Monday, July 25, 2005

adio kerida

behar
In some sense, this entry is a kind of counter-point to Planet Grenada. Ruth Behar is a Jewish Cuban-American woman (poet, writer, filmaker, anthropologist) who created the film Adio Kerida which is a documentary look at Cuba's Sephardic Jewish community.

Sephardic Jews view themselves as Hispanic people who are connected to both the Arab and African worlds because of their history of cultural and emotional interpenetration with those worlds. They descend from the Jewish populations expelled by the Spanish Inquisition in the fifteenth century. After the expulsion, they settled in the countries of the Ottoman empire and northern Africa, which welcomed them and made it possible for them to live as Jews among Muslims. 'Sepharad' means Spain in Hebrew. Sephardic Jews are notable for having clung with a passion to their nostalgia for Spain and their love for the Spanish language, despite having been forced to leave Spain because of their ethnic and religious identity.


One might expect that Ruth Behar's experiences as a "white" Jewish Cuban-born American and mine as a Black Muslim US-born Latino could be a potential source of conflict. We come from very different places when it comes to the black/white dichotomy,the Abrahamic religious tradition and Cuba. But in fact I think the multiplicity of identities is something which itself can help bridge the gap. For many people the big demographic variables like "race" "ethnicity" and "religion" tend to line up in predictable ways. White/ American/ Christian or Mestizo/ Mexican/ Catholic or Asian/ Japanese/ Buddhist for example. But when those variables don't "line up" in expected ways, there is a kind of dissonance created which can stimulate a certain kind of acute thoughtful awareness about identity (and a kind of cameraderie that comes out of having a common struggle).

Coincidentally, I've actually met Ruth Behar before. Several years ago, I saw her at the local Latin music spot one night and before I knew her name, I asked her onto the floor and we danced for a while. (There must be some kind of metaphor in there somewhere). After a few songs, we sat and talked for a bit. When she said who she was I was surprised: "Wow, I checked out one of your books out of the library the other day!". Anyway, small world.

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11/4/11
Most of the above links died but you should be able to find some materials here.

Saturday, July 23, 2005

arabs and the racial lessons of 9/11

Ok, I think this will be the last thing I'll steal from the seeingblack.com site, at least for a while. Arabs and the Racial Lessons of 9/11 is a surprisingly self-critical but brief piece by activist Carol Chehade about the role Arab-Americans play in the US racial hierarchy.

a few afro-latino links

Here is a piece about the AfroLatino.com site
The actual Afrolatino.com site (mostly in Spanish)

Red Afrovenezolana (mostly in Spanish)

The Afromexico page (bilingual)
The Black Mexico Homepage (mostly English)
Africa's Legacy in Mexico (a series of essays and photographs)
African Roots Stretch Deep into Mexico (a column)

black colombians fight for land and rights

This is a brief piece from seeingblack.com about how Black Colombians are affected by the conflict between the guerrillas (FARC) and the paramilitary (AUC)

brazil race diary 1999

I just recently discovered some pages with interesting info on Afro-Latinos from Karen Juanita Carrillo at www.seeingblack.com (so that's why a couple of blog entries are about that subject). Here is one about the many ways that issues of race and culture manifest themselves during a brief trip to Brazil

first black "miss honduras" wins court case

This story is a bit old, and I know its "just" a beauty pageant, but that just makes the actions of the pageant director that much more egregious. He resented the fact that a Black woman won the crown of Miss Honduras and didn't want to award her with everything she had coming to her. That's cold.

afro-venezuelan

Chávez Brings Hope to Afro-Venezuelans: On How Blacks in Venezuela are optimistic with Chavez in power.

Completing the Chavez Revolution: On how Blacks in Venezuela are working to fight racism and make gains as a community.


damali ayo

an interesting letter from damali ayo, a conceptual artist with my kind of sense of humor.

tokens aren't just for buses

Check Out rent-a-negro.com
Reasonably priced, discrete and confidential!

black people love us!

blackpeople
Why do Black people love Sally and Johnny?

shobak: outsider muslims

Thanks to elenamary for turning me onto Naeem Mohaiemen. He serves as editor of Shobak: Outsider Muslims a news site with an emphasis on South Asian Muslims. Recently, they have a few good entries about the aftermath of the London bombings.

Western Muslims: "Collateral Damage" of London Bombings
Shahara Islam: British-Bangladeshi among London's dead
Pakistani beaten to death in UK

guantan-ramera?

The New York Times recently did an editorial about how the US military's approach to interrogation in Guantanamo, Cuba is turning female soldiers into lap dancers. The piece is called The Women of Gitmo.

Friday, July 22, 2005

rebirth of a word, a film, a slur

So can the you use the master's tools to take down the master's house?

Check out Rebirth of a Word, a Film, a Slur by Naeem Mohaiemen where he considers Rebirth of a Nation and goes on to discuss the attempts by different communities to re-appropriate racist elements for their own purposes.

(Rebirth of a Nation is DJ Spooky's remix of D.W. Griffith's explicitly racist film, Birth of a Nation, which is actually one of the early subjects I started to blog on in an entry called afrofuturism/ rebirth of a nation)

remembering edward said

Check out this impressive collection of Edward Said's writings.
The Edward Said Archive

disappeared in america

Since 9/11, thousands of Muslim immigrants were detained in a security dragnet. The majority of those detained were from the invisible underclass of cities like New York. They are the recent immigrants who drive our taxis, deliver our food, clean our restaurant tables, and sell fruit, coffee, and newspapers. The only time we see their faces are when we glance at the hack license in the taxi partition, or the ID card around the neck of a vendor.

Already invisible in our cities, after detention, they have become "ghost prisoners." In this, there are eerie parallels to past witch-hunts, including the 1919 detention of 10,000 immigrants after anarchists bombed the Attorney General's home; the 1941 internment of 110,000 Japanese-Americans; the trial and execution of the Rosenbergs; and the HUAC Black-listing under Senator Joseph McCarthy. While our work started in the American context, we have expanded to look at Europe, in recognition that anti-immigrant xenophobia, coupled with Islamophobia (a more acceptable shorthand for "dark masses"), is not a new or uniquely American phenomenon.

VISIBLE, is a collective of Muslim and other Artist-Activists, that created the DISAPPEARED IN AMERICA project. DISAPPEARED is a walk-through installation that uses film, soundscape, images, installations and lectures to humanize the faces of post 9/11 "disappeared" Muslims. It is also a traveling, multimedia lecture that has been shown in Stuttgart (with Walid Raad/Atlas Group), London (with Otolith Group), New York (Queens Museum of Art), Stockholm (Finnish Embassy), Helsinki (Kiasma Museum) and other cities.

The site has alot pages and pictures about this particular project along with many links about the more general phenomena of disappearing Muslims... I even thought I saw a picture of one brother I hadn't heard from in a loooong time.... no joke. (Is that you Daoud? From the Downtown Islamic Center in Chicago?)

(thanks to elenamary)

the rapture

ok, so this is yet another movie entry. No, i'm not turning into Roger Ebert. It's just that I'm still enjoying the novelty of being able to find movie screenplays online. It's an interesting way to go about "seeing" movies. On the one hand, you basically have all the dialogue right there. If you've seen the movie before, you get to be reminded of all your favorite lines. On the other hand you are *reading* it so you still get to use your imagination/memory. I guess it raises the whole question of what is it that makes a movie good in the first place. Is it the lines, the acting, the special effects, the action sequences, cinematography, etc.?
...

So the film I wanted to point you to in this entry (last one for a while) is The Rapture. I once tried to sum it up as "Soft-core for Mormons" (It seems to have a religious moral lesson, but at the same time it also includes graphic portrayals of intimate behavior.) It is about a woman (played by Mimi Rogers) who after living an unfulfilling life goes through a surprising transformation while the apocalypse is happening in the background. David Duchovny (pre-X-Files) also stars. (But that doesn't matter if you are reading the screenplay...lol)

blessed are the cheesemakers

(A crowd is listening to Jesus preach the Sermon on the Mount and he is in the middle of the Beatitudes. The camera pulls out and we even see people in the crowd listening from a distance.)

Jew: Could you be quiet, please. [To trouble:] What was that?
Trouble: I don't know... I was too busy talking to bignose.
Man: I think it was 'Blessed are the cheese-makers'.
Jewwife: Ah. What's so special about the cheese-makers?
Jew: Well obviously it's not meant to be taken literally, it refers to any manufacturers of dairy products.

Here is The Life of Brian from the strange people at Monty Python. In some ways, this is among the most reverential religious parodies ever. The movie is actually really good about treating Jesus (as) himself with extreme respect and seriousness, while ruthlessly making fun of the religious people who misunderstood him, and if he wasn't around, were willing to turn the main character Brian, into a Messiah of their own(whether he wanted to be one or not).

Thursday, July 21, 2005

bamboozled

bamboozled
Spike Lee's 2000 film Bamboozled is actually in some respects an homage to Network. Both are stories where the (anti-)hero works for a television network, is put in a precarious position in terms of their job, and out of desperation "comes down from the mountain" and reveals more Truth than the network is ready to hear.

One significant difference is that Bamboozled obviously takes the scathing social commentary of Network and focuses with laser-like intensity on race, in particular, the representations of Black people in the media.

The stellar cast includes Damon Wayans in the lead role, Paul Mooney as his father, Mos Def, muMz the Schemer, MC Serch and others as part of an activist hip-hop group called the Mau-Maus (The inside pun is hilarious. The analagous characters in the original movie Network were Maoist revolutionaries). Savion Glover and Tommy Davidson play a pair of modern-day television minstrels. And the members of the Roots play the role of musicians (wow, what a stretch) for the tv show, where they are caled the Alabama Porch Monkeys.

In any case, the film is amazing and not to be missed.

An interview with Spike Lee about the film

official Bamboozled site.

If you think television is a Satanic implement to enslave humanity, and you live too far away from a Blockbuster Video, here is the screenplay to Bamboozled

"i'm as mad as hell, and I'm not going to take it anymore"

The title of this entry comes from the (remarkably prescient) 1976 film Network. Before the Daily Show and Politically Incorrect... before Tough Crowd and Fox News... before Morton Downey Jr. (Anyone remember him?) this film explored what can happen when journalists depart from the usual lies and try to speak the truth in a new way. It is the story of Howard Beale, an aging tv anchorman at the UBS television network (smile) where the news division has been recently put under the control of the entertainment division. As a result, Beale, the respected, but less than telegenic, anchor is fired. But before he fades away, he gives a 'final' broadcast so electrifying that it causes the network to rethink their decision and sparks a series of events which ultimately spiral out of control.

I have been thinking about the movie these because it seems like so much of our news is distorted by the desire to entertain rather than inform. The local news gets more and more sensationalized. And it is a little scary how many people have Comedy Central's Daily Show as their main source of news. (poll on where people get their news)

If you don't have an account at Hollywood Video, here is the entire screenplay for the film: Network

spanglish is my language

After pointing to the Badmash site, I figured I should also mention www.pocho.com which is a hilarious Latino humor site which I've actually "borrowed" a few images from. And a high point of the website is definitely the humor of cartoonist Lalo Alcaraz. One downside is that the site doesn't seem to get updated very often.