Islam is at the heart of an emerging global anti-hegemonic culture that combines diasporic and local cultural elements, and blends Arab, Islamic, black and Hispanic factors to generate "a revolutionary black, Asian and Hispanic globalization, with its own dynamic counter-modernity constructed in order to fight global imperialism. (say what!)
Sunday, January 09, 2011
juan cole on white terrorism
adding islam to a latino identity
h/t to Seyfettin/Saifuddin
Wednesday, January 05, 2011
the emir of algeria and ibn al-arabi
the jihad of imam shamyl
sufi mujahideen
Monday, January 03, 2011
muslims probe problem of disaffected youth
"Why do we in Muslim communities not have centers for at-risk youth?" said civil rights attorney Reem Salahi at the annual national convention of the Muslim Public Affairs Council on Saturday (Dec. 18) in Los Angeles.
Speakers discussed the November arrest of 19-year-old Somali-born Mohamed Osman Mohamud, caught in an FBI sting after trying to blow up a bomb in a van parked near a Christmas tree lighting ceremony in downtown Portland, Ore.
Salahi said Mohamud apparently felt isolated and found solace on extremist websites whose radical owners are "exploiting the grievances of young people and getting to them in very sophisticated ways."
Sunday, January 02, 2011
professor imam and the squadron supreme
Speaking of comic books, I've recently started to get into the Squadron Supreme especially in their more recently rebooted incarnation. The characters aren't well known but the concept behind them is interesting. Basically they are Marvel Comic's revisioning of /parody of /homage to /commentary on the major DC Comic superheroes. Their names and costumes are different enough that the probably won't raise copyright issues, but their powers and back stories are similar enough that the intention is clear.
Both the original and the rebooted characters explore the dark side of the superhero concept. For example, an important storyline involving the original Squadron had them try to turn the U.S. into a crime-free utopian society and ended up creating a police-state.
Furthermore, I'm not sure if he's explicitly described as Muslim, but taking a leap based on his name, the original Squadron Supreme character Professor Imam may be one of the earliest Muslim superheroes in either Marvel or DC. I haven't yet seen him appear in the rebooted Squadron but I hope he shows up. It would probably allow for some good political stories.
In the rebooted version, "Superman" (Hyperion) is initially found by farmers but eventually Truman Show-ed by the U.S. government who want to make sure he grows up patriotic and compliant. Instead of there being a single token Black superhero, both "Batman" (Nighthawk) and "the Flash" (the Blur) are African-American and have numerous political arguments about their obligations to "the people". In Nighthawk's case especially, his parents were specifically killed by white supremacists, so as an adult he takes a by-any-means-necessary approach to fighting racist and genocidal villains both in the inner-city (primarily Chicago) and in Africa. These are definitely not your grandparents superheroes...
See also:
female, muslim and mutant
naif al-muwata on the 99
josiah x
in brightest day, in blackest night
Friday, December 31, 2010
black asgardians... yeaaaaaaah boy!
You may have heard that in the upcoming Thor film the very black actor Idris Elba will play the Norse god Heimdall. (Apparently Flavor Flav's silly Viking cap wasn't just part of a minstrel show. In reality he was laying the subliminal groundwork for a more subversive objective).
Of course, there are some racists who are objecting to the casting decision but (even apart from the basic fact that racism is stupid) if you actually read the comic books there are some interesting reasons to support the unconventional casting.
First of all, the "gods" of Asgard aren't human in the first place so you can't really argue that they are really white or black. In fact, in some parts of the Marvel mulitverse, (the Earth X continuity) the Asgardians are shapeshifting extraterrestrials whose forms change with the perception of others. Secondly, in Marvel Comics' Lost Gods storyline the gods of Asgard are given human identities and in Heimdall's case, he became a Latino man named Donald Velez. Thirdly, in a more recent storyline, after Asgard is destroyed in Ragnarok, Heimdall takes on the form of a Katrina survivor named Ezra. (both personas lost their homes in cataclysmic ways). In any case, the bottom line is based on the comics, the idea of a black Heimdall actually isn't so strange.
Racialicious: Thor Losers: ‘Christian’ Group Aghast At Idris Elba’s Godliness
Guardian: White supremacists urge Thor boycott over casting of black actor as Norse god
The Root: White Supremacist Group Boycotting 'Thor' Because of Elba Casting
Thursday, December 30, 2010
cuba and zimbabwe and hip-hop politcs
better late than never...
BBC: Young Muslims urged to give blood during Muharram
BBC: Afghans donate blood for Ashura
What I found most interesting about this is the way that blood donation is being suggested as a "modern" way to replace the self-flagellation which "traditionally" accompanies Ashura.
Saturday, December 25, 2010
Friday, December 24, 2010
the hajj and the apartheid train
Friday, December 17, 2010
Wednesday, December 15, 2010
qui-gon, islam and narnia
Aslan symbolises a Christ-like figure but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries. That’s who Aslan stands for as well as a mentor figure for kids – that’s what he means for me.
As far as I can tell, many voices in the Christian/conservative blogosphere seem to be taking the position that Liam Neeson is simply stupid, but I would tend to argue that the issue is a bit more complex. On the one hand, C.S. Lewis was obviously a Christian and intended Aslan to represent Jesus, the Conquering Lion of Judah.
But in an old post over at Islamicate you can find a tongue-in-cheek argument that C.S. Lewis is Muslim and that Aslan is best seen as an allegory for Imam Ali (after all, "Aslan" is actually Persian for "lion" and one of Ali's titles is the Lion of God).
More support for Liam Neeson's inclusive position can be found in the Narnia books themselves and how they present Aslan as a being with multiple forms and names. (And a previous Grenada post actually explores the idea, held by some Muslims, that essentially the same light that shone through Muhammad (saaws) shone through all the prophets, including Jesus (as)). In The Last Battle, Lewis seems to endorse the concept of the anonymous Christian when he describes the encounter between Aslan and Emeth (a visitor from a neighboring country who was worshiping "another" God named Tash all his life):
"Then I [Emeth] fell at his [Aslan's] feet and thought, Surely this is the hour of death, for the Lion (who is worthy of all honour) will know that I have served Tash all my days and not him. Nevertheless, it is better to see the Lion and die than to be Tisroc of the world and live and not to have seen him. But the Glorious One bent down his golden head and touched my forehead with his tongue and said, 'Son, thou art welcome.' But I said, 'Alas, Lord, I am no son of thine but the servant of Tash.' He answered, 'Child, all the service thou hast done to Tash, I account as service done to me.' Then by reason of my great desire for wisdom and understanding, I overcame my fear and questioned the Glorious One and said, 'Lord, is it then true, as the Ape said, that though and Tash are one?'The Lion growled so that the earth shook (but his wrath was not against me) and said, 'It is false. Not because he and I are one, but because we are opposites - I take to me the services which thou hast done to him. For I and he are of such different kinds that no service which is vile can be done to me, and none which is not vile can be done to him. Therefore, if any man swear by Tash and keep his oath for the oath's sake, it is by me that he has truly sworn, though he know it not, and it is I who reward him. And if any man do a cruelty in my name, then, though he says the name Aslan, it is Tash whom he serves and by Tash his deed is accepted. Dost thou understand, child?'
As a counterpoint, some might argue that Lewis' views about Muslims are suggested in his descriptions of the Calormen who worship the demon-God Tash. Calormenes are described as dark-skinned, with the men mostly bearded. Flowing robes, turbans and wooden shoes with an upturned point at the toe are common items of clothing, and the preferred weapon is the scimitar. Their country is bordered, on the north, by a Great Desert. When people like Philip Pullman (the author of the "anti-Narnia" series, His Dark Materials) criticize the Narnia books as racist, the argument is basically about this group.
So we are left with a weird sort of tension... if we assume C.S. Lewis believes in the concept of the anonymous Christian (or as Matthew 25 says, those who are welcomed into God's kingdom because of how they treated "the least of these") then, at least theoretically, Lewis believes in the salvation of the "good Muslim". On the other hand, his, arguably racist, depiction of the Calormen leaves one wondering how he really felt about flesh-and-blood Middle Easterners, Persians, Africans, etc.
The Guardian: All is well with Narnia (which deals with the Liam Neeson "gaffe")
SfReviews.net: The Last Battle (with a discussion of Lewis' racism re: the Calormen)
This Ain't Livin': Red Dwarf, Black Dwarf: The Racial Overtones of Narnia
Beliefnet: The Lion, the Muslim, and the Dryer by Dilshad Ali
Planet Grenada:
pride of baghdad
the devil and al-hallaj
harry potter and the last review
harry potter and the magic of whiteness
bell hooks v. harry potter
the scholarly hooligan (and kick-ass poet)
A piece on New Orleans and Katrina called "Purpose Poetry"
Tuesday, December 14, 2010
heads up y'all
day after day after day...
muharram facts
ashurah
more muharram posts
ashurah 1428
Also, happy new year (1432)!
so apparently the elves are black... and muslim
Sunday, December 05, 2010
kabbalah and jazz
In his great work To Heal the Soul, Rabbi Kalonymus Kalman Shapira wrote that all humans each have their own unique musical ladder -- a distinct melody that allows one to draw down spiritual sustenance into this world. This melody is exclusive and in essence can not be performed by anyone else. He believes that it is so individualized that to use someone else's ladder is like putting someone else's saliva into your mouth to sing. This concept is so ubiquitous, so universal, that Rebbe Nachman of Breslov went as far as to say that each and every blade of grass has its own unique melody as well.
For more reflections on jazz and spirituality from an Islamic perspective.
all that jazz...
the writings of yusef lateef
the philosophy of ahmed abdul-malik