ricanstruction

A heads up from Adisa at Holla at a Scholar: Check out the anarcho-punk Puerto Rican band Ricanstruction

Crossing over from the sea of wealth that is Manhattan’s Upper East Side into Spanish Harlem you can see the contrasts New York’s Ricanstruction — a Puerto Rican punk/Afro-Latin beat band — have experienced. The ghetto attributes abound: Soviet-style public housing, malt-liquor bottles on the street, an excessive NYPD presence. This Puerto Rican and African American neighborhood is one marked by resistance, insists Not4Prophet, Ricanstruction’s lead vocalist. Everything from the political graffiti to the murals of Che Guevara to the community gardens exudes both resistance and autonomy.

Ricanstruction hesitates to classify itself; Not4Prophet doesn’t even like to use the word “anarchist” to describe the band’s politics. Songs like “Mad Like Farrakhan” and “Bulletproof” bring Latin beats (and political experience) to fast-paced vocals and guitar riffs. Slower, darker rhythms in songs like “Abu-Jamal” (about American political prisoner Mumia Abu-Jamal) feel more like the finale of a tragic opera with Not4Prophet’s pleading tone, often inspired by Bob Marley as much as Jello Biafra.

While failing — thankfully — to fall into the rock-rap genre that gave us Rage Against the Machine or 311, Not4Prophet’s love of hip hop is essential to the band’s ability to fuse the resistance culture of white anarchist punks and his own Spanish Harlem community. Their latest release, Love + Revolution (Uprising Records), includes appearances from hip hop icons such as Dead Prez and Chuck D from Public Enemy. The band members are still active artistically and politically on their home turf.