Islam is at the heart of an emerging global anti-hegemonic culture that combines diasporic and local cultural elements, and blends Arab, Islamic, black and Hispanic factors to generate "a revolutionary black, Asian and Hispanic globalization, with its own dynamic counter-modernity constructed in order to fight global imperialism. (say what!)
I've been "celebrating" St. Patrick's Day by listening to this particular black alternative rock anthem to DuBoisian double consciousness for a while now. ( Split Personality by Basehead) Enjoy. By the way, Planet Grenada is seven years old today. Wow.
Poet, essayist, editor, teacher, radio host, and union organizer with the National Writer Union, UAW Local 1981, Louis Reyes Rivera died in Brooklyn Hospital on Friday, March 2, following a brief illness. Serving as chair of the New York Chapter since 2004, Rivera was revered and beloved by all NWU members who saw him in action in New York and at Delegate Assemblies, providing leadership on union issues and performing his insightful poetry.
Calling himself the Janitor of History, Rivera is viewed as a living bridge between the African and Latino-American communities. Also called "the dean of Nuyorica Poetica," he is an internationally recognized literary figure, with translations of his work appearing in Russian, Latvian, Spanish, and Italian. Rivera published four books, including Who Pays The Cost (1978), This One For You (1983), In Control of English (1988 and 1992), and Scattered Scripture (1996), for which he received the 1997 poetry award from the Latin American Writers Institute. He had just completed his epic poem, Jazz in Jail, and was in the process of preparing it for publication.
Rivera was the recipient of dozens of awards, including a New York Foundation for the Arts Fellowship (2003), a Lifetime Achievement Award (1995), a Special Congressional Recognition Award (1988), and the CCNY 125th Anniversary Medal (1973) -- each of which was given in recognition of his scholarship and impact on contemporary literature. Since 1996, Rivera appeared at jazz festivals and clubs, working with such bands as The Sun Ra All-Stars Project, Ahmed Abdullah's Diaspora, Ebonic Tones, the James Spaulding Ensemble, and his own band, The Jazzoets. Last spring Rivera was inducted into the Brooklyn Jazz Hall of Fame. At his last public appearance on Feb. 11, Rivera was the featured poet at the American Jazz Museum’s Black History Month Salute to Jazz Poetry in Kansas City, Mo.
Over the past 40 years, Rivera assisted in the publication of well over 200 books, including Adal Maldonado's Portraits of the Puerto Rican Experience (IPRUS, 1984), John Oliver Killens' Great Black Russian (Wayne State, 1989), Bum Rush the Page: A Def Poetry Jam (Crown, 2001), co-edited with Tony Medina, and The Bandana Republic (Soft Skull Press, 2008). Rivera’s essays and poems appeared in numerous publications, including Areyto, Boletin (Center for Puerto Rican Studies at Hunter), The City Sun, African Voices, and in several award-winning book collections, including In Defense of Mumia; ALOUD: Live from the Nuyorican Poets Cafe; and Of Sons and Lovers. He also appeared on the Peabody award-winning HBO show, “Def Poetry Jam.” Rivera completed the translation of Clemente Soto Veléz's Caballo de Palo/Broomstick Stallion and worked on the collected poems of Otto Rene Castillo of Guatemala, Por el Bien de Todos/For the Good of All.
Born in Brooklyn, N.Y., on May 19, 1945, Rivera was raised there and a proud graduate of Boys High. He began studying the craft of writing in1960 and founded the continuing student publication, The Paper, at City College of New York. After graduation in 1969, Rivera started teaching and his influence as a teacher spanned many generations. He distinguished himself as a professor of creative writing, Pan-African literature, African-American culture and history, Caribbean history, Puerto Rican history, and Nuyorican literature at such institutions as State University of New York-Stony Brook, Hunter College, College of New Rochelle, LaGuardia College, Pratt Institute, and Boricua College, among others.
For 15 years beginning in 1996, Rivera hosted a reading series in Brooklyn, 1st & 3rd Sundays Jazzoetry & Open Mic @ Sistas' Place, where he also conducted writing workshops. For many years Rivera hosted the engaging radio talk and interview show, “Perspectives,” on New York radio station WBAI 99.5 FM (streamed at wbai.org/ archives).
A political activist as well as a cultural icon, Rivera was active in the successful struggle for “open enrollment” at City College in1969. Since then he has participated in many progressive movement and activities, including supporting the establishment of the Freedom Party, which ran candidates in the 2010 New York State election. Rivera co-hosted two Writers for Mumia programs dedicated to freeing longtime political prisoner Mumia Abu-Jamal, one in 2007, the other in 2010.
Rivera is survived by his wife, Barbara Killens Rivera; two daughters, Abiba Deceus and Kutisha Booker; son Barra Wyn ; and four grandchildren, James Booker, Akalia Booker, Quamey Venable, and Jean-Oliver Deceus.
This seems like a positive project. For the original link, check here.
Call for Participants: Beyond and Between the Crescent and the Cross
My name is Kameelah Janan Rasheed and I am a photo-based artist, archivist & historian, writer, and high school teacher based in Brooklyn, NY. I am embarking on a new project that I have been dreaming about for over a decade. At 26, I feel ready to take on this project called BEYOND AND BETWEEN THE CRESCENT AND THE CROSS.
Working primarily as a photographer, but also as an oral historian and an archivist, I seek to document the varied ways people of African descent in America explore spirituality outside of the traditional iterations of Islam and Christianity. I was raised in Sunni Muslim family, attended a Catholic high school, and currently live in an Hasidic Jewish neighborhood in Brooklyn. Still a practicing Muslim, my curiosity piqued at the age of 15 when I began to research the Moorish Science Temple and Black self-proclaimed prophets of the early 1900s.
Looking beyond the hue diversity of my community, simply, I want to document our spiritual diversity. I want to hear stories. I want to ask questions. I want to connect paths. I am interested in interviewing and photographing self-identified Buddhists, Hindus, Jews, Rastafarians, Mormons, Moors, Five Percenters, non-identifying, Agnostics, Atheists, etc. of African descent/Black based in the United Stated. Let’s connect. The end “product” of this work is an audio and photography-based exhibit that will start as a growing web-based archive. If you are interested in being interviewed and/or photographed (this can be a portrait of you, a physical space, a material/artifact, etc.) or have questions/suggestions, please contact me directly.
I am based in Brooklyn, NY and more than willing to travel to Upstate NY and throughout the five boroughs, New Jersey, D.C/Maryland/Virginia, Connecticut, Philadelphia, and Boston. When I secure additional funding, I will be able to travel a greater distance so please let me know if you’re interested even if you do not live in the areas listed above.
While this whole project is unfolding, I will be posting research and process notes here.
The term blackface typically conjures up images of performers (both white and black) with caricatured African features in a style which in recent memory was best embodied by Al Jolson. Billy Crystal's performance was definitely not that, but it does bear a family resemblance.
One fact, which should be noted is that Crystal doesn't just have an isolated love for Sammy Davis Jr. but he is clearly really into blackface and the "performance of blackness" generally. For example, when he was on Saturday Night Live, in addition to his many Sammy Davis Jr. impressions, he did a short "mockumentary" with Christopher Guest in blackface as a retired ballplayer in the Negro Leagues.
Then on the Tonight Show, Billy Crystal did an extended impression/interview (thankfully without makeup) of Muhammad Ali, announcing that he was changing his name (again) to "Izzy" Chayim Yiskowitz and converting to Judaism.
I'm willing to concede that Billy Crystal is a well-intentioned person who doesn't mean to be racist but the same could have been said of Al Jolson. The issue with minstrely (in its old or new forms) is that every attempt at representation is ultimately a misrepresentation. By its nature, it is always a portrayal of blackness under a distorted "white gaze", showing us as they would have us instead of showing us as we are. (For example, in how Crystal's "Muhammad Ali" is made to become Jewish).
It is interesting to me how extensively this S*t Girls Say meme has morphed. As far as I can tell there seem to be 3 major variations 1) misogynist drag show (e.g. the original Sh*t Girls Say) 2) anti-racist criticism (e.g. Sh*t White Girls Say to Black Girls) and 3) self-effacing mini-ethnography (e.g. Sh*t Hijabis Say)
Here are 3 different Arab/Muslim variants of the Sh*t [fill in the blank] Girls Say meme. I'm actually a little surprised that I could find three. The meme is apparently much more widespread than I realized at first. Many of the clips out there seem to have an intrinsic sexist current (by definition delegitimizing what girls say) which at times is counter-balanced by anti-racism (by criticizing prevailing stereotypes)
Shit White Girls Say...to Arab Girls
Stuff Hijabis Say
And also from zikrayat on tumblr: Sh*t White Girls Say to Muslim Girls
I definitely was inspired by the Shit White Girls Say…..To Black Girls vid, and I kind of want to make this a video as well. All the following things have been said to me by white American non Muslim friends. It’s not cute, it’s not funny and it’s offensive.
Do you have to wear that thing on your head when you sleep? SO….where are you from? No I mean, originally…No I mean, your parents….Oh so exotic! Wow you’re like the only Muslim Italian person I’ve ever met! Do you shower with your scarf on? Do…do you have hair? I like hanging out with you because you’re a “normal” Muslim….do you know what I mean? I hope you don’t get offended, but you’re like the only normal Muslim I know. My friends that we are about to hang out with just asked me if you were a crazy Muslim, LOL! Aren’t you hot? I’d totally die in those layers. So do you think I’m like an infidel?? Lol, jk, but seriously… Oh my God your scarves are so unique like where do you buy them. Let me touch the bump of your hair, wait why can’t I touch it?? (Out in public) LOL what if I just wore a hijab right now! *Throws one on* It’s the Muslims job to educate me about Islam Can you help me with my Arabic homework? And I think Muslims should you know, self police. (Walking past a police officer) WE GOTTA BOMB HERE OFFICER Can you set me up with an Arab guy?? I’d totally date an Arab guy but I’d be scared it’d turn into another Not Without My Daughter So you can’t lie like there is totally oppression in the Middle East… Wait you’re not Arab? Stop I’m confused…. Pakistan is Arab right LOL Are you going to have an arranged marriage?
