film for an Indian audience. So even though most of the film was set in the United States, most of the dialogue was in Hindi or Urdu and most of the subjects/agents in the film were of Indian descent; Indian store owners, professors, motel managers, news reporters, and doctors, etc. (so "of course" the African-American characters will be poorly fleshed out stereotypes).

In fact, it wouldn't really be correct to call it a "pro-Muslim" film. From an early scene in the movie we see Rizvan Khan's mother teach him explicitly that there is no difference between Muslim and Hindu. There are just two kinds of people in the world, good people and bad people. And so we see many examples of "bad Muslims" (e.g. a terrorist recruiter speaking in a mosque, a Muslim couple who are too embarrassed to pray in front of non-Muslims, Rizvan's jealous and then estranged brother Zakir) and good non-Muslims (Rizvan's Hindu wife and stepson, the white couple who befriend them, different Sikh and Hindu Indian-Americans who support Khan on his journey). In fact, we see many more examples of Hindus and Sikhs being victimized in the post-9/11 environment than we see of Muslims. (And African-American Muslims are absent).

Basically I think our evaluation of the film depends entirely on where we choose to set the bar. If we want to compare My Name is Khan to more typical Hollywood portrayals of Muslims (see planet of the arabs) then of course we would say that MNIK is wonderful. And I would actually say that, except for the scenes involving African-Americans, MNIK is basically a fun, entertaining, Bollywood film. But if we demand a higher degree of excellence, and especially if the film is to receive an award from a major Muslim-American organization because of its "courage" and "conscience" I think it is fair to hold the film to a higher standard. And by that standard, the other winners of the 2010 MPAC Courage and Conscience Media Award were more deserving.

In fact, looking at past winners of the award, I'm tempted to think that some other cultural productions and performances are more deserving... Don Cheadle in Traitor for instance or Keith David as Abu 'Imam' al-Walid in the Chronicles of Riddick. Some more controversial alternative choices might be Amir Sulaiman, the film New Muslim Cool, Mos Def and K'naan on Austin City Limits, Lupe Fiasco and others. Lets hope that MPAC is more "courageous" when it gives out awards in the future.

liza garza - "my guitar"

Liza Garza jamming on her guitar... and her husband Amir Sulaiman pops in towards the end...

amir sulaiman: like a thief in the night

the alchemist

Here is a video for [the alchemist] by Amir and Mikail Sulaiman from their upcoming album, The Meccan Openings:

[the alchemist] by Sulaiman.s Temple from The Meccan Openings from amir sulaiman on Vimeo.

I'm in the middle of a book about the Andalusian mystic, Seal of the Saints, Shaykh al-Akbar Muhyiddin Ibn 'Arabi and so I'm really intrigued by the title (one of Ibn 'Arabi's major works is called Al-Futuhat al-Makkiyya or the Meccan Openings/Revelations/Illuminations so I'm wondering how deep the correspondence goes between the titles.

amir sulaiman: like a thief in the night

So one of the albums I did end up getting at the aforementioned trip to the music was was Amir Sulaiman's Like a Thief in the Night which I definitely recommend. I was able to find videos clips to go along with two of the tracks. One is the very short film by Bobby O'Neil called Spit:


and then there is also the more sensitive piece "She Said I Prefer a Broken Neck (To a Broken Heart)" which appears on Like a Thief in the Night. But this particular performance is from Def Poetry Jam:



See also: upon the ashes of babylon

upon the ashes of babylon

Here is an entire talk entitled Upon the Ashes of Babylon from a powerful Muslim spoken word artist, Amir Sulaiman. The event was part of Islam Awareness Week 2006 at the University of Alberta in Edmonton, AB, Canada. Amir's words manifest a quiet confidence which I find compelling. He has a way of framing issues which is really cathartic and healthy... it reminds me of how I felt when I read Malcolm's speeches for the first time.

Upon the Ashes of Babylon
Part One
Part Two
Part Three

Past Grenada posts on Amir

amir sulaiman: the illusion

I've just been listening to a Amir Sulaiman CD today, and was especially impressed by the talk called "The Illusion" and felt like sharing it. I looked around online and found a blogger, Muntaka Shah, who was generous enough to type up a transcript. I think the talk captures a lot of what I find so compelling in Islam. It isn't about blind faith and emotional displays. It is more about a calm certainty which comes from unvarnished realism; knowing who you are in relation to God and the world.

see also:
manifest liberation: the four gates

manifest liberation: the four gates

Even more from Amir Sulaiman (see also manifest liberation: virtue vs. vice)

In the Name of The One

Manifest Liberation is:

To Liberate Ones Self from Illusion
The world of illusion is the world of non-existence. In order to be effective, to move forward with high intent, one must be with Truth. How may one realize what is not real? How may one actualize what is not actual? In order to realize, to actualize, or to manifest ones liberation, one must be free from illusion and submit totally to Truth.

To Purify the Self
To truly purify ones self, ones purification must occur spiritually and physically, individually and collectively, internally and externally. Every self that has lived and will live is part of one Self, the Human Being. The lesser self is what allows the notion of ego and the greater Self is the collective consciousness that binds the Human Being together as one. One may not purify the self without purifying the Self nor may one purify the Self without purifying the self.

To Perfect Character
To perfect character is to perfect ones relationships. To perfect relationships is to perfect ones relationship between one and ones self, one and other selves, one and ones environment, and one and The One.

To Battle
To manifest ones liberation one must wage an unceasing war against vice and the vicious, against malice and the malicious, and against oppression and oppressors. Only through battle may the Self be free of the illusory shackles that bind the hands and restrain the mind. Only through battle, may one gain liberation and ensure sovereignty for virtue and the virtuous

manifest liberation: virtue vs. vice

I recently saw Amir Sulaiman perform some of his poetry so he's been on my mind. And since I've already blogged on him before, I thought it would make sense to share a larger sampling of some of his thinking. The following is from a piece of his called virtue vs. vice.

Freedom is in the soul, heart and mind. It is also in the limbs, land and wealth. The most important part of liberation is in the soul, hearts and minds of the people. Of lesser importance is the limbs, land and wealth of the people. If the limbs are free to move about as they like and money is available but the soul, heart and mind are still property of the oppressor then there is no hope for true manifest liberation. On the other hand, if the limbs are chained and the wealth is confiscated but the soul, heart and mind know and long for freedom then there is still hope for full manifest liberation. The freedom fighter needs only to fight to be free. Victory in any traditional sense of the term may come but is not necessary. The first gesture of revolt is a sufficient indication that the soul and heart are free from the system that oppresses. As all change, revolution begins in the soul as aimless nameless restlessness. Its energy works up until freedom condenses onto the walls of the mind. The intellect crystallizes it into the language of the people and all together like a mountain avalanche they come crashing down upon the gates of Empire.

It is faulty to think that the oppressed people of the world will enjoy manifest liberation by way of songs, poems, and letters to congressmen. The empire will not fall by way of hemp bracelets and long hair. The yokes will not be lifted by way of slogans and pamphlets. Manifest liberation will not be voted into office. Are we to think that simply because an oppressor received less votes than another that he will simply relinquish his power? The reason an oppressor is an oppressor is that he does not care for the beliefs and opinions of the people only the labor and wealth of the people. In the psyche of an oppressor, there is absolutely no occasion when he will willingly surrender his power. Throughout history, tyrants surrender not at the end of an open forum discussion but at the hot end of a rifle. They give back what they have taken only under the supervision of a sharp sword with its promise of retribution hovering above their neck.

It is equally faulty to think that the oppressed people of the world will enjoy manifest liberation only by way of bullets, Molotov cocktails and car bombs. Even if the people burned the White House to the ground tomorrow, the ills of society will not be rendered aright. Are we to think that a righteous society will be established by those with wicked ways? If the oppressed do not purify themselves of dishonesty, greed, lust, jealously, fear, envy and the other vices that plague the human family then there can be no real success. There may be a change of flag and a change of leadership but oppression will still loom over the heads of the powerless.

Often the oppressed adopt the maliciousness of the oppressor. When the oppressed do so, they help proliferate the oppressor’s agenda. The oppressed who have accepted the diseased ways of the tyrants spread the virus of mischief and corruption like a contagion. In a strange yet common twist of fate, the oppressed are infected with oppression by the oppressors and inevitably the oppressed oppress. Then those who are oppressed by the oppressed oppressors, once infected with the virus of oppression, seek out others to oppress. What this creates is an endless wheel of coercion that cannot be broken except with an individual, independent commitment to prefer virtue to vice and justice to tyranny. Very few will have the foresight and courage to do such a thing but they will do so because that is their destiny. These brave virtuous souls are what constitute a true liberation front. They are the precious invaluable vanguard of righteousness. This group is rare but always arises. Just as sure as oppression will raise its ugly head this vanguard of purified souls will be there to smite it off. These souls inspire other souls towards success as that is their reason for being. Once the people purify their ranks, even if they number few, they can expect triumph.

No matter the battle strategy and no matter the weaponry the unjust will not and cannot establish justice. No matter the leadership and no matter the number of followers those given to vice will not and cannot establish virtue. This is the irresistible, irrefutable reality of universal law. To try to transcend it is futile and to ignore it is foolish. There will be no freedom for the oppressed one who oppresses others. There is no dignity for the humiliated one who humiliates others. With virtue comes liberation as with vice comes oppression. This is the only way. This is not a new method; this is true way since the first to come from the loins of Adam and it will be the true way until vice is wiped from the planet Earth.

Liberation will come by way of the spirited songs and sharpened swords. It will come by way of the scholar’s ink and the martyr’s blood. It will come by the way of the righteous soul and the firm hand. For the one who truly fights for Truth and Justice, firstly and forevermore must know that high virtue is what promises victory and lowly vice is what assures defeat.

Amir Sulaiman's myspace blog
more amir sulaiman
Manifest Liberation

more amir sulaiman

The Muslim Student's Association at the University of Tennessee-Knoxville has a blog and in a 'recent' entry they have footage of a performance by the poet Amir Sulaiman.

taliyah al-mahdi

In the course of trying to find more about Amir Sulaiman online the name of this group came up. The Asian symbols in their logo makes me think of Dead Prez and their use of the I Ching. Here is their website for more info. I wish I knew more about them. The site is well written. They seem to be coming from a Shia perspective, which seems interesting. They have a set of "12 Points of Action" which includes a study of the world's spiritual traditions, physical and mental training, opposition to terrorism and a strong statement against sexism: "we wash our hands of the oppression of women throughout history and oppose all forms of domination of man over woman." I wonder how well they manage to implement this really positive-sounding program.

If anyone knows more about them, feel free to add a comment. (Actually, that should go for all the blog entries)

amir sulaiman

Amir Sulaiman is a Muslim poet, writer, teacher and family man. You may have seen him on HBO's Def Poetry Jam doing a piece called "Danger" (which you should be able to hear on his website). He delivers his words powerfully, inspired by "a political consciousness that is profound without being preachy and stately without being stand-offish". Here is his website. The site is actually a pretty good reflection of his style. It's not as flowery nor as busy as other poet's sites I've seen. It is to the point and well-done.