maya angelou: we had him

(written by Maya Angelou on the occasion of Michael Jackson's death)

We had him

Beloveds, now we know that we know nothing,
now that our bright and shining star can slip away from our fingertips
like a puff of summer wind.

Without notice, our dear love can escape our doting embrace.
Sing our songs among the stars and walk our dances across the face of the moon.
In the instant that Michael is gone, we know nothing. No clocks can tell time.
No oceans can rush our tides with the abrupt absence of our treasure.

Though we are many, each of us is achingly alone, piercingly alone.
Only when we confess our confusion can we remember
that he was a gift to us and we did have him.

He came to us from the creator, trailing creativity in abundance.
Despite the anguish, his life was sheathed in mother love, family love,
and survived and did more than that.
He thrived with passion and compassion, humor and style.
We had him whether we know who he was or did not know,
he was ours and we were his.
We had him, beautiful, delighting our eyes.

His hat, aslant over his brow, and took a pose on his toes for all of us.
And we laughed and stomped our feet for him.
We were enchanted with his passion because he held nothing.
He gave us all he had been given.

Today in Tokyo, beneath the Eiffel Tower, in Ghana's Black Star Square.
In Johannesburg and Pittsburgh, in Birmingham, Alabama, and Birmingham, England

We are missing Michael.
But we do know we had him, and we are the world.

the more things change..

Huffington Post: Philadelphia Private Swim Club Forces Out Black Children

NBC reports that more than 60 African-American campers from Northeast Philadelphia were turned away from a private swim club because -- according to John Duesler, President of The Valley Swim Club -- "there was concern that a lot of kids would change the complexion ... and the atmosphere of the club."

It may surprise some Americans to learn that not only do certain private clubs still refuse to admit African-Americans, women, and gay people, but that this kind of enrollment discrimination is considered perfectly legal.

This recent case of discrimination at the Philadelphia club is merely a continuation of discriminatory admission standards. Such official bans on non-Anglo Saxon men may seem superfluous considering outrageous membership fees are usually enough deterrence to keep non-white people off the golf courses and out of the pools, but when The Creative Steps Day Camp managed to pay the $1900 for their young campers to enter The Valley Swim Club, the staff resorted to drastic measures.

"When the minority children got in the pool all of the Caucasian children immediately exited the pool," Horace Gibson, parent of a day camp child, wrote in an email. "The pool attendants came and told the black children that they did not allow minorities in the club and needed the children to leave immediately."

the headscarf martyr

The Guardian
Kate Connolly in Berlin and Jack Shenker in Cairo

It was while Marwa el-Sherbini was in the dock recalling how the accused had insulted her for wearing the hijab after she asked him to let her son sit on a swing last summer, that the very same man strode across the Dresden courtroom and plunged a knife into her 18 times.

Her three-year-old son Mustafa was forced to watch as his mother slumped to the courtroom floor.

Even her husband Elvi Ali Okaz could do nothing as the 28-year-old Russian stock controller who was being sued for insult and abuse took the life of his pregnant wife. As Okaz ran to save her, he too was brought down, shot by a police officer who mistook him for the attacker. He is now in intensive care in a Dresden hospital.

[complete story]

michael jackson - they don't care about us

MJ at his most controversial (at least in terms of his music). Before the song "They Don't Care About Us" was even released, Michael Jackson was accused of antisemitism due to his use of the lyric: "Jew me, sue me, everybody do me/ Kick me, kike me, don't you black or white me". Jackson argued (rather reasonably) that the intention of the song as a whole is opposed to prejudice and oppression and the disputed lyrics should be viewed in that context.

Michael Jackson - They Don't Care About Us (Long Version) sélectionné dans Musique et Rock / Pop

In an interview with The Guardian, Spike Lee puts his finger on a certain inconsistency in how the video was treated:

And you wonder if [Spike Lee] regrets any of them [various controversies he's been involved in]. His verbal disembowelling of Quentin Tarantino, for example, after taking offence at the latter's use of the word "nigger" in his 1997 caper Jackie Brown? He's already answering by the time I've got to "Quent-".

"Oh, I don't regret that at all. And to put the record straight, because a lot of people never got the whole story... I never said that Quentin Tarantino should not be allowed to use the word nigger. My contention was that his use of it was excessive. You know, Harvey Weinstein [co-founder of Miramax, Jackie Brown's financiers] called me up and said he wished I'd leave this thing alone. And I said, 'Harvey - would you ever release a film that on so many occasions used the word kike? He just cleared his throat and said, 'No.' So, it's like, 'Oh - you can't say kike but nigger is OK?' "

He lets the question hang. But he's not done yet.

"And then of course they say, 'But Tarantino's an artist, he's just expressing himself.' Well, if we're talking about artists, let's talk about..."

Everything slows with the realisation of what's coming next.

"Michael Jackson. Because, forgetting all that other shit for a minute, in the song They Don't Care About Us, Michael Jackson said 'Sue me, Jew me, Kick me, Kike me.' What happened? He was ripped apart by Spielberg and David Geffen, and the record was pulled from the stores. So, Quentin Tarantino says nigger and he's an artist, but Michael Jackson says kike and it can't be exposed to the public?"

So what's he saying? Are they both acceptable, or neither? "All I'm saying is why is it OK for Quentin Tarantino to say nigger and not for Michael Jackson to say kike?" His point, at least what I think is his point, is well taken: I really am starting to wish he'd stop saying kike. "So that's the question," he says. "Why is one OK and one not?"

I think part of an answer has to do with the fact that various communities have different notions and sensitivities when it comes to deciding what is really offensive. For example, I don't know a Jewish analogue to a spoken word piece like "Niggers are Scared of Revolution" let alone the prevalence of the n-word in contemporary hip-hop. (And as the line goes, "You can't complain if you are dancing to it.") A second (and more important) factor has to do with the relative political power of various communities and their ability to impose their sensitivities on the public. (For example, I don't think anyone has ever gotten in trouble for using "gyp" as a verb but then again Gypsies/Roma have almost zero visibility or political power in the United States.

r.i.p. michael jackson - inna lillahi wa inna ilayhi raji'un - do you remember the time?

see also:
Michael Jackson Converts to Islam

blue-eyed devil

I just recently finished Michael Muhammad Knight's book Blue-eyed Devil: A Road Odyssey Through Islamic America put out by Soft Skull Press. The book is definitely worth reading but I think I would have felt better about it if I had checked it out of the library instead of buying it at Border's. The work is essentially a travelogue documenting Knight's journey's across the United States on what amounts to an Islam-in-America sightseeing tour. To be honest, I was massively impressed by the breadth of the book but he left me wishing for more depth.

He visits the annual ISNA (Islamic Society of North America) convention (twice) where he claims to have stink-palmed Cat Stevens (Yusef Islam) and Siraj Wahaj. He goes to the tombs of Elijah Muhammad, W.D. Fard and Alexander Muhammad Webb (probably the first white American convert to Islam). He meets with Azreal (one of the first white Five Percenters who followed "Father Allah" Clarence 13x). He builds with other Five Percenters in Harlem/Mecca. He goes to the compound of the followers of Malachi Z. York (or whatever he is calling himself now). He attends PMU's female-led prayer. Has dinners with Farid Esack and Irshad Manji. He has tea at Peter Lamborn Wilson / Hakim Bey's house. He visits Malcolm Shabazz (Malcolm X /El Hajj Malik Shabazz's grandson) in prison. And throughout he stops at both Sunni and Shia masjids as well as meeting with various followers of Elijah Muhammad.

For me, the most valuable aspect of the book was its discussion of who Fard was and what happened to him after he went into "occultation". Some other important points are his account of Malcolm Shabazz's (sad) life and Knight's behind-the-scenes insights on the "Progressive Muslim" movement. The rest of the book is well-written and interesting in its own way but often feels like being forced to watch a slide show from someone else's summer vacation.

an intimate look at hip-hop's jihad

‘New Muslim Cool,’ a new PBS documentary, shows how young Muslim Americans in the post-9/11 era are deepening ties between hip-hop and Islam

by Suad Abdul Khabeer

Real hip-hop heads know that Islam and hip-hop have been longtime friends, feeding off each other’s energy. Muslim ideals of self-respect and social change have inspired some of the greatest emcees, and hip-hop is giving voice to the dreams and daily struggles of a generation of Muslims. This cross-pollination between Islam and hip-hop is vividly illustrated in a new documentary, New Muslim Cool, which premieres tonight on PBS.

Directed by veteran filmmaker Jennifer Maytorena Taylor, New Muslim Cool chronicles three years in the life of Hamza "Jason" Perez, a Puerto Rican Muslim, family man, emcee, interfaith prison chaplain and social activist.

So why is Hamza’s story called the New Muslim Cool? Because he is part of a generation of young Muslims who are coming of age in a post-9/11 America. They are tackling questions of race, faith, freedom and even, as Hamza does, questionable intrusions by the FBI. They unapologetically choose God and country; they are doing American Islam with style.

And then, there’s the music. Citing influences such as Malcolm X and Pedro Albizu Campos, Hamza and his brother, Suliman, bring together the best of who they are. They use hip-hop in the great music traditions of the African Diaspora. The music seeks to speak to the harsh but sweet realities of everyday life; to encourage an elevation of the spirit, and to inspire a commitment to social change.

Set in Pittsburgh, Pa., the film opens with Hamza’s words (played over a hip-hop track by his group, M-Team): “I would always have two consistent dreams my whole life; one, that I was gonna experience death at the age of 21, the other that I was gonna be in jail, and then, both of them came true.”

He describes his conversion to Islam at the age of 21 as a “death of all my past, the negative.” Hamza finds Islam on the same street corners where he hustled as a drug dealer, and as a Muslim, he returns to the streets to offer a way out to the “30 below”: young, black and Latino men under age 30 who see drugs as their only path to the American Dream.

Inspired by his spiritual awakening, Hamza seeks to “move the crowd” as he himself was moved. And in many ways, his story is the quintessential hip-hop track, a journey from the rags of ignorance and desperation to the riches of knowledge and empowerment.

Eventually, Hamza does make it to jail, but it is not as an inmate as he had anticipated. Instead, he winds up as a chaplain providing spiritual guidance to prisoners of all faiths.Yet, Hamza’s story also extends beyond his religious community. His struggles echo the realities of many young Latino and black men. His mother, Gladys Perez, is a single parent who worked two jobs to keep her children in Catholic school and off the streets in a local community that lacked the economic, educational and political resources to support her.

In the face of these familiar circumstances, Hamza, then only known as Jason, chooses a likely path, drug dealing, which he later successfully rejects. Yet, Hamza’s gritty life story also has its softer side. Pushing back against two popular stereotypes—sexist Muslim men and absent “baby daddies”—Hamza is lovingly building a blended family, made up of his two children from a previous marriage and his African-American wife, Rafiah, and her daughter. In the film, he is seen cracking jokes as he rubs his abuela's feet. It is a story resonating beyond Muslim and hip-hop audiences. At numerous screenings, whether national or international, it is clear that viewers are moved deeply by Hamza’s growth as a Muslim and as a man. Because at its core, the New Muslim Cool is about the struggle to respond to adversity with your better self. It’s about finding beauty in the least expected places. Set over the treble and funk, it tells a story we can all relate to, about the complexities of what it means to be imperfectly human. New Muslim Cool premieres on PBS tonight. Check local listings.

Suad Abdul Khabeer is a doctoral candidate in the Department of Anthropology at Princeton University.

see also:
new muslim cool
new muslim cool (trailer #2)
boricua rappers drop anti-imperialist album
more M-team

christian murderer / muslim terrorist

Mujahideen Ryder: Two men murder for religious reasons – The Christian is charged with murder while the Muslim is charged with terrorism

heru in jamaica

Here is a roughly two hour discussion/interview/talk with Heru (whom we've talked about before) for a Jamaican TV show. Topics include: anti-black violence in Jamaican music, homosexuality in dancehall, the roots of Rastafari and Halie Selassie, the significance of Obama's election, and in general he gives a pretty good articulation of a (not "the") Pan-African outlook on politics, economics, and current events. He has a lot of positive things to say which are worth thinking about. At the same time, it was weird for me to hear his affected "Jamaican" accent. I imagine that he's either making a conscious choice to speak that way because of his involvement in dub and reggae or he's picking it up honestly because of how much time he is spending in the West Indies or with working with Caribbean people. He touches a little on his own religious beliefs but I would be really interested in hearing an indepth discussion of Ausar Auset (if that's the path he is on)

mos def: no hay nada mas

From his new album "The Ecstatic", here is Mos Def rapping in Spanish (I think he sounds like Tego Calderon):

bart simpson's ex commits suicide?

Glosslip.com: Scientologist and Nancy Cartwright Ex, Steve Brackett Jumps To His Death — Cover Up and Conspiracy To Follow

According to Glosslip.com, Steve Brackett, the ex-boyfriend/fiancee of Nancy Cartwright, killed himself last month by jumping from a bridge. Of course, any death is a tragedy, especially a suicide. But according to Glosslip the Church of Scientology was initially promoting the cover story that Brackett died in a head-on collision.

Some have argued that the cover story was a way to show compassion to Brackett's family while others have suggested cover story was put out because Brackett was at a relatively high level in the Church and his suicide would belie Scientology's promise of spiritual advancement.

More specifically, Scientology claims that the main cause of human misery is something called the "reactive mind" and by following the practices of Scientology (and in most cases by paying for expensive materials and services) one can eliminate the reactive mind and reach the state of "clear". After reaching "clear" one can continue on to the OT (operating thetan) levels where one is supposed to be able to "control or operate thought, life, matter, energy, space and time" whether he has a body or not. These higher Operating Thetan levels are numbered OTI, OTII, OTIII, etc. up to OTVIII (currently).

For comparison, according to Scientology Jesus (as) was a "shade above" clear but not quite an operating thetan while Tom Cruise and John Travolta are at OTVII.

But going back to Brackett, he was also at one of the operating thetan levels where he should have moved beyond the reactive mind and the ultimate cause of unhappiness. (Which raises the obvious question of how someone who had progressed past clear could be driven to the point of suicide).

mevlevis in miami

I finally went to my first local Mevlevi gathering. So far I think that it will be good for me on multiple levels. One of the many interesting things about the group is that most of the participants are Latino and almost everyone is Spanish-speaking. I grew up going to a Spanish/English bilingual church and it was interesting to "be religious/spiritual" in Spanish again. It was sort of a spiritual homecoming of sorts.

obama speech in cairo

Huffington Post: Obama Speech In Cairo (VIDEO, Full Text)

i love hip-hop in morocco

I Love Hip-Hop in Morocco is a documentary film project about the hop-hop scene in Morocco and the attempt to organize the first Moroccan hip-hop music festival. Very Grenada-esque. It never ceases to surprise me how much hop-hop has been able to spread to other societies, adapt and innovate.



see also: planet grenada and islam and hip-hop

the murder of george tiller

You may have heard of how this weekend Dr. George Tiller became the most recent victim of Christian (specifically anti-abortion) terrorism in the US. It will be interesting to see how this form of terrorism will be treated by the general public and the current administration. I wonder if, had this occurred under George W. Bush's rule, the government would have declared members of militant right-wing groups in the US as "enemy combatants" and sent them to Guantanamo?

In the wake of Tiller's murder, most anti-abortion groups and many individuals have strongly condemned the murder of Tiller and have acknowledged some of the excesses of the pro-life movement, but at least a few (e.g. Fox personality Bill O'Reilly and Operation Rescue founder George Terry have given comments which ranged from the ambiguous to unapologetic.

What I found really disturbing was a bit of analysis from an LA Times piece, "Abortion doctor George Tiller is killed" as follows:

UC Davis sociology professor Carole Joffe said that the worst period of violence against abortion providers was during Clinton's tenure, and that attacks dwindled under President George W. Bush, when the movement had an ally in the White House. But now, with a president who supports abortion rights and a Democratic Congress, she said, some abortion foes may be feeling hopeless.

"When social movements feel they're not getting anywhere, they get desperate," she said, adding that the vast majority of antiabortion activists reject violence. "This is deeply tragic but unsurprising."

So does this mean that for the rest of Obama's tenure we can expect more and more of the fascist/ militant/ racist /far-right wing crazies to come out the woodwork?

Planet Grenada eric robert rudolph
LA Times: A history of violence on the antiabortion fringe
Huffington: Bill O'Reilly Crusaded Against George Tiller For Years

a tribe called quest w/ common: the remedy

 Here's an old Tribe track from the Get on the Bus soundtrack. Planet Grenada: whatever happened to q-tip?

scientology on islam

After hearing yesterday about how Scientology is on trial in France, it made me want to find out a little bit more about the faith/philosophy/organization.

Here are some of the confused/confusing claims of L. Ron Hubbard, the founder of Scientology, on Muhammad and Islam.

Hubbard : "It's an enormous stone hanging suspended in the middle of a room, this is an incident called the Emanator by the way, and this thing is by the way the source of the Mohammedan Lodestone that they have hanging down there, that, eh, when Mohammed decided to be a good small-town booster in eh Kansas, Middle-East, or something of the sort.

"By the way, the only reason he mocked that thing up, is the trade wasn't good in his hometown. That's right. You read the life of Mohammed. And he's got a black one and it sort of hung between the ceiling and the floor, I don't know, maybe they call it the Casbah or something or... Anyway, anyway, that thing is a mockup of the Emanator! The Emanator is bright, not black.

"And so, your volunteer, who insists on a sightseeing trip, goes in and this thing is standing in the middle of the room, and it's going 'wong wong wong wong wong' and he says: "Isn't that pretty?". It sure is, and then he says "Mmmgrmrm ponk" Why, I'll tell you, they cart him from there, and they take him in and they do a transposition of beingness."

see also:
nothing unreal exists
"goodbye children"

new crusades?

Some frightening pieces about the extent to which military policy under President Bush was shaped and informed by a particular reading of Biblical doctrine:

Alternet: Bush's Shocking Biblical Prophecy Emerges: God Wants to "Erase" Mid-East Enemies "Before a New Age Begins"
CommonDreams: War Room is No Place for Bible Study

see also:
onward christian soldiers
more on evangelicals at the air force academy

love is stronger than death

A few days ago a Christian friend of mine asked me to help translate a Bible verse into Spanish for him. He wanted to have a phrase from the Song of Songs (aka Song of Solomon aka Canticles) engraved on the inside of his wedding rings.

For those who don't know, the book is essentially a love poem. Some view it as a model of romantic love between a man and a woman while others view it allegorically as being about the relationship between God and Israel or God and the Church.

In any case, in the process of looking at different English translations I ended up reading different statements about the Song of Songs from a range of perspectives. For a while now I've had the general impression that the Song of Songs' status in the Biblical canon was questionable. For example, an uncle of mine who is a pastor once said something to the effect that that it wasn't fully the word of God (obviously due to the sensual content).

On the other hand I was intrigued and surprised by a comment made by Rabbi Akiva, a first century C.E. Jewish scholar: "Heaven forbid that any man in Israel ever disputed that the Song of Songs is holy. For the whole world is not worth the day on which the Song of Songs was given to Israel, for all the Writings are holy and the Song of Songs is holy of holies." In other words, the Song of Songs is not just the neglected stepchild of the Bible but an essential central text. It is reminiscent of the prominent role that love poetry has for Sufis such as Rumi and Hafeez.

starting to twitter

I'm just starting to use twitter but I'm not sure I see the fascination. 140 characters seems too small for substantial or complex thoughts. And if messages are going to be that short, it seems better to have the immediacy of a chatroom. By the way, I'm talibanana (Hanafi, soft and sweet).